"Jonan City" is a rural town in the Kanto region. There were five young men who grew up in this small town. Katagiri Ren, Miyagi Taisei, Fujita Hideto, Takasaki Shinya, and Obayashi Yusuke. They were the 26th generation members of the Jonan Ikka biker gang, which has a long history in this town. They were known to the public as "delinquent". But above all else, these 18-year-old boys were bound together by a strong bond. Their way of life shone with the greatest brilliance, brandishing the "now" as their everything, their excess energy, and the crosses in their hearts that they could not bear.
A Japanese Yakuza gangster's deadly existence in his homeland gets him exiled to Los Angeles, where he is taken in by his little brother and his brother's gang.
Anzai, Mutoh, Hamada, Hagiwara, and Miru are in a car headed to a love hotel used by the Sugiyama Clan for money laundering. This one night only gang succeed in robbing them blind and though they were supposed to go their separate ways after splitting the money, the five end up being hunt down by a detective hired by the clan and clan members themselves. An ending nobody ever even dreamed of.
Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.
Narumi has decided to retire from the underworld society with which he has been involved for 20 years. He also informs his colleague and attends his final smuggled handgun deal. Suddenly, shows up and the client is shot to death accidentally. That client was an undercover police investigator, so Narumi is now facing a predicament.
Kokubu Masaru (Bunta Sugawara) is a hard-headed, hot-tempered member of a street vendor clan run by an elderly boss (Kanjuro Arashi). They come into conflict with an unholy alliance of evil Yakuza bosses (Watanabe, Amatsu and Kawazu).
The fourth film in the Kanto Street Peddlers series. The protagonist, played by Bunta Sugawara sides with female boss Yumiko Nogawa to fight evil Hiroshi Nawa, who at one point employs rebellious young hood Tsunehiko Watase and Kagawa. Tatsuo Umemiya also shows up as a cool, leather jacket gunman who gains Sugawara’s respect despite playing for the opposing team. What eventually keeps this film from being as good as the first is the loose script that doesn’t really tie all the fun stuff into a coherent package. Much is forgiven however when the last 20 minutes arrives with several visually striking set pieces (including one death scene stylized to the point of ridiculousness) and a terrific final massacre. This was Suzuki’s last contribution to the series; the fifth and final picture would be helmed by Takashi Harada.
The fifth and final chapter of the Kanto Street Peddlers series! Will the battle in Asakusa be enough for a complete victory?
A young man named Tatsumi Karasawa suddenly rises in the criminal world of Shinjuku, Tokyo, and becomes the leader of a group of amateurs who show no reluctance to face police and gangs alike. His successes in the Tokyo underground make a chief and a yakuza boss plot a conspiracy to eliminate him.
Ryotatsu, the wayward Priest blinded by Shinkai, the Wicked Priest, has his own story in this ultra-violent tale from the era of the Meiji Reconstruction. When a woman leaves her blind son at the Monastery, Ryotatsu is forced to teach the boy how to cope as a blind person in old Japan. When he takes the child with him on the road to find the boy's mother, they run afoul of not only yakuza gangsters, but some corrupt army officers have been trying to sway public opinion against the Satsuma rebels by posing as members of Saigo Takamori's group. It's a bloody mistake for them to underestimate the strength of the Blind Priest, and he'll make them pay with their lives!
Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. However, in Japan he manages to escape, and as they try to track him down, they get deeper and deeper into the Japanese Mafia scene and they have to learn that they can only win by playing the game—the Japanese way.
Beleaguered police detective Nishi takes desperate measures to try and set things right in a world gone wrong. With his wife suffering from leukemia and his business partner paralyzed from a brutal gangster attack, Nishi borrows from a yakuza loan shark and then robs a bank to clear his debt.
Kei Kikuno attends a vocational school as a student. For her part-time job, she works as a contract killer. She is excellent at her job and never gets scared by anyone. One day, she receives the most challenging request.
Chiba, looking gnarly, and acting as animalistic as ever, stars alongside Matsukata as violent gangsters battling their way through fight after bloody fight with rival yakuza on the streets of Okinawa.
After a major conflict, Kazuma Washio (Hitoshi Ozawa) becomes the 6th boss of Tendokai, Kanto’s largest yakuza group. Wakagashira Date (Hideo Nakano) and Kurata (Yoshiyuki Yamaguchi) secure casino rights from the government, but top officials are soon murdered, and Date is framed. The trail leads to Sanko-kai, a Kansai syndicate forming ties with a Korean underworld led by Myojin Akinari (Noboru Kaneko), brother of Washio’s old rival. Sanko-kai’s boss Onizuka (Hiroshi Fuse), who holds a grudge against Washio, launches a political and violent offensive. As Tendokai fights back to reclaim the casino rights, tragedy strikes—Okita (Yasukaze Motomiya) is targeted. Japan’s largest underworld war erupts again—what awaits at the end?
Part 7 in a long running (8+1 films) action/comedy/melodrama series about a pair of short tempered, amoral, but not evil chinpira (Bunta Sugawara and Tamio Kawachi) thinking too big of themselves. Katsuji finds his long lost mother, who is a rich lady of a respectable family. Comedy and melodrama ensue. A thrilling spectacle with an overly violent ending, and a remarkable, Japan's only post-prison rape comedy, Masa is determined to have sex with the female guard, despite the fact that there is a bar between them. Michi Azuma (topless swordswoman from Lone Wolf and Cub: Baby Cart in Peril) plays a tomboy who wants to join her brothers.
Shinji and Masaru spend most of their school days harassing fellow classmates and playing pranks. They drop out and Shinji becomes a small-time boxer, while Masaru joins up with a local yakuza gang. However, the world is a tough place.
The stage of this work is Saitama, a suburb of Tokyo in the early Heisei period. Immediately after the bubble burst gangster countermeasures law, there were gangsters who defended the last territory and young people who freely controlled the city. The youth conflict escalated day by day and became a force that surpassed the yakuza, and the runaways were sent to juvenile prisons one after another, where exclusive rules awaited.
A former yakuza returns to gangster life after an old enemy threatens his son.
Zatoichi is a blind massage therapist and swordsman who finds out that something troubling is taking place on the outskirts of town. After discovering who the guilty parties are -- an accomplished Chinese martial artist named Wang Kang and his youthful attendant -- Zatoichi finds them and discovers that the pair's mixed up with a dangerous bunch of terrorist samurai who murdered the boy's parents. Now, Zatoichi must step in to save the day.
Haruto is a freshman and a loner high school student until the arrival of the new teacher Aoyama. Aoyama cares for Haruto and starts to exchange letters with him, as something more grows inside both of them. But one night, an unexpected kiss ends their beautiful relationship. Three years later, Haruto has become a male prostitute in order to pay back his debts, when he reunites with Aoyama by chance.