

The Fourth Body[2004]
Roy Stuart started as photographer, but later made documentary movies as well, such as “Glimpse”. His photographs often deal with the female body. In The Fourth Body we apparently see him at work. Not that we see much of the photographers, the movie concentrates on females. Sometimes they are dressed, usually they are undressed. We see a few hardcore scenes being recorded, but usually we see females on the set. Many of these sets are either artsy, weird or fascinating. There are also shorts scenes of the changing of the guard in Copenhagen. This movie is not a movie in the traditional sense, for no real story is told. In fact it is more or less a collage of moving photographs.
Movie: The Fourth Body
Top 2 Billed Cast
Recommendations Movies

Ma mère(fr)
After his father's death, a young man is introduced to a world of hedonism and depravity by his amoral mother.

The Last One of the Six(fr)
Paris, France. Commissaire Wens is put in charge of the investigation into the murder of one of six friends who, in the past, made a very profitable promise.

Change(en)
I was somewhere between the beggining and the end of life. After winter became spring, and summer became fall, and fall winter again. I always knew change would be constant.
Sentier (The Pathway)(bn)
An educated middle-class man caught up in the turmoil of social unrest and love.

Joyeux Noël(en)
During the first holiday season without her beloved father, a young woman attempts to recreate their traditions with his cremated remains.
Forest(en)
Small, yellow-bellied forest spirits make a discovery that threatens the balance of their world.

Bhavani Junction(hi)
In search of his wife's killers a man arrives at Bhavani Junction

AzulScuro(pt)
After her sister's mysterious death, Sofia comes across new evidence that might enlighten the case, while a demonic entity lurks in the darkness.

American Black Beauty(en)
After her father dies in a horse riding accident, a displaced city girl named Cheryl is sent to live with a foster family on a farm in the country. Here she meets a magnificent horse. Cheryl learns to face her fear of horses and manages to race once again.
Kong Haakons besøg paa 'Herluf Trolle'(da)
King Haakon visits the battleship 'Herluf Trolle'

From Iceland to EDEN(en)
An action driven love story about a young couple who become drug dealers in Reykjavik, but want nothing more than to get away and start a new life. When they decide to make a go for it with stolen narcotics from an infamous drug lord, their hopes and dreams begin to crumble.

New and impatient son-in-law, promiscuous relationship(ja)
2001 pink drama.

The Crossing(ar)
Three Palestinian siblings attempt to visit their bedridden grandfather who resides on the other side of the separation wall.

Jennifer Lopez: Let's Get Loud(en)
"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.

Face to Face(ja)
On the night of graduation, Karen doesn't attend and instead invites her estranged friend Yuri to drive out and see Godzilla, who has barely moved from the Aomori Prefecture. An entry for GEMSTONE's Creators Audition, a collaborative project between Toho Co., Ltd. and AlphaBoat in which Japanese artists and filmmakers competed in a challenge to create new works inspired by the Godzilla series.

Pero… ¡en qué país vivimos!(es)
Antonio Torres, a serious singer of Spanish popular music, and Bárbara, a vivacious yé-yé singer, face off in a chaotic contest promoted by Rodolfo Sicilia, an overworked publicist.

My Name Is Not Ali(de)
Travelling between Germany, France and Tunisia, Viola Shafik reconstructs and deconstructs the unknown life story of El Hedi Ben Salem through interviews with his companions and family members as well as archive material. With openness and slight naivety the interviewees explain how “Ali” became an oriental object of projection for the Fassbinder group, while El Hedi Ben Salem, the human being, was overlooked in order to establish the foreigner as “other.” A no-frills examination of a piece of German and Munich film history.