MD+IA=?(2023)
Co-directed by Max Devereaux and Igor Amokian, MD+IA=? is a sonic and visual collage that fuses circuit-bent electronics, broken tape loops, glitching drum machines, and free-improvised guitar. Amokian’s footage of modified CRT televisions generating unruly abstractions is layered with Devereaux’s processed iPhone videos, altered through datamoshing and glitch-editing apps. The result is a vivid collision of sound and image—a colorful flux of patterns and distortions where technology’s failures become raw material for improvisation.
Movie: MD+IA=?
Video Trailer MD+IA=?
All 1 videos
MD+IA=? (2023) Max Devereaux & Igor Amokian Short Film - Clip
Similar Movies
Black Lake: Director's Cut(en)
Whilst house-sitting in a secluded home in Scotland, Aarya, an expressionist painter, is gifted a red scarf sent by her aunt from Pakistan, and becomes haunted by a Churail; a demonic and malevolent South-Asian Witch.
Billy Connolly: Portrait of a Lifetime(en)
Celebrating Billy Connolly's 75th birthday and 50 years in the business, three Scottish artists - John Byrne, Jack Vettriano and Rachel MacLean - each create a new portrait of the Big Yin. As he sits with each artist, Billy talks about his remarkable life and career which has taken him from musician and pioneering stand-up to Hollywood star and national treasure.
Where Is Amy Pressman(en)
In 2007, a teen girl from a posh L.A. suburb must deal with the grizzly murder of her family while trapped in the company of their killers.
Liminally, Yours(en)
The last person on Earth revisits their memories as they wander a lonely world
Vertical White(en)
With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical White is part of a trio of video works that are a series of dream-like moving pictures.
Vertical Red(en)
With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical Red is part of a trio of video works that are a series of dream-like moving pictures.
Vertical Wide(en)
With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical Wide is part of a trio of video works that are a series of dream-like moving pictures.
Soft Self-Portrait of Salvador Dali(en)
A documentary about surrealist artist Salvador Dali, narrated by Orson Welles.
Mondongo II: Portrait of Mondongo(es)
“This is a film about the end of a friendship. It wasn’t meant to be. Fifteen years ago, they painted my portrait.” (Mariano Llinás)
Notes on a Scandal(en)
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
R52.9 Pain, unspecified(de)
Period pain varies greatly in terms of its form and intensity. It is not easy to describe in words, and it is often trivialized and dismissed. This film aims to break this taboo and visualize the feeling of having a period based on personal experiences, making it more tangible.
One Minute Reharsal(pt)
Actors Isabella Lafin and Rafael Grendene reharsing a scene from the movie Marriage Story (2019).
Meat Joy(en)
"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."
The Big Fake(it)
Toni Chichiarelli arrives in Rome with the dream of becoming a painter, but his talent leads him elsewhere — from art galleries to state secrets. Between art, crime, and power, his signature ends up everywhere — even in the history of Italy.
An Uncountable Number of Threads(en)
Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.
The Psychedelic Experience(en)
Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.