Movie: Metamorphosis

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    António Palolo's first films playfully recombine body parts cut out from magazines that Palolo placed in motion with geometrical shapes. These first engagements with the moving image are in a dialogue with Pop, Dada and Surrealism. Recurrent circles appear throughout the films, echoing Marcel Duchamp’s Anemic Cinema (1926).

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    1969-01-01

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