

A film consisting of alternating black and white frames.
7.4Three Chaplin silent comedies "A Dog's Life", "Shoulder Arms", and "The Pilgrim" are strung together to form a single feature length film. Chaplin provides new music, narration, and a small amount of new connecting material. "Shoulder Arms" is now described as taking place in a time before "the atom bomb".
6.9While changing clothes in a getaway car, escaped convicts Stan and Ollie mistakenly put on each other's pants. They spend the rest of the film trying to exchange pants in various unlikely settings.
6.9The film goes behind the scenes of the 1999 sci-fi movie The Matrix.
7.8A look behind the lens of Christopher Nolan's space epic.
7.4In New York City, an insolent pickpocket, Skip McCoy, inadvertently sets off a chain of events when he targets ex-prostitute Candy and steals her wallet. Unaware that she has been making deliveries of highly classified information to the communists, Candy, who has been trailed by FBI agents for months in hopes of nabbing the spy ringleader, is sent by her ex-boyfriend, Joey, to find Skip and retrieve the valuable microfilm he now holds.
7.9Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
6.7A documentary filmmaker interviews the now-famous Trevor Slattery from behind bars.
7.3An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
6.6Buster clowns around in a blacksmith's shop until he and the smithy get in a fight which sends the smithy to jail. Buster helps several customers with horses, then destroys a Rolls Royce while fixing the car parked next to it.
6.6Pursued by the big-time gambler he robbed, John Muller assumes a new identity—with unfortunate results.
7.0A naive country girl is tricked into a sham marriage by a wealthy womanizer, then must rebuild her life despite the taint of having borne a child out of wedlock.
7.3When a proud noble refuses to kiss the hand of the despotic King James in 1690, he is cruelly executed and his son surgically disfigured.
6.0In a near-future city where soaring opulence overshadows economic hardship, Gwen and her daughter, Jules, do all they can to hold on to their joy, despite the instability surfacing in their world.
6.9A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.
6.0When a couple decides to adopt a stray cat their perspective on life changes radically, literally altering the course of time and space and testing their faith in each other and themselves.
7.5Struggling stockbroker Jimmie Shannon learns that, if he gets married by 7 p.m. on his 27th birthday -- which is today -- he'll inherit $7 million from an eccentric relative.
6.4Young and disenchanted Sam meets a mysterious and beautiful woman who's swimming in his building's pool one night. When she suddenly vanishes the next morning, Sam embarks on a surreal quest across Los Angeles to decode the secret behind her disappearance, leading him into the murkiest depths of mystery, scandal and conspiracy.
6.5In the aftermath of her tumultuous relationship with a charismatic and manipulative older man, Julie begins to untangle her fraught love for him in making her graduation film, sorting fact from his elaborately constructed fiction.
6.8"All men are not created equal. It is the purpose of the Government to make them so." This is the premise of the Showtime film adaption of Kurt Vonnegut's futuristic short story Harrison Bergeron. The film centers around a young man (Harrison) who is smarter than his peers, and is not affected by the usual "Handicapping" which is used to train all Americans so everyone is of equal intelligence.
0.0The protagonist visits Uji and tours the town, which has been shaped by the accumulation of history and culture from various eras, including the Heian period.
7.9Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
0.0A short story about a young witch, Alyssa, so envious of the genuine beauty and sweetness of her twin Alexya, that she seeks to destroy her.
9.0Toyoda Toshiaki went to Sado Island and filmed musician Koshiro Hino and Kodo, the local Taiko Performing Arts Ensemble, while they performed music composed especially for Shiver.
10.0An elderly painter, who hasn't touched a paintbrush for quite a while, wanders around the city with a film camera. One day he sees two beautiful girls through a cafe window. A wonderful image, but it starts to slip away from him.
7.3An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
An ant colony finds that the strange new food source they've discovered may be something more of a curse than a boon.
5.8In the misty forests of North America, a family of Sasquatches—possibly the last of their enigmatic kind—embark on an absurdist, epic, hilarious, and ultimately poignant journey over the course of one year. These shaggy and noble giants fight for survival as they find themselves on a collision course with the ever-changing world around them.
0.0A community of women lives in an old convent that falls apart. They never talk and strive to keep everything clean. One day, Irene realizes for the first time that there is much more beyond the routine she and her sisters keep doing over and over. Irene, following nature’s signs, starts a journey of reconnection with her own impulses and body to finally find her own voice.
7.0Overripe with psychosexual poetry and stark, oneiric rituals, Adachi's filmmaking debut, made while he was still an undergraduate, counts among the more resonant accomplishments of the now famous Nihon University Film Club. Adachi's obvious fascination with the wide-eyed watchfulness of childhood and the uncanny is an expression of the important surrealist strand running throughout the post-WWII Japanese avant-garde. - Harvard Film Archive
10.0A mysterious old man and a dark past made up of classic cars, beautiful women and the excesses of his youth.
4.4In an isolated country house close to the shore near Saint-Tropez, seven young women share a bedroom. Over two days, they wake, shower, breakfast, play dress up, bathe in the sea, picnic, ride bikes, pick flowers, have a pillow fight, run on the strand, practice ballet stretches, groom themselves and each other, and laugh. Anne returns a horse to Renaud; the next day, he's in a rowboat and meets her by the pier. By the film's end, all are celebrating with the lovers.
0.0Fish Out of Water manages to unfurl its light-hearted tale of young man and the sea, without a word of dialogue. Avoiding the morning traffic jams, our man (Nick Dunbar) finds peace by rowing each day to work in the city. But when a seductive blonde unexpectedly enters the picture, he finds his morning boat ride heading in unexpected directions. Directed by Lala Rolls (Land of My Ancestors), Fish Out of Water was invited to play in the 2005 NZ Film Festival, plus another 10 overseas fests. Victoria Kelly composes the brass and banjo-inflected soundtrack.
6.0A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
6.6A puppet, newly released from his strings, explores the sinister room in which he finds himself.
7.0A disturbed man descends into madness after the death of his mother, in this avant-garde horror film inspired by real life ghoul Ed Gein.
7.0Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.