Huset(NaN)

Women of Today(ro)

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.

Echoes of Machtat(ar)

In Mahdia, Tunisia, Maram embarks on an intimate journey through the ancestral customs that have shaped her life, exploring matrimonial traditions, and highlighting the Henna, where the bewitching songs of the Machtat resound. Tracing her childhood memories, guided by Latifa and Habiba, two prominent Machtat, she uncovers the maternal essence of tradition, where the bond between mother and bride is at the heart of these intimate celebrations.

Femmes symphoniques(fr)

Una de nosotras(es)

For more than forty years, Belela Herrera has dedicated her life to saving that of others. The politically persecuted, those displaced by civil wars, and the world's refugees are her concern and vocation. Her story is also that of a woman who defined herself and twisted the destiny reserved for girls of her social class: marrying to a man from high society, having a large family and a comfortable and elegant existence . And it is also the story of a female legacy that is part and consequence of the invisible resistance of thousands of women.

Les filles c’est pas pareil(fr)

In this feature-length documentary, six teenage girls, aged 14 to 16, agree to open up and have their private worlds invaded by the camera. They have to face problems that they intend to take on "to the end": early experience of sexuality, belonging to a gang, relationships with parents, social tolerance, friendship... They live tender and pure lives in their own way.

Black Pénélope(fr)

A discovery of the pictorial art that Ndebele women traditionally practice in South Africa: painting the walls of their houses.

Iznik, les mystères de la basilique engloutie(fr)

Stories Are in Our Bones(en)

In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.

Dia de Visita(pt)

Secrets of the Empire State Building(en)

Quel numéro ? - What number ? ou le travail automatisé(fr)

Madwoman of God(fr)

This feature-length film tells the story of the passion between Marie de l’Incarnation, a mid-seventeenth-century nun and God, her "divine spouse." Fusing documentary and acting by Marie Tifo, whom we follow as she rehearses for this demanding role, the film paints an astonishing portrait of this mystic who abandoned her son and left France to build a convent in Canada, where she became the first female writer in New France.

Rewinding Dominoes(en)

In her attempt to escape her past, Huiju relocated to the UK over 11 months ago. However, even after moving to a new country, she found that her nightmares from Korea continued to haunt her. Determined to move forward, she made the decision to confront her memories head-on in a very contemporary way, using dating apps to push the boundaries she had set due to her sexual trauma.

Welcome Home Freckles(ko)

After four years away, Huiju returns home to South Korea. Exchanges with her loved ones are awkward and clumsy. Huiju turns once again to her familiar rituals: pruning the trees, preparing a sauce, tying a braid.

Never Look Away(en)

CNN camerawoman Margaret Moth fearlessly captures footage of war zones. After receiving catastrophic injuries in the crosshairs of battle, she returns to work with more courage than ever. An intimate portrait of a trailblazing female photojournalist. Features interviews with Moth’s family and friends, including CNN’s Christiane Amanpour. A Sundance film festival premiere directed by Lucy Lawless.

Loto-Méno(fr)

Véro compares perimenopause to the lottery: you can experience 3, 10 or 30 symptoms. In her case, she won the lottery. The first signs came early in her life. So she didn't make the connection between the mood swings, water retention, dry skin, hair loss - and menopause. Before finding comfort, she wandered for years. Loto-Méno is her story, her quest, told with courage and frankness.

Women After the War(en)

A provoking film on the place of women.

The Executive Empress(en)

The Executive Empress explores the entrepreneurial lives of several Florida women, who have turned their unique passions into successful businesses.

My Mother's Name is Forest(fr)

A young Dutch girl (my mother, filmed by my father in-love). A little redhead (me, filmed by my father). Boys (my brothers). And through the images of flowers, animals and rallies (super 8s that were found): A chalet (Switzerland), dikes (the Netherlands). And my memories, childhood, teenage years mixed up with the history of women (of my family).

Imphal Bazaar(en)

A scenes from a tour of Manipur State and a women's bazaar in Imphal.