A teen wanders through the secret, fleeting moments of the night toward adulthood. The angst and raw emotion of the night's delicate connections linger as he crosses paths with a mysterious girl.
Parker
The Girl in Red
Jordan
George, host of a television show focusing on literature, receives videos shot on the sly that feature his family, along with disturbing drawings that are difficult to interpret. He has no idea who has made and sent him the videos. Progressively, the contents of the videos become more personal, indicating that the sender has known George for a long time.
An ordinary funeral procession moves along its path from church to cemetery. Observing, you slip from reality into a place where time has lost its linearity, looping through the odd images thrown off by a distorted reality. Images of non-existence, of varying reflections of death issuing from both past and future, concrete yet abstract, horrible yet desirable. A family asks a young psychiatrist to be their guest for a while to untangle the circumstances of their father's illness. He's developed a suicidal fixation for ropes and knots among other things. While deeply involved in analyzing the patient's delirium, the doctor begins to lose track of what is taking place. The task of "how to help" is twisted into "who am I? Doctor or patient? Chance guest, member of this suffering family, or a catholic priest who has dreamed this all up?" In order to get a handle on it all, it's best to start from the beginning, but why do things keep shifting, changing?
Flo und sein Kumpel Hotte arbeiten in der mies gehenden Neuköllner Videothek Video König. Kein Wunder, denn Hotte glänzt mit null Filmwissen, und Flo muss mit damit fertig werden, von seiner Freundin verlassen worden zu sein. Die beiden Unglücksvögel lassen sich vom Kiez-Gauner Bernhardt abzocken, von Schlägern die Fresse polieren und Inkasso-Unternehmen drangsalieren. Ein Glück, dass für Flo wenigstens wieder die Liebe in Form von Nachbarin Ramona lacht, auch wenn diese möglicherweise eine Prostituierte ist.
A man whose brain becomes magnetized unintentionally destroys every tape in his friend's video store. In order to satisfy the store's most loyal renter, an aging woman with signs of dementia, the two men set out to remake the lost films.
A 14-year-old video enthusiast obsessed with violent films decides to make one of his own and show it to his parents, with tragic results.
In Germany, as graduate student Katie Armstrong researches cannibal killer Oliver Hagen for her thesis, she becomes obsessed with her subject and ultimately plunges into a lifestyle similar to Hagen's and the thousands of people like him.
Alex Thomas was the man in charge of protecting the president but, when the time came to fulfill his duties, everything just went wrong. His conscience haunted by a bullet, and his devotion to his country stronger than ever, Alex teams with a seasoned reporter to navigate a treacherous web of lies, unlocking a dangerous conspiracy, and enter a deadly world in which skilled assassins and highly-trained ex-special ops lurk in every shadow.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
During an historic counter-terrorism summit in Spain, the President of the United States is struck down by an assassin's bullet. Eight strangers have a perfect view of the kill, but what did they really see? As the minutes leading up to the fatal shot are replayed through the eyes of each eyewitness, the reality of the assassination takes shape.
A foreboding glimpse into the life of a girl under pressure from her parents concerning her eating behavior and childish tastes. Ignoring the family festivities, her parents ditch her for a day, leaving her in the care of a neighbor. The girl will regress to the events that have hurt her. "Rabbits have been a symbol of childhood ever since Lewis Carroll's portray of a certain elusive character, but it is in the interpretation of each psyche that it takes a more perpetual shape. In my analysis of its symbolism, the rabbit expresses a female childhood at an age close to puberty, along with the desire to leave the bonds; perhaps a virginal consciousness that remains in the symbol of rabbits to this very day." Laura Maria Isabel Ruiz Ocadiz.
A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgängers, and an impossible transformation inside a prison cell.
When a beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.
Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.
Ann, a frustrated wife, enters into counseling due to a troubled marriage. Unbeknownst to her, her husband John has begun an affair with her sister. When John’s best friend Graham arrives, his penchant for interviewing women about their sex lives forever changes John and Ann’s rocky marriage.
After the ordeal with Samara, Rachel and Aiden move to a rural town. But soon Rachel learns about the death of a girl in a similar fashion. To save Aiden, she must dig into Samara's past even further.
Hebe, in her journey from childhood to adulthood, finds herself compelled to explore the boundaries of the real and the illusory through her extrasensory perceptions. Endowed with a singular gift: glimpsing the past and future as an eternal present, Hebe defies temporal convention, questioning whether her premonitions are pre-written destinies or mere whispers of chance. Inspired by true events, Hebe invites us into the fabric of time to discover whether her gift can and should be controlled or whether she should surrender and succumb to it.
Film becomes a metaphor for lost history and its “negative“ impact on successive generations who look for stability in an electronic world that lacks sufficient mediation. Video retrieves lost memories for the child who, through her camera, seeks to find her father.
On a cold Monday morning, a group of counselors clock in at an old-fashioned social services office. Their task is to interview the recently deceased, record their personal details, then, over the course of the week, assist them in choosing a single memory to keep for eternity.
Ann follows Warhol's instructions throughout the entire screen test, as she stares directly at the camera without blinking, until tears begin to fall first from her left eye, and then from her right eye.