
Symphonie 'Monotone-Silence', 1947-1948 "During this period of concentration, I created, around 1947--1948, a 'monotone' symphony whose theme expresses what I wished my life to be. This symphony of forty minutes duration (although that is of no importance, as one will see) consisted of one unique continuous 'sound,' drawn out and deprived of its beginning and of its end, creating a feeling of vertigo and of aspiration outside of time. Thus, even in its presence, this symphony does not exist. It exists outside of the phenomenology of time because it is neither born nor will it die. However, in the world of our possibilities of conscious perception, it is silence -- audible presence." [Yves Klein, Overcoming the problematics of art]

Symphonie 'Monotone-Silence', 1947-1948 "During this period of concentration, I created, around 1947--1948, a 'monotone' symphony whose theme expresses what I wished my life to be. This symphony of forty minutes duration (although that is of no importance, as one will see) consisted of one unique continuous 'sound,' drawn out and deprived of its beginning and of its end, creating a feeling of vertigo and of aspiration outside of time. Thus, even in its presence, this symphony does not exist. It exists outside of the phenomenology of time because it is neither born nor will it die. However, in the world of our possibilities of conscious perception, it is silence -- audible presence." [Yves Klein, Overcoming the problematics of art]
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0.0African Underground: Democracy in Dakar is a groundbreaking documentary film about hip-hop youth and politics in Dakar Senegal. The film follows rappers, DJs, journalists, professors and people on the street at the time before, during and after the controversial 2007 presidential election in Senegal and examines hip-hop’s role on the political process. Originally shot as a seven part documentary mini-series released via the internet – the documentary bridges the gap between hip-hop activism, video journalism and documentary film and explores the role of youth and musical activism on the political process.
This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.
7.4An experimental shortfilm in line with "Lux Æterna", showcasing the footage from Cecil B. DeMille's "King of the Kings". A voiceover pronunces word "Relax" in a hypnotic tone, which was Lux Æterna's working title. It was shown only once in Paris at L'Étrange Festival, at the opening of "Lux Æterna".
0.0Two figures awaken in a strange room, unsure of how they arrived.
7.5The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.
0.0Whilst house-sitting in a secluded home in Scotland, Aarya, an expressionist painter, is gifted a red scarf sent by her aunt from Pakistan, and becomes haunted by a Churail; a demonic and malevolent South-Asian Witch.
8.0Artist David Choe has led a life of high risk, from hedonistic excesses to being imprisoned at a maximum security facility in a foreign country, and yet has been dramatically rewarded for his exploits. Life didn't change much when he traded a $60k fee in favor of stock in a start-up called The Facebook, but now he is estimated to be worth over $250 million, highlighting a colorful career filled with giant street art installations, porn star affairs and investigative reporting for companies like Vice and CNN. Director and childhood friend Harry Kim guides us through the fantastically surreal life of Choe featuring interviews and appearances by Kevin Smith, Eli Roth, Sasha Grey, Sean Parker, and Shepard Fairey.
5.0While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.
0.0Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.
0.0MAX loves to express herself through her physical appearance, specially through clothes: SHE LOVES CLOTHES!, but... because of this, she will find herself in a dilemma of who is she supposed to be: a person who is ruled by the world or the one who rules it, will she win this fight?
7.5Between two Thanksgivings, Hannah's husband falls in love with her sister Lee, while her hypochondriac ex-husband rekindles his relationship with her sister Holly.
0.0An incredible historic document showcasing the roots of Old School Hip Hop movement with all its disciplines involved: Djing, Mcing, Breakdancing, and Graffiti. Featured in the "NYC: Urban Image" show at MoMA PS1 1983.
0.0The Victorian era is often cited for its lack of sexuality, but as this documentary reveals, the period's artists created a strong tradition surrounding the classical nude figure, which spread from the fine arts to more common forms of expression. The film explains how 19th-century artists were inspired by ancient Greek and Roman works to highlight the naked form, and how that was reflected in the evolving cultural attitudes toward sex.
0.0British artist, academic, musician and activist Bob and Roberta Smith has been waging slightly odd political protests for years, in this documentary he investigates the age of activism and discovers what people are protesting about.
0.0With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical Wide is part of a trio of video works that are a series of dream-like moving pictures.