When They Welcomed Me...(NaN)

Barefoot Gen 2(ja)

Three years after the Hiroshima bombing, a teenager helps a group of orphans to survive and find their new life.

Somewhere Near. The Story of a School Break(uk)

Yulia is constantly harassed by her classmate Lika. Unexpectedly, Yulia rescues Lika's brother, who was involved in a car accident. Lika, who was the bully, changes.

Who Do You See?(en)

A short self biography about introducing yourself to others, and asking "who do you see?"

See You Tomorrow(ko)

A day of Hyo-jeong, a first-year student in high school, who repeats a routine endlessly.

Sweetie(hr)

Today is the day when the Tvrtko must choose the right path - the path to school.

My Perestroika(ru)

Tells the story of five people from the last generation of Soviet children who were brought up behind the Iron Curtain. Just coming of age when the USSR collapsed, they witnessed the world of their childhood crumble and change beyond recognition. Through the lives of these former schoolmates, this intimate film reveals how they have adjusted to their post-Soviet reality in today's Moscow.

You're Leaving Amsterdam / Welcome To Amstelveen: Introduction(en)

A short documentary film functioning as the introduction to the One Minutes x Inter-Architecture Department (Gerrit Rietveld Academy) short-film broadcast episode for Rietveld TV, as aired on SALTO. This broadcast was meant to give an artistic impression of a communal art-project developed by the Inter-Architecture Department for the municipality of Amstelveen, The Netherlands. This short documentary film introduces each duo placed and posing at their respective project-based locations, spread out over Amstelveen, through purposely awkward still-but-moving vignettes. The duo's are reintroduced several times in quick succession, with each consecutive appearance showing more of an awkward inter-personality, meant to evoke a certain liminal playfulness. An overpass, a bridge, a bridge-barrier, a docking port, the border between Amsterdam and Amstelveen, the edges of Amsterdamse Bos, an abandoned railroad.

School Spirit(en)

A group of social outcasts, stuck in weekend detention, find themselves stalked by their school’s urban legend who is set on killing bad students.

Bati(fj)

A humble young security guard in the Fiji Islands rising from the struggles of city life pursues his dream of becoming a professional boxer as he steps into the ring to provide for his struggling family. Facing personal loss, fierce rivals, and a complicated mentor, Sam must fight not just for glory, but for redemption and identity.

Bub(en)

When a sudden move disrupts Harper's life, she is left wondering what this change means for her relationship with Maisie, her imaginary best friend. Left to pack up the remnants of her childhood, Harper has to figure out what has to come with her, and what has to be left behind.

Conversations in transit(en)

Three women on a morning train face life-changing choices that force them to confront love, betrayal, and desire as they decide their futures.

An Adventure in Hearts(en)

American agent Captain Dieppe gets involved in the affairs of lonely Count Fieramondi in Northern Italy. Dieppe, hired to help the count reconcile with his wife who has gone to Rome to pay off gambling debts mistakenly falls in love with her cousin, Lucia, who is impersonating her. After Dieppe retrieves evidence of the debts and the real identities are revealed, he makes a final sacrifice to ensure the count and countess can reunite.

Men, Women, and Money(en)

The Song of the Sheep(fr)

A shepherd discovers his wine is gone and one of his sheep, Hervé, can suddenly talk.

Nurses Come and Go, But None for Me(en)

The film by Ed Atkins and Steven Zultanski combines a performative reading of Philip Atkins’ (Ed’s father) diary, written during the six months leading up to his death, with the reenactment of The Ambulance Game, a role-playing game played by Atkins and his daughter. Originally private, both the diary and the game are now performed publicly, with the camera alternating between the performers and the audience, emphasising voyeurism and shared intimacy. Exhibited at Tate Britain alongside Atkins’ writings, paintings, embroideries, video works, and drawings, Nurses come and go, but none for me (2025) marks both Hartwig Art Foundation’s first commission of a work by Ed Atkins and the artist's debut feature-length film.