

Presented in an abstract, non-sequential fashion, it tells the story of a filmmaker's growing frustration as he attempts to make a movie about his back-garden.
Himself
7.1Yoshika has had a crush on Ichimiya, whom she calls "the One" since she was in middle school. Now, a 24-year-old salarywoman, her all-consuming fixation has prevented her from even considering another candidate for boyfriend until an office colleague asks her out.
0.0Aspiring writer Lucy Simon embarks on a psychedelic road trip to the planet Mars with her brash, unnamed drug dealer behind the wheel in this music-driven space adventure presented entirely through the use of close-up photography.
A subway passenger suffers from hallucinations and sees the metro that he has just boarded accelerate and gain speed quickly.
A man's car somehow becomes completely autonomous and takes the powerless driver, to a scrap yard, or a 'cemetery for cars', where several more vehicles are waiting to be crushed by powerful reducing machines, their passengers still inside.
0.0A man is horribly tortured by another who wants him to reveal where his girlfriend is hiding.
10.0Lulu the dog gets a job at the local convenience store and stays up all night cleaning the back room. Short created for [adult swim] Smalls.
A woman carries a cat in a shopping bag that refuses to be petted. Tired of its behaviour, she violently strikes the bag repeatedly against a wall. Then, with the blood of the animal, she draws a heart pierced by an arrow.
An ambulance heads towards the "crossroads of the crow's feet" in response to an accident. Unable to find the place, the driver stops at an intersection to ask for directions from a dull-eared local.
10.0After Billy finds a winning scratch ticket, the gas station gets a new lottery machine that becomes the talk of the town. Part of [adult swim] smalls and second Gassy's Gas n Stuff short
A couple are watching television together. Over time, the shows become more bizarre: a news report about the arrest of two terrorists reveals they have the same faces as the two spectators; in another, a female strips for the man and finally a politician demonises the couple and declares them enemies of the people. Panicked, the couple phone a television exorcist.
0.0Trapped in a torture room, Derrick must find a way to escape, but when certain truths are uncovered, chaos ensues, and the cookies begin to crumble.
0.0A man pays local children to bring him flies. After having cut off their wings and legs, he sticks them on the walls of his apartment. When a prostitute appears at his door, he sees in her the final piece to his work.
0.0Thomas, 70, looks back on the last evening he and his lost friend Mari spent together. An evening in which they drink wine, dine, listen to piano playing and dance with their girlfriends. As the hours pass before his eyes, Thomas contemplates the lost friendship, the person Mari was and the conversations of that night.
4.8Mamori transports us into a black-and-white universe of fluid shapes, dappled and striated with shadows and light, where the texture of the visuals and of the celluloid itself have been transformed through the filmmaker’s artistry. The raw material of images and sounds was captured in the Amazon rainforest by filmmaker Karl Lemieux and avant-garde composer Francisco López, a specialist in field recordings. Re-filming the photographs on 16 mm stock, then developing the film stock itself and digitally editing the whole, Lemieux transmutes the raw images and accompanying sounds into an intense sensory experience at the outer limits of representation and abstraction. Fragmented musical phrases filter through the soundtrack, evoking in our imagination the clamour of the tropical rainforest in this remote Amazonian location called Mamori.
6.0A unique journey across a topography created entirely from a form of digital light and shadow—a bristling terrain of poles bending the light in every direction. This film is the remake of Barcode, an abstract road-movie about light and shadows.