Masový Kašpárek(1991)

Best Of Collaro - Coffret 3 DVD(fr)

Noah's Ark(ru)

A funny puppet show about the family of the righteous Noah and disagreements while traveling on the ark.

Berlin Berlin(fr)

31 minutos: Yo Nunca Vi Televisión(es)

Mounted on a modern set almost 32.8 ft, the show recreates the original spirit of the popular puppet news show. Tulio Triviño, Juan Carlos Bodoque, Patana Tufillo, Juanín Juan Jarry and the rest of the cast deliver live news of sublime importance: the launch of a giant pizza into outer space. In between, classics such as "Mi Equilibrio Espiritual", "Bailan Sin Cesar" or "Mi Muñeca Me Habló", in an online show dedicated especially to all that public that has accompanied them for all these years and who was left with the desire to be part of an unforgettable experience.

The Pee-wee Herman Show(en)

An adult-oriented version of what would eventually become an award-winning children's classic. This version of the show features Pee-wee's playhouse and many of the characters of the later series, but with adult and sexual overtones and jokes including "mirror shoes" and others.

New Faces(en)

New Faces was a musical revue with songs and comedy skits tied together by a quirky plot. It ran on Broadway for nearly a year in 1952 and was then made into a motion picture in 1954. It helped jump start the careers of several young performers including Paul Lynde, Alice Ghostley, Eartha Kitt, Carol Lawrence, performer/writer Mel Brooks (as Melvin Brooks), and lyricist Sheldon Harnick. The film was basically a reproduction of the stage revue with a thin plot added. The plot involved a producer and performer (Ronny Graham) in financial trouble and is trying to stave off an angry creditor long enough to open his show. A wealthy Texan offers to help out, on the condition that his daughter be in the show.

Láska ke třem pomerančům(cs)

Pán Strom(sk)

Rodinné striebro(sk)

Černý mstitel(cs)

Muppet Man(en)

The story of how Jim Henson tried to convince broadcasters that The Muppets was a great idea and how he worked to get the characters on air where they became a comedy staple.

XTC: The Road to Oranges & Lemons(en)

The Road to Oranges & Lemons is a promotional short for the 1989 release of Oranges & Lemons. It features Andy, Colin, and Dave documenting and spoofing XTC's career from its formation and meeting with Barry Andrews, to recording its albums, to the "Dear God" controversy, and finally to Oranges & Lemons. The three make use of toys, pictures, and briefly a potato, to represent (and poke fun at) the different people XTC meets, as well as background sound effects and backdrops to represent different locations.

31 Minutos y Fundación de Orquesta Juveniles e Infantiles presentan: Calurosa Navidad (El Concierto)(es)

Tulio is forced by Sr. Manguera to put on a Christmas show, so he and the rest of the team put one together in record time. While Tulio discovers the true wrerwriwro of Christmas, Bodoque is in charge of going to look for the gifts, avoiding being tempted by Tío Pelado to bet on horse races.

An Unusual Concert(ru)

An unusual concert is a puppet show that makes fun of pop genres, performers who spoil these genres due to poor performance and poor taste.

Michael Hatzius: Echstasy - Live!(de)

L'heureux élu(fr)

Le manteau de Janis(fr)

Michael Hatzius: Echsoterik(de)

Marianne's Theatre(fr)

The curtains of a theatre open onto a smaller puppet theatre presided over by Marianne. The ringmaster waves her baton at three shadowy acrobats that climb one by one out of her hat. Each performs his number, although not without some difficulty. The clumsiness of the first, the mischievousness of the second, and the fieriness of the third trigger a few clashes that ultimately lead to chaos. How can Marianne create harmony without losing control? Will her show flop? Who's really calling the shots, the little puppet or her acrobats?

Micha Wertheim: Somewhere Else(nl)

The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.