On Days When Our Parents Aren’t Home, My Big Tits Sister And I Fuck Each Other
A look at a few chapters in the life of Poppy, a cheery, colorful, North London schoolteacher whose optimism tends to exasperate those around her.
In the year after graduating college, Izzy struggles to navigate the seemingly incessant failures of adulthood, the reality of a substandard dating pool and a debilitating fear of top-sheets, all in between X-Files marathons. Comically unsuccessful in love over the course the year, including five half-hearted relationships with astoundingly self-centered men, Izzy resigns herself to the support of her mother and sister, who are struggling with their own relationship problems. Seeing herself in them, Izzy gradually gains the confidence to be honest and vulnerable.
Carlo, a former mobster, is abducted by five privileged young men desperate to raise a $2 million ransom to save the sister of a friend. As Carlo plays mind games, however, his captors splinter -- each wondering whether one of their own had a hand in the crime.
Henry likes to kill people, in different ways each time. Henry shares an apartment with Otis. When Otis' sister comes to stay, we see both sides of Henry: "the guy next door" and the serial killer.
The lives of several individuals intertwine as they go about their lives in their own unique ways, engaging in acts which society as a whole might find disturbing in a desperate search for human connection.
A young screenwriter visits her sister for inspiration, a decision that brings only pain and disaster.
A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.
An overwhelmed young mother, her hard-working boyfriend and her lonely sister are trapped in their daily routine and social conventions, until one of them breaks out of her role and turns everything upside down.
A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.
Two sisters take a journey of discovery and reconciliation based on the memoirs of Margaret Moorman. Christine has been diagnosed with schizophrenia and must rely on others for support even though she longs for and independent and ordinary life. When her mother dies, her sister Judy becomes responsible for her care. The two are left to face the struggles of finding common ground.
Kate's life is turned upside down when her younger sister, Melissa, disappears. When Kate investigates, she discovers that a large amount of drug money vanished with her sister.
With their father away as a chaplain in the Civil War, Jo, Meg, Beth and Amy grow up with their mother in somewhat reduced circumstances. They are a close family who inevitably have their squabbles and tragedies. But the bond holds even when, later, male friends start to become a part of the household.
While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.
Fledgling screenwriters retreat to a quiet country manor to work on their script, but a constellation of needy characters produces constant interruptions.
Young love and childish fears highlight a year in the life of a turn-of-the-century family up to the 1904 St. Louis World's Fair.
A psychiatrist becomes romantically involved with the sister of one of his patients, but the influence of her controlling gangster husband threatens to destroy them both.
Two sisters return home after a stay in a mental institution, only to face disturbing events and a strained relationship with their stepmother. As eerie occurrences unfold, dark family secrets begin to surface, blurring the line between reality and nightmare.
Five unmarried sisters make the most of their simple existence in rural Ireland in the 1930s.