10/26(2026)

Looking Back Before You Leap(en)

A collection of memories from a tumultuous time at University.

Peace and Silence(fi)

Leevi Pienihäkkinen’s tight experimental short documentary Peace and Silence dives into the Helsinki night, exploring the darkened city with fresh eyes. The familiar spots of the city centre flash in the images, but something is different. The everyday becomes weird, details vanish, lights shine taking over everything around them. Humans remain anonymous and faceless, silhouettes against the backdrop of the dark city.

Let Me Do No Harm(en)

A short documentary and character study about a woman's complex relationship with religion and family.

SIN PIEDAD(es)

Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.

Metropia(es)

Days, Months, Years and Nothing Else(en)

This short film, built around a randomly chosen name and composed of scenes shot within a single room over the course of three hours, features an introspective monologue that was shaped and adapted during the editing process. The narrative aligns closely with the emotional tone and visual rhythm of the piece, particularly in harmony with the non-original music selection, Maggot Brain by Funkadelic.

Artificial Intelligence, 2023(en)

Composed entirely of AI-generated visuals and providing an abstract representation of the evolution of AI video, processed entirely through a VCR.

Vietnam Story(en)

A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.

The Song of the Years to Come(es)

On the island of La Gomera, children imagine stories while they examine archeological remains. An ethno-fictional journey in which past and present coalesce, creating resonances between the volcanic landscape and Silbo, the whistled language of the island.

Pictures for Charis(en)

In Pictures for Charis, American photographer Kelli Connell reconsiders the relationship between writer Charis (pronounced CARE-iss) Wilson and photographer Edward Weston through a close examination of Wilson’s prose and Weston’s iconic photographs of the Western landscape and the female nude. Connell weaves together the stories of Wilson and Weston with that of her own relationship with her partner at the time, Betsy Odom, enriching our understanding of the couple from her contemporary queer and feminist perspective. Using Weston and Wilson publications as a guide, Connell and Odom created portrait and landscape photographs at sites where Wilson and Weston lived, made art, and spent time together. - Cleveland Museum of Art

Alpenglow(en)

Seven actors are brought to an isolated house where they must stay in character for three days under constant surveillance.

Ottimismo democratico(it)

FASCISM(s): A Film in Six Parts(en)

Six sequences about Fascism and its segments throughout history.

Liminally, Yours(en)

The last person on Earth revisits their memories as they wander a lonely world

Trapline(en)

Ellie Epp’s 12-shot study of a soon-to-be-demolished public bath in London, which “maps another way out of structural film toward a cinema of delicate implication".

The Garden Cadences(de)

Jone is ready to fly. She finds herself at the beginning of something new, but before she moves on, there needs to be a closure. Jone is one of Mollies, the queer-feminist collective that had been living for a decade at a trailer park next to Ostkreuz, Berlin.

Notes of Resistance and Erasure(en)

This experimental short traces the lifespan of the graffiti and murals present at the occupation of NYC’s City Hall in June and July of 2020. The encampment formed to demand the abolishment of the NYPD and the reallocation of its resources to housing, education, and other social programs.

The Wurst Has a Master Plan(en)

A rain parade of sausages meets camels and kings in the 32 minute experimental syncing of Pharaoh Sanders' "The Creator has a master plan"

Reflections of a society(es)

In this 21st century, under the cloak of capitalism, governments, and other systems by which society is governed, this short film shows the true social reality of many people “on the street”.

20 years and other untranslatabilities(xx)

By reversing the image of the burning and destruction of Chinese-Indonesian homes and cultures in the May 1998 tragedy, the filmmaker documents a funeral and cremation she conducted in response to the ethnic hatred that was still being discussed 20 years after the 1998 atrocities. Can memories be erased? What can we choose to forget? What continues to haunt us?