ane´ma(2025)

Daucus Carota(xx)

A community of women lives in an old convent that falls apart. They never talk and strive to keep everything clean. One day, Irene realizes for the first time that there is much more beyond the routine she and her sisters keep doing over and over. Irene, following nature’s signs, starts a journey of reconnection with her own impulses and body to finally find her own voice.

Norn(nl)

A young girl is approaching the end of a cycle, when she gets a visit from a goddess named Norn. Unaware of Norn's intentions, the girl is very excited to create a deep and intimate friendship with her. Until Norn tells her the truth.

Jingga And Colors That Refuse To Fade(jv)

In the living room, RAMA (33), is painting the bottom of the wall which is full of TARA (6) crayon scribbles which resemble the shape of a ship with simple lines. JINGGA (30) is ironing her school uniform and feeding Tara who is busy drawing a boat in a drawing book. Rama looked tired, he suggested that JIngga stop painting so that Tara wouldn't get involved in scribbling. Hearing that, Jingga promised to take care of Tara so she wouldn't do it again. Rama said he was tired when he came home from work and found the house dirty. If JIngga can't get Tara to comply, then JIngga won't be allowed to paint anymore.

Black Pénélope(fr)

A discovery of the pictorial art that Ndebele women traditionally practice in South Africa: painting the walls of their houses.

Mai(vi)

When a struggling single mother falls for a wealthy heartbreaker, their risky romance could just turn their lives around — or tear their worlds apart.

Loto-Méno(fr)

Véro compares perimenopause to the lottery: you can experience 3, 10 or 30 symptoms. In her case, she won the lottery. The first signs came early in her life. So she didn't make the connection between the mood swings, water retention, dry skin, hair loss - and menopause. Before finding comfort, she wandered for years. Loto-Méno is her story, her quest, told with courage and frankness.

Women After the War(en)

A provoking film on the place of women.

Keeper(en)

A woman takes time in private on a tiny island in Helsinki to contemplate a loss that has caused sudden changes in her life. This tragedy has challenged her to see the world in a different light. A light that is driven by a force of nature.

Imphal Bazaar(en)

A scenes from a tour of Manipur State and a women's bazaar in Imphal.

Day of the Idiots(de)

A woman experiences psychic disintegration and ends up in a psychiatric hospital.

Tear It Down(fr)

In an insurrectionary climate, four twenty-year-old friends talk about politics. As a big protest looms, one of them, Clara, has to write a college essay. Caught in the virtual images and the comfort of her bedroom, going out is harder than expected.

Mother(ar)

Wanting a better life for herself and her child, Amani decides to flee Lebanon. Her journey unravels impossible choices and sacrifices only a Mother can make.

Femmes symphoniques(fr)

Never Look Away(en)

CNN camerawoman Margaret Moth fearlessly captures footage of war zones. After receiving catastrophic injuries in the crosshairs of battle, she returns to work with more courage than ever. An intimate portrait of a trailblazing female photojournalist. Features interviews with Moth’s family and friends, including CNN’s Christiane Amanpour. A Sundance film festival premiere directed by Lucy Lawless.

Glorious Summer(pl)

Hot summer, Renaissance palace. Three women remain in a carefree state of limbo, and an enigmatic system fulfills all their life needs – it provides food, entertainment and development. There is one condition – they are not allowed to cross the wall that surrounds their place. From under the idyllic picture, the other, darker side of the new reality quickly shines through.

Women of Today(ro)

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.

hægtesse(de)

Quel numéro ? - What number ? ou le travail automatisé(fr)

Madwoman of God(fr)

This feature-length film tells the story of the passion between Marie de l’Incarnation, a mid-seventeenth-century nun and God, her "divine spouse." Fusing documentary and acting by Marie Tifo, whom we follow as she rehearses for this demanding role, the film paints an astonishing portrait of this mystic who abandoned her son and left France to build a convent in Canada, where she became the first female writer in New France.

Exergo(eu)

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.