Alex
André
Ada
Nathalie Maubois
Christophe
10
This is a fairy tale about a girl who just lived and was, and about a boy who just lived and was. You may recognize yourself in these stories, but all coincidences with real people are accidental.
Arne and his younger brother Malte run the scrapyard they inherited from their parents on the outskirts of Hamburg and live a rather disoriented existence. One day, Malte finds an abandoned baby. He immediately takes the little one to his heart and wants to look after the child until he finds the birth mother. His brother Arne doesn't like the idea at all, but Malte wants to go through with the plan and even threatens to sell his brother the scrapyard. Disgruntled, Arne finally agrees and, as Malte is fully occupied with caring for the baby, sets off on a laborious search for the raven mother.
Two orphaned brothers from a marginalised segment of society have to face separation.
François Pignon, an accountant in a condom factory, learns that he is going to be fired. Already overwhelmed by personal problems, he decides to throw himself out the window. He is stopped in his tracks by his next-door neighbor who suggests an unexpected plan to keep his job: pretend to be a homosexual. Assuming that in this age of political correctness, one does not fire a gay man, he manages to convince Pignon to play along while remaining a discreet and shy little man... What will change is the way others look at him. Pignon will thus benefit from an unusual reintegration by coming out of a closet where he had never entered.
Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.
Two anarchistic brothers live by petty thievery and try to recover from their Catholic upbringing. Bandiera and Rabbino were children when they pushed their drunk of a father out of a window for killing their pet sheep. When a girl is raped by her father, she is brought by young "rescuers" to the home of the two brothers who then watch their friends take advantage of her sexually. The brothers take her in, and the three live happy and celibate if not uneventful lives until the brother's are sent to jail for stealing.
A California railroad agent hunts two brothers for murder and robbing a payroll express.
An artist is asked to write by a con artist agent and an improvised historian, a 'performance' to remember Giovanni Battista Casti three hundred years after his birth. A situation and homage that results in a satirical transposition of today.
A young man who struggles with the fact of losing his father, comes to terms with what is real and who is really there to support him.
"Despite the multitude of characters and situations, the plot is simple: the eternal flow of life. It is based on Les contes fantastiques d’Hoffmann, a play by Jules Barbier and Michel Carré, who were inspired by some of the stories of the German E.T.A. Hoffmann. On a drunken night in the city, Hoffmann tells how he courted and lost three girls, his impossible loves: Olympia, a mechanical doll that only he believes to be truly human; Giulietta, the courtesan who steals his reflection in a mirror; and Antonia, a young woman who sings until she literally dies." Venue & Opera Company: Teatro Regio di Parma Recorded: 1988 Singers: Alredo Kraus, Ruth Welting, Jonathan Omilian, Barbara Hendricks, Elena Zilio, Nicola Gjiuselev, Bruno Buulgarelli, Francis Egerton, Aldo Bottion Orchestra: Orchestra Sinfonica dell'Emilia-Romagna "Arturo Toscanini" Chorus: Coro del Teatro Regio di Parma Chorus Master: Adolfo Tanhzi Stage Director: Beppe de Tomasi
Recorded live during their 2005 sell-out tour Pirates of the River Rother, The Chuckle Brothers find themselves mistakenly aboard a pirate ship. Before long they are causing mayhem and merriment whilst tackling pirates and looking for treasure during their hilarious adventures on the high seas!
Two brothers are torn apart after they steal a bag of money and are hunted down by a ruthless killer.
Inés and Tavi, two old friends, reconnect after years apart. Despite their opposite personalities and lifestyles, their bond remains unbroken. Inés, a theater enthusiast, strives to return to her studies and break free from a relationship that stifles her and pulls her away from herself. Tavi, on the other hand, ventures down a dangerous path, surrounded by bad influences and driven by drug dealing, slowly pushing everyone around him away.
Three people get together to read the play that one of them wrote; a play that recounts the love that these three experienced in the past. But perhaps not everything is as it is written there, perhaps not everything - or almost nothing - was like that.
Embark on a thrilling journey with two siblings, Hazel and Ivy, who win coveted tickets to a supposed utopia known as Paradise. Eager for a new life, the duo sets sail for the luxurious Isle Mirage, a temporary stay for the winners and a haven for the wealthy. However, as the facade begins to crumble, the siblings and their new friends discover the shocking truth behind Paradise's deceptive allure. The disparate group of teenagers must band together to expose a corrupt government, navigate betrayals, and confront the harsh realities of their disillusioned paradise. Will they succeed in dismantling the clandestine operation and forge a true paradise, or will their dreams shatter like illusions on the Road to Paradise?