

Clarisse
Marcos
Guto
Marcelinho

2025-03-15
0
0.0Three friends break into an abandoned house at dawn. What starts as a joke becomes a nightmare when a monstrous creature attacks. As they flee through endless corridors, they discover a terrifying truth: there's no way out.
7.0The dance film When the Night Falls tells the story of a woman fleeing the horrors of a collapsing society in the near future. Along the way, she encounters people on whose trust her entire future depends on.
0.0Morgana is a trans woman who was kicked out of her home at 18 and has since had little contact with her siblings. After her mother’s death, she attends her nephew’s birthday party.
OFFERING creates a meaningful and joyful convergence between the Migration Dance Film Project’s body percussion artists and emerging artists from dance (gigue, contemporary, street) and circus arts. The choreography uses the power of procession in Montreal’s urban borough of Little Burgundy to amplify its storyline of (re)imagined homescape in the era of mid-pandemic. The procession formed by movement artists from across communities weaves its way through urban corridors, neighbourhoods, green spaces — an uncoiled assemblage of nomadic storytellers anchored in the intimate knowledge of individual and shared experiences in unison. OFFERING imbues movement in stillness within our city and takes refuge in its powerful migratory patterns traced across our urbanscape.
0.0Gluttony is a haunting exploration of the devouring mother archetype, embodied by two twin dancers locked in an eternal cycle of consumption and dependency. Through visceral contemporary movement, the film unravels the tension between nourishment and destruction, love and suffocation. Inspired by the Ouroboros, the choreography unfolds in a labyrinthine setting, where the daughter desperately seeks escape, only to find herself inevitably drawn back. The visual language plays with the abject—orange gelatin evoking amniotic fluid, fractured reflections, and tactile imagery that blurs the boundaries between bodies. It is not just about gluttony; it is about inheritance, identity, and the inescapable hunger for connection.
0.0An abstracted film to contribute to the fight against racism. As an immigrant, I have experienced it first hand. This film showcases the beauty and richness of humanity. Nine cultures unite to make art. The dancers will tell you what brings humanity together. We must come together.
0.0NUVEM is a screendance piece created using the point cloud technique, exploring the boundaries of form and presence within digital space. Dispersed points are drawn to each other like suspended particles, guided by invisible forces that shape them into ephemeral bodies — cloud-bodies that emerge and dissolve in constant mutation. The work constructs a sensory landscape where movement is not only choreographic, but also magnetic. As if held in suspension by an unseen magnetic field, NUVEM invites the viewer to immerse themselves in this rarefied universe, where the body’s contours are volatile and time unfolds in slow, continuous transformations.
0.0Directed by Stephanie Kobes-Newcomb in collaboration with the dancers
0.0The complex interaction between the different facets of an individual in conflict, where multiple personalities compete for dominance while the true identity seeks to assert itself. The work invites the viewer to reflect on the fragmentation of identity and the yearning for inner reconciliation.
0.0A screendance film about balancing. Special thanks to Colorado College.
0.0Erosion alludes to the process of shaping through which bodies are traversed. Time, as an agent of molding and unmolding human relationships, deposits in each encounter supported breaths, creating passages and possibilities of cracks for access to the other, in an attempt to avoid calcification.
0.0Filmed on the Colorado College campus. Explores the relationship of performer to place.
0.0A collaboration between the University of Colorado Colorado Springs Theatre & Dance and FIDA-UNICAMP.