Johnnie got his gun is a mix of interview snippets with To, these are taken from various sources and are cobbled together with clips from including Breaking news, P.T.U and The Mission amongst others. It seems Montmayeur did do an interview but it's so chopped up and mixed in it feels insignificant. Prominent members of casts and crew also feature in interview form but again from many different times and sources.
Johnnie got his gun is a mix of interview snippets with To, these are taken from various sources and are cobbled together with clips from including Breaking news, P.T.U and The Mission amongst others. It seems Montmayeur did do an interview but it's so chopped up and mixed in it feels insignificant. Prominent members of casts and crew also feature in interview form but again from many different times and sources.
2010-10-30
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A walk through the career of French filmmaker André Téchiné, from his own point of view and that of those who worked with him: Catherine Deneuve, Daniel Auteuil, Emmanuelle Béart, Juliette Binoche and Sandrine Kiberlain, among others.
E. T. the Extra-Terrestrial, Steven Spielberg's endearing movie released in 1982, achieved the triple feat of bringing to life one of the most iconic characters in pop culture, revolutionizing science fiction cinema and establishing itself as one of the highest-grossing family movies in the history of cinema, capable of making the whole world laugh and cry.
Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines. In extrapolating the idea of movies as song-lines he examines feature films under the following categories: songs of the land; the bushman; the convicts; the bush-rangers; mates and larrikins; the digger; pommy bashing; the sheilas; gays; the wogs; blackfellas; and urban subversion. He then concludes that these films can be thought of as "Hymns that sing of Australia."
A revealing look at the great Quebecois director who gave us such classic films as Mon Oncle Antoine, A toute prendre and Kamouraska: Power of Passion. Amidst the rise of French-Canadian identity and the political struggles of the '60s, Jutra was at the forefront of a group of artists dedicated to social change and attacking taboo.
An in-depth exploration of supervillains across comic book history, this French documentary zooms in on the complex motivations, origins, and morals behind these sinister yet fascinating characters.
Claude Ventura's documentary Chambre 12, Hotel de Suede, was made for the French television channel Arte in 1993. Ventura checks into room twelve in the hotel's final week of operation: it is demolished the day after he checks out. Room twelve was one of the principal locations for Jean-Luc Godard's New Wave masterpiece Breathless, and Ventura's documentary investigates the production of Godard's film.
First part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Followed by The Wages of Sin.)
Documentary about the making of 20th Century Fox's 1963 film "Cleopatra," then the most expensive film of all time.
A documentary about the era of classic monster movies that were made at Universal Studios during the 1930s and 1940s.
Documentary about Marcel Camus' 1959 film Black Orpheus, its cultural and musical roots, and its resonance in Brazil today.
A loosely chronological visual “scrapbook” marking the 25th anniversary of the death of Luis Buñuel.
Shot in France, England, Switzerland and the United States, this documentary covers director Alejandro Jodorowsky (El Topo, Holy Mountain, Santa Sangre) and his 1974 Quixotic attempt to adapt the seminal sci-fi novel Dune into a feature film. After spending 2 years and millions of dollars, the massive undertaking eventually fell apart, but the artists Jodorowsky assembled for the legendary project continued to work together. This group of artists, or his “warriors” as Jodorowsky named them, went on to define modern sci-fi cinema with such films as Alien, Blade Runner, Star Wars and Total Recall.
A journey through the meteoric rise and tempestuous story of the legendary American actor Al Pacino, from the Bronx of New York to worldwide stardom.
A memory of Marilyn Monroe (1926-1962), woman, actress, goddess, myth, in the words of the Spanish director and scriptwriter José Luis Garci, who returns to his childhood and recovers a lost paradise.
With his naïve air, his rangy and reassuring silhouette, James Stewart symbolizes success, someone who everybody wants to look like. Behind his legendary nonchalance, Robert Mitchum is the figure of the bad boy, the kind-hearted hooligan who anyone would like to have for accomplice. What is the legacy left by these two big myths of the Hollywood cinema and in which way they fed the American dream?
A documentary insight behind the scenes of Roberts Altman's Short Cuts.
The story of the aborted 1937 filming of "I, Claudius", starring Charles Laughton, with all of its surviving footage.
TV Documentary about Ingmar Bergman from 1998.
In Search of Kundun, a “making-of” documentary that is so much more, follows Scorsese as he plans his epic film and shoots in Morocco, and continues on to an audience with the Dalai Lama himself in the foothills of the Himalayas. Edited from over a hundred hours of footage, the documentary captures Scorsese’s fervor as a filmmaker and a man, the modest yet charismatic Dalai Lama, and the plight of the exiled Tibetans. -Denver Film Society
The life of Paco Martínez Soria (1902-1982), one of the most famous and beloved Spanish actors, both on stage and screen; a comedian, a theatrical producer, an idol for the masses. A celebration of the uncommon gift of making people laugh.