When a gambling boss named ends up dead, he leaves his two sons, Chia Chin and Chia Kang in the custody of his good friend Chiptooth. While beset by temptations on all sides, Chia Chin tries his best to make an honest living for himself while his brother Chia Kang ends up running with the wrong crowd and gets into all sorts of trouble.
Cheung Mei Ling
When a gambling boss named ends up dead, he leaves his two sons, Chia Chin and Chia Kang in the custody of his good friend Chiptooth. While beset by temptations on all sides, Chia Chin tries his best to make an honest living for himself while his brother Chia Kang ends up running with the wrong crowd and gets into all sorts of trouble.
1982-09-01
6.5
Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.
The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.
Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.
Sal comes to the Barbary Coast from New England to find out who murdered her brother. She gets a job signing in Dude's saloon, falls in love with Dude, then wonders if he might be involved in the murder.
She goes on the trip with five colleagues from I-Vaginarium, a group of transsexual women with whom she will share an intense week in unusual natural landscapes, exploring the ins and outs of their personalities, looking for answers about what unites them and learning to deal with their differences.
The 3rd Super Giant film, in which he saves Earth from the threat of the reptile-like Kapia Aliens.
This is a film about how war settles in the bodies of the people who are forced to experience it directly. And then, thousands of miles away and dozens of years ahead, how, like a virus, it can still infect other human beings.
Kevin must go to Hawaii to attend the wedding of his big sister. The day before the wedding he goes on a misadventure with his future brother in law and his crazy groomsmen that changes his life.
A film that chronicles over forty years of dancemaking in the San Francisco Bay Area. The film begins with dance revolutionary Anna Halprin and highlights seminal Bay Area choreographers including Mangrove, Tumbleweed, ODC/San Francisco, Margaret Jenkins, Dance Brigade, Joe Goode and Contraband. The films addresses the special nature of the Bay Area's social, political and environmental climate; the marginalization of Bay Area artists due to the New York dance establishment and the unique and vital dance community that continues to grow.
A single girl in an isolated, closed community yearns for marriage and motherhood.
On August 5, 1947 an astounding announcement was made: Dr. F. Bruce Russell, a retired doctor from Cincinnati, had found a cave with giant mummified remains and artifacts from a lost civilization. Fifteen years earlier a miner broke through a mine shaft and into a tunnel of caverns, which he claimed led to the remains of an ancient people. And before that, one of the men who hauled borax in the big wagons also stumbled upon a cavern with remnants of a forgotten and lost race. All of these accounts take place in Death Valley, the deepest, driest, hottest place in America's Mojave Desert. Filmmaker and Historian Ted Faye takes you on a journey to discover whether there really are caverns of gold and mummies in this most famous desert valley. Included is spectacular scenery, aerial photography, archival footage and photographs, historical reenactments and interviews.
Janma Janma is a Nepali film that delves into love, dreams, and the cycle of life. The story follows Amar and Praya, a couple deeply in love. Praya is haunted by recurring dreams of someone trying to kill her, which leave her anxious and fearful. Amar, along with her parents, reassures her that the dreams aren’t real and encourages her to move forward. Praya eventually finds a new beginning, embracing a fresh life. However, she discovers that her old friends didn’t get the same chance at renewal. She shares this realization with Amar, urging him to cherish love and life. The story concludes with Amar reflecting on her words, highlighting the fleeting yet profound beauty of existence. Janma Janma is directed by Sital Nepal and written by Yubraj Lama. It weaves an emotional narrative of second chances, dreams, and the power of love to overcome life’s uncertainties.
Soviet animation film based on the Russian folk tale " Daughter and stepmother".