The story takes place during the end of the Pacific War and the aftermath period and it focuses on Mizoguchi, who is the son of a Buddhist Priest. When his father dies, he’s sent to the Temple of the Golden Pavilion in Kyoto. Mizoguchi is physically unattractive and becomes, in some way, jealous of the beautiful Temple that he loves so much.
The story takes place during the end of the Pacific War and the aftermath period and it focuses on Mizoguchi, who is the son of a Buddhist Priest. When his father dies, he’s sent to the Temple of the Golden Pavilion in Kyoto. Mizoguchi is physically unattractive and becomes, in some way, jealous of the beautiful Temple that he loves so much.
1976-07-17
6.3
The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..
Richard Dawkins, Daniel Dennett, Sam Harris and Christopher Hitchens sits down for an unmoderated 2-hour discussion on religion.
Do, Re and Mi in this sequeal tells the tale of a group of gangsters who are planning to rob a bank. So they use this oppurtunity to con them out of it and capture them at the same time. Many comedic memorable moments are carried out through the movie.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
Filmed across two sold-out nights at Birmingham N.E.C. Arena, UK in November 1988 during the band’s “Seventh Tour Of A Seventh Tour”.
Love them or hate them, the Yankees dominated baseball for more than four decades, then sagged under ownership by CBS until a 42-year-old shipbuilder named George Steinbrenner led a purchase of the team in 1973. He turned that $10m investment into a billion-dollar business, and the 'House that Ruth Built' inspired generations of fans. Deteriorating facilities and changing revenue streams inspired Steinbrenner to build an impressive new stadium marking the end of one grand era and the beginning - perhaps - of another.
A strange wire-fingered homunculus navigates through his dreams of different faces and faces, traversing a subliminal and endless variety. They are all different faces, but all have huge eyes that are questioned as to what keeps them apart, perhaps left broken by an impossible love.
A 1917 Swedish drama film directed by Victor Sjöström, based on a 1913 novel by Selma Lagerlöf. It was the first in a series of successful Lagerlöf adaptions by Sjöström, made possible by a deal between Lagerlöf and A-B Svenska Biografteatern (later AB Svensk Filmindustri) to adapt at least one Lagerlöf novel each year. Lagerlöf had for many years denied any proposal to let her novels be adapted for film, but after seeing Sjöström's Terje Vigen she finally decided to give her allowance.
Maverick downhill racer, Tyler Crowe, reunites with best friend and renegade snowboarder, Mark Rider. It doesn't take long for the old friends to take on a new mission. Together they head to Alaska, where led by a veteran guide, the two attempt the most daring descent on snow ever caught on film. But with glory comes risk. And this challenge is no exception.
Pialat's first film was the short Isabelle aux Dombes, shot in 1951 when the director was 26 years old. The film is an entirely silent montage of documentary footage, ragged experimental techniques — mainly some negative-image inserts — and symbolic psychodrama that's surprisingly not too different from the work that Stan Brakhage would begin making just a year or two later. Images of death proliferate throughout the film, and what started as a loose documentary soon becomes an eerie psuedo-horror piece that's obsessed with death and decay.
A documentary depicting the Warsaw district of Powiśle where time has stopped. One of several films made by Kazimierz Karabasz included in the "black series" of Polish documentaries. Featuring a commentary typical for documentaries of the second half of the 1950s, it is distinguished by penetrating observation and lyricism.
Based on the historical attack on Writers' Building by three Bengal Volunteers in 1930. Releasing on Indian Republic Day.