Couples mythiques du cinéma: Monica Vitti et Michelangelo Antonioni(2018)

Marcello Mastroianni, the Ideal Italian(fr)

A portrait of the mythical Italian actor Marcello Mastroianni (1924-96), a unique performer who was one of the kings of European cinema.

Sophia Loren, a special destiny(fr)

With a maddening sensuality, the unforgettable actress of the film "A Special Day" embodies the golden age of Italian cinema. From the suburbs of Naples to Hollywood, this biographical documentary looks back at the flamboyant career and destiny of Sophia Loren.

Django & Django: Sergio Corbucci Unchained(en)

A tribute to Italian filmmaker Sergio Corbucci (1926-90), presented by American filmmaker Quentin Tarantino.

Sword-and-Sandal: The Story of the Period Epic(fr)

The history of the peplum genre, known as sword-and-sandal cinema, set in Antiquity, from the silent film era to the present day.

Il mistero della cattedrale(it)

A retrospective look at the making of Michele Soavi's "The Church" including interviews with cast and crew.

Marriage in the Making(it)

A documentary investigation into an absurd case: a voided marriage, a rock star, a supermarket trolley driver, and a dwarf in the woods.

Figli del Set(it)

Quadri espansi(it)

La Stanza Di Una Formica(it)

American Actors in a Declining Italian Cinema(en)

A look at various American actors whose career switched from USA to Italy in the 70s and 80s.

Conchiglie(it)

Les Fantômes du Cinéma(en)

Enter into the world of #DiorCruise 2026 with 'Les Fantômes du Cinéma', a film by Matteo Garrone that conjures up the intersection of temporalities and identities conveyed through Maria Grazia Chiuri’s new collection. The grounds of Rome’s Villa Albani Torlonia are the setting for dreamlike scenes in which ghostly figures clad in costumes associated with the films of Fellini, Visconti, Pasolini and more interact with the models as they prepare to unveil the House's latest creations. Featuring cameos by the photographer Brigitte and members of the House’s ateliers, this enchanting episode of magical realism is a poetic paean to the powerful femininity the Creative Director of Women’s collections has championed since the start.

Oltre il confine(it)

Maciste(it)

A young girl, pursued by a band of conspirators, hides in a movie theatre where she watches the film Cabiria. She determines to seek the aid of that film's strongman, Maciste. When she locates him, he helps her overcome her enemies, but not without many thrilling and dangerous adventures.

LaBouche Canalla Wins Her Snack(en)

In a strange valley suspended in time, LaBouche Canalla, an irresistible, sexy, fierce, and feral country girl with an insatiable hunger for men's flesh, wanders around searching for her next victim.

I Know you Well(it)

Dead On Image(it)

A model and photographer exchange glances during a photoshoot. The model becomes increasingly disturbed as the photographer seizes her image. 2023.

Romeo & Julius(da)

A young group of actors are preparing an updated version of Shakespeare's ROMEO & JULIET. Two boys perform the central roles - both of them struggling with their own questions of love alongside their roles on stage. And as rehearsals begin, reality soon starts to interfere with the play.

Plains: Testimony of an Ethnocide(en)

A documentary on the massacre of Planas in the Colombian east plains in 1970. An Indigenous community formed a cooperative to defend their rights from settlers and colonists, but the government organized a military operation to protect the latter and foreign companies.

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.