Condemned to Breathe(NaN)

RiverBlue(en)

RiverBlue chronicles an unprecedented around-the-world river adventure, led by renowned paddler and conservationist, Mark Angelo, who ends up uncovering and documenting the dark side of the global fashion industry.

The Balcony Movie(pl)

Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.

Doidos de Pedra - O Paraíso Esquecido(pt)

From the 60's, the neighborhood of Pedra de Guaratiba, in Rio de Janeiro, was invaded by a varied artistic community.

Broken Rainbow(en)

Documentary chronicling the government relocation of 10,000 Navajo Indians in Arizona.

They're All Painted If You Actually Look(en)

An observational documentary following Steven Brooke and how the solitude of painting impacts his life and artwork.

The Four Corners: A National Sacrifice Area?(en)

Documents the cultural and ecological impacts of coal stripmining, uranium mining, and oil shale development in Utah, Colorado, New Mexico, and Arizona – homeland of the Hopi and Navajo.

Calçada(pt)

Anthropos(es)

Anthopos tells the story of a centenarian character from his birth to his death.

Guide to a Midwest Hometown(en)

Coming back during Winter, Alex Powell explores both the places and personal connections found in his hometown and how they've changed. “Guide to a Midwest Hometown” explores what makes the barren places at home feel sentimental and special, and the good and bad feelings that come when being back home. Inspired by "How To With John Wilson".

Poison City(en)

Dzerzhinsk, a Russian city 240 miles east of Moscow, is considered the most chemically polluted town on Earth. Factories producing industrial chemicals (and in Soviet times, chemical weapons) employ a quarter of the 300,000 residents in a city where life expectancy has fallen to 42-47 years, the death rate is 2.6 times higher than the birth rate, and the men are close to impotence. Reporter Tim Samuels recorded a series of in-depth interviews with the inhabitants of Dzerzhinsk for the Correspondent strand, revealing what life is like for the beleaguered populace.

The Weight of Sight(no)

The Weight of Sight is a playful and very personal essay where director Truls Krane Meby, through a massive archive of his own material - anything from DV-tapes to 35mm - explores the last 20 years of digital development - how it’s influenced the images we make, and our bodies. What kind of images do we get of the world now that everyone is a photographer, and what does it do with how we unfold our identities? How has the internet both captured and freed us? And will Truls even dare to show this film?

Papa – Notes on Life and Death(da)

The director’s diary told in still images of a dramatic period in which he becomes first a father and then almost loses the love of his life when his girlfriend – filmmaker Lea Glob – goes into a coma after giving birth.

Welcome Home Freckles(ko)

After four years away, Huiju returns home to South Korea. Exchanges with her loved ones are awkward and clumsy. Huiju turns once again to her familiar rituals: pruning the trees, preparing a sauce, tying a braid.

Toxic Soup(en)

Something is bad wrong as everyday Americans fight to protect their air, water and blood from pollution.

The Text Allows No Interpretation(en)

The Text Allows No Interpretation is a personal essay documentary displaying the director’s conversation with his trauma in a stream of consciousness. The moments in photographs and videos are set in temporal disarray, meeting the superimposed phone calls speaking to and around the trauma from the past. The ever-present noise of repetition is created through jumps between memories of fear and death during the decade-old Arab Spring to insomnia and anxiety emerging through the footage of NATO military exercises on the borders of Russia.

What We Never Forget For Peace Here Now(en)

What We Never Forget For Peace Here Now is a personal peace memorial produced in the United States, a country that does not have war memorials dedicated to peace. This video explores how we forget and how we remember memories of war. I think about who are my survivors and witnesses of war, and the deep impressions they've given me, becoming a part of me. Drawing inspiration from peace activists young and old, I ask viewers to join me in a practice of peace, here and now.

Poison in the Rockies(en)

Acid rain, economic development, and a century of mining pollute Rocky Mountain waters.

La maladie, c’est les compagnies(fr)

Film-dossier on workers' struggles against industrial diseases.

Mama Pabung(en)

Mama used to sing and dance. Pabung is a poet. I saw mama crying only once in my life, when she lost her ema. Pabung lost his ema when he was young, and he has kept her alive in his vivid memories and poems ever since. I keep having nightmares about losing mama and pabung. Mama wants me to be a singer after I disappointed her by not becoming a doctor. She also wants me to record her singing, which I keep forgetting. Seeing me down and depressed, wandering aimlessly and successlessly, pabung bought me a camera when I left my day job and said I wanted to be a filmmaker. I haven’t made anything noteworthy yet. However, I did some random lens tests by filming them with that camera.

My Self Absorbed Documentary Project(en)

After being tasked with creating a piece of work summarizing their filmmaking journey, 18 year old Lewis Bedford reflects on their history in film and video.