

Lidia
Ricardo
Tatita

2025-08-20
0
0.0A young man leaves home to throw away the garbage, among the containers he notices a framed portrait that catches his attention. Something about it tells him to take it home.
0.0Mariem, 53, a former estate agent, has been living at a shelter for several months. Surrounded by women in far more precarious circumstances than herself, she tries to regard her unprecedented social downfall as an immersion in real life. By the time she leaves, Mariem’s view of the world will have changed forever, enriched by all the women she has met along the way.
7.7With more than 70 films and 160 million cumulative tickets in France, Jean-Paul Belmondo is one of the essential stars of French cinema.
3.9Shere Hite’s 1976 bestselling book, The Hite Report, liberated the female orgasm by revealing the most private experiences of thousands of anonymous survey respondents. Her findings rocked the American establishment and presaged current conversations about gender, sexuality, and bodily autonomy. So how did Shere Hite disappear?
8.7Fashion revolutionary Bethann Hardison looks back on her journey as a pioneering Black model, modeling agent, and activist, shining a light on an untold chapter in the fight for racial diversity.
0.0The film approaches the work of the Greek artist Nikos Koniaris. The particular way in which the painter depicts human suffering is presented through a film - a hybrid of real recording and directed material. The grief, the sick body, is reflected in self portraits, portraits of dying strangers and paintings of dead models. The paintings, apart from his work, also express a different version of himself. All together contribute to the depiction of man as a "garment of pain".
5.5A barbarian woman with a miraculous blue crystal staff gains the help of a group of adventurers as an army of dragons invades the land of Krynn.
Fragments from a portrait of Jean-Louis Costes - sincere artist, versatile designer, poet of excess -, a man forever atoning his anguish through singing, performance, drawing and writing...
6.6Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
5.4Juju Stories tackles juju in contemporary Lagos through three stories. In Love Potion, by Omonua, an unmarried woman agrees to use juju to find herself an ideal mate. In Yam, by Makama, consequences arise when a street urchin picks up seemingly random money from the roadside. In Suffer the Witch, by Obasi, love and friendship turns into obsession, when a young college woman attracts her crush's interest.
6.7A young woman of the Tarahumara, well-known for their extraordinary long distance running abilities, wins ultramarathons seemingly out of nowhere despite running in sandals.
0.0An anthology of strange people in strange places.
0.0Rolland, a 70 year-old man, exiled by his family due to his sexual orientation, makes peace with the past by finding himself in a small ghost town in the western part of Jalisco, San Sebastián del Oeste. Almost 40 years later, he wants to go back to his hometown, try to regain his daughter's love and be a part o his granddaughter's life.
0.0Alanis Obomsawin, a North American Indian who earns her living by singing and making films, is the mother of an adopted child. She talks about her life, her people, and her responsibilities as a single parent. Her observations shake some of our cultural assumptions.
7.0A Sense of Justice, immerses us In a law firm in this same city. There, we can find Christine Mengus and Nohra Boukara, specialized in the rights of foreigners, supported by Audrey Scarinoff and their co-workers.. Stories from their sad, appalling or tragicomic cases alternate with their daily legal work. And as we hear snatches of consultations involving illegal entry or departure, deportation orders, the right to reside or medical assistance, we become witnesses to predictable tragedies, to the administrative or social precariousness induced by such predicaments, and to whole lives depending on court rulings.
6.1A reclusive telemarketer has only one semblance of a friend: His telecommuter boss. But the telemarketer's social circle seems to improve greatly when a whimsical co-worker enters his life. Only, as he begins to sketch his new friend's portrait, disturbing "voices" from the phone man's past threaten to lead him into a network of destruction.
How do you deal with life's curveballs? FIGURE 3 tells trapeze artist Korri Singh Aulakh's story of being diagnosed with the chronic autoimmune condition Myasthenia Gravis. It's the third installment in FIGURES, a new series of portrait films. Shot on a mix of 16mm film, VHS and digital.