After of Waves 1 (1972) Amos Gitai made another short film entitled Waves 2, in 1976 and again in Super-8.
After of Waves 1 (1972) Amos Gitai made another short film entitled Waves 2, in 1976 and again in Super-8.
1976-01-01
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A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.
Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.
A man is confronted by parallel versions of himself as he contemplates his life choices.
Ahmet, a Turkish guy in his early twenties visit his grandfather's abandoned mansion located somewhere in the northern Anatolia. Thinking that he would return to where he spent his early childhood, only to find out that the place is now in ruins. When he goes to sleep. An unexpected angel will visit him to give her a blessing of the truth. He wakes up being not the guy he was before.
A man and a woman talk on the phone and express their feelings and desires for each other for the first time. We watch as they listen to the other's admissions.
Maya excitedly leans into the joy of her first queer relationship, but must confront the seemingly never-ending sexualisation of her identity
The process of depersonalization maintains a dialogue with the objectification of the body, a sort of thingified flesh, clothed in animosity. In an epiphanic act, the sutures reveal themselves as the reflection of this gaze upon its own spilled fluids and transcend into an internal soup. It is the stream of consciousness in its purest form. It is the raw and the bare. It is the visceral nature of facts. It is the merging of worlds. It is the flesh in turmoil.
It is the year 2020 and women have lost the right to their bodies completely. In this tale of sweet revenge, a cult of courageous women go to extremes to take back what is rightfully theirs.
According to Scottish mythology Selkies are mythological beings capable of changing from seal to human form by shedding their skin. This film follows the story of such a creature who chooses the sea over her land dwelling sweetheart.
Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.
Showing the reflections of life. An experimental short film shot on Super 8.
Dozens of film enthusiasts come together to intervene and recreate already filmed in s8
Poetic, delicate, engaging. "Portrait de Rosa, à la française" gently draws you into this passionate love story, with a love text that fits well with the images of Rosa's smiling face. A narrative that recalls the “nouvelle vague” interpreted with today's eyes.
A super 8 film. A woman in search of precious items left behind by someone special. Una mujer en busca de objetos preciosos dejados por alguien especial.
A young woman is on the verge of committing suicide when things take an unexpected turn.
fragments from song lyrics of different artists have given life to this story about love, loss and desperation.