Filhos da Cratera(2025)

Medo de Sobrar, Medo de Sonhar(pt)

Amílcar(pt)

Poet, agricultural engineer and revolutionary Amílcar Cabral was born in Guinea-Bissau to Cape Verdean parents. After studying in Portugal, he emerged as the charismatic leader of the anti-colonial struggle against Portuguese rule. With his utopian ideas, he sparked a cultural and an armed uprising that went on to inspire other African liberation movements.

REEXISTIR(pt)

A documentary web-series that presents experiences and resistance in the fight stories of the LGBT community. These stories are told in order to generate more empathy and compassion among people inside and outside the community, and especially, to bring a message of hope, strength, and resilience to all LGBTs, encouraging us to keep our heads up and continue to resist.

Una piedra pequeñita(es)

Mateo (5), Nadia (9), Mati (4) and Isabella (5), are neighbors of a settlement located in the middle of an open-air garbage dump. These little protagonists appropriate the space they inhabit from the playful reflecting what it means to grow up in La Favela.

With Almost Nothing(pt)

In Cape Verde, where the majority of the population is young, children use olive oil cans, bits of sandals, leftover tires and pieces of cardboard to build their own toys. The absence of a consumer society and the challenges posed by insularity have led them to invent their own recreational independence with almost nothing.

Sou Jazz(pt)

Sound is a journey. Each note opens a door, closes another. Instruments chart the course. Through a poetic and immersive lens, Sou Jazz shines a light on musicians from the Paraisópolis community, reaffirming the social and transformative power of art. The film invites viewers into a reflective, sensory exploration of the relationship between jazz and life on the margins.

Nana Chela(es)

pertencer(pt)

Villanegyed(hu)

MATRIARCH(it)

The cult of the Madonna dell'Arco dates back to the 1400s, when a young believer, after losing a game of pallamaglio, threw a ball in anger at a portrait of the Madonna under a Roman arch. The Madonna began to bleed. The crowd wanted to punish the boy for his wicked deed. The Count of Sarno decided to have him hanged from a tree. A few hours later, the tree withered. This is the myth that has always accompanied the oldest Marian cult in Campania (Italy).

Terre marronne(fr)

Rider(es)

A young woman working as a rider is forced to make a dangerous delivery that will put her life at risk during a night filled with urgent personal problems that she must solve through phone calls. Millions of people make a living as riders around the world, Fio’s story of redemtion is but one of them.

Pessoas São Prédios(pt)

In a Porto Alegre swallowed by real estate speculation, elderly residents begin to disappear without explanation. As new buildings rise at a frightening pace, a woman finds herself facing a truth no one else seems to see.

O Homem Que Escrevia Notas de Falecimento(pt)

Fiado Só Amanhã(pt)

La vagancia(es)

Cape Verdean Cranberry: The Fernandes Story(en)

Follow the story of one family's contribution to the history that ties Cape Verdean immigrants to the cranberry industry in southern Massachusetts.

Rupture(fr)

Every winter, a group of young people from the rough neighbourhood Peterbos in Anderlecht make a trip to the Pyrenees. Rupture follows these youngsters, on the brink of adulthood.

Inferno Rosso: Joe D'Amato on the Road of Excess(it)

Who was Joe D'Amato aka. Aristide Massaccesi? A genius of horror in the USA, a master of eroticism in France, the king of porn in Italy. A man with a thousand pseudonyms capable of making over 200 films while simultaneously holding the roles of producer, director, author, director of photography and even camera operator. An artisan of cinema as he liked to call himself, capable of working on all film genres. From spaghetti western to post-atomic, decamerotic to glossy eroticism, and blockbuster porn to bloody horror. Guided by the aesthetics of extremes and supported by an undeniable technical ability, Joe D’Amato pushed himself, and the viewer, beyond all limits following with dedication three rigid principles that have become his stylistic code: Amaze, Shock, Scandalize.

I Don't Know(ro)

Invited by the goEast Film Festival in Wiesbaden (Germany), Radu Jude created a self-portrait. A confinement diary made of his thoughts, his relationship to cinema, his inspirations or the streets, objects and people that surround him.