Inspired by Christopher Marlowe's The Tragical History of Doctor Faustus and Goethe's Faust, Faustus develops an obsession with his namesake, Johann Georg Faust. As Faustus delves deeper into man and legend, he enters a labyrinthine realm.
Faustus
Marguerite
Bandar von Baron
Whore of Babylon
Older Faustus
Good & Bad Angel
Demon Pimp
Calypso King
Priestess Miriam
This is documentation of a workshop held at the Lillian Wald Recreation Rooms and Settlement. It shows two filmmaking projects by youth. This film was shown at a UNESCO conference in 1962 in Oslo, Norway and was commended for being the "most spontaneous" and "drawing the most applause" by Jonas Mekas in a review in the Village Voice.
Eliyammachiyude Adhyathe Christmas is a Malayalam movie starring K. P. A. C. Lalitha and Divya S Iyer in prominent roles. The cast also includes Rajesh Hebbar and Madhu. It is a drama directed by Benny Asamsa.
A fascinating journey through the life of Israeli artist Dani Karavan, an irreverent and charismatic creator, recognized worldwide for radically transforming public space with his monumental environmental installations.
On the streets of Dublin, Danny, a homeless man grappling with the ghosts of his past, finds himself caught in a cycle of despair and survival. Haunted by memories of his time serving in the Royal Irish Army, Danny's life takes a turn when he encounters Will, a young teenager on the run from a dangerous drug gang.
The Venice Hongwanji Buddhist Temple had an opportunity to take part in an episode of East of Main Street, an HBO documentary series that has been produced for the past three years to celebrate Asian Pacific American Heritage Month. This year’s episode, Milestones, focuses on how different groups of Asian Americans mark the milestones throughout their lives.
Catherine Hickland plays a taxi driver who is robbed and gang raped. She is then stalked by her attackers who also kill her father played by Chuck Connors. She finally snaps and seeks revenge. This film was produced by Fred Williamson and directed by Stelvio Massi but was never officailly finished or released.
Heinz Emigholz, the premiere purveyor of architectural oddities (Sullivan’s Bridges, Goff in the Desert), meticulously documents 15 rooms of the enormous Villa Cargnacco in Lombardy, Italy, designed by proto-fascist poet Gabriele D’Annunzio (1863–1938). The controversial figure spent 17 years designing the Vittoriale, a state museum on Lake Garda, and furnishing the Villa Cargnacco, which is part of the grand complex. This unusual documentary resulted from a photography session in the villa, when four friends—cinematographers Irene von Alberti, Elfi Mikesch, Klaus Wyborny and Heinz Emigholz—simultaneously filmed the rooms and furnishings of the villa in their own specific styles.
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Sparks fly when a recently-divorced couple is forced back into proximity to sort out a tax matter.
On a picnic, several friends find a large amount of money, unaware that it belongs to two criminals.
Lesbian filmmakers from Berlin were asked to make a short film about their idea of male gay love and sexuality and, vice versa, gay men were given the task of making a short film about lesbian sexuality and eroticism.
In this political drama, five left-leaning friends gradually lose heart in the Socialist government elected in 1981 in France. One of the five men is a television broadcaster; the others are a teacher about to become an academic inspector, a tax man, the director of a cultural center, and a sociologist who is about to step into a ministerial position. Their interlocking lives are told in alternating vignettes over a four-year period, and the professions director Jacques Fansten has chosen for his main characters seem to be a comment on the media, education, budget or finance, the arts, and government bureaucracy under Socialist rule.
They go sledging behind a car. They earn extra by fixing the roof of a neighbor's house. They are young and want to fulfill their dreams, but before them an uncertain future prevails. We are there as one of them, equally present, equally absent.
Based on the book by Henning Mankell (Sweden), this story takes place in Mozambique and is about a young boy, Nelio, who loses his entire family during a time of civil war. A wounded Nelio is found by a baker in the capital Mapouto; refusing medical treatment, the boy instead asks for sanctuary so he can tell his terrible tale. This he proceeds to do, starting with how the fighters arrived in his village and slaughtered many, to his captivity, his escape and his teaming with other orphaned street urchins to become their leader in survival.
A sublime documentary on childhood and bereavement that’s one of several shorts the filmmaker completed while working in Algeria for Georges Derocles’s company Les Studios Africa, for whom he would shortly make his breakthrough feature The Olive Trees of Justice.
A wrestler and a bookseller disgraced by life fall in love with each other.
"K-ON! Live Concert: Let's Go!" is a live concert held in Yokohama on December 30, 2009. A concert dedicated to all the K-ON! fans from each of the seiyuu of the characters. There are a total 8 seiyuu attending the event, including Aki Toyosaki (Yui's seiyuu), Yōko Hikasa (Mio's seiyuu), Satomi Satō (Ritsu's seiyuu), Minako Kotobuki (Tsumugi's seiyuu), Ayana Taketatsu (Azusa's seiyuu), Asami Sanada (Ms. Sawako's seiyuu), Madoka Yonezawa (Ui's seiyuu) and Chika Fujitō (Nodoka's seiyuu). This concert has been attended by more that 17 thousand fans and a CD, DVD and Blu-Ray copy has been sold throughout Japan.
A down-and-out Brooklyn detective is hired to track down a singer on an odyssey that will take him through the desperate streets of Harlem, the smoke-filled jazz clubs of New Orleans, and the swamps of Louisiana and its seedy underworld of voodoo.
A very free adaptation of Marlowe's "Doctor Faustus", Goethe's "Faust" and various other treatments of the old legend of the man who sold his soul to the devil. A nondescript man is lured by a strange map into a sinister puppet theatre, where he finds himself immersed in an indescribably weird version of the play, blending live actors, clay animation and giant puppets.
A successful, ego-maniacal architect who has spent a lifetime bullying his wife, employees and mistresses wants to make peace as his life approaches its final act.
After straight-arrow district attorney Joseph Foster says in frustration that he would sell his soul to bring down a local mob boss, a smooth-talking stranger named Nick Beal shows up with enough evidence to seal a conviction. When that success leads Foster to run for governor, Beal's unearthly hold on him turns the previously honest man corrupt, much to the displeasure of his wife and his steadfast minister.
Faust, an old, bright but desperate man, struggles with the sense of his life. After trying all kinds of sciences he enters into a contract with the devil, Mephistopheles, to feel life, joy and desire again. Mephistopheles promises him to get full satisfaction by enjoying and celebrating all the worldly pleasures: outstanding parties, being young again, the love of a woman. To fulfill the pact, Faust offers him his soul after his death. Their journey begins and leaves many people in total despair...
A man agrees to sell his youth to a strange character.
A Faustian tale about an old woman who makes a pact with Mephisto to regain her youth, but in return she must stay away from love. After making the deal, she meets two brothers who fall in love with her.
Cubby the Bear sneaks into the Roxy Opera House on it's opening night and ends up condicting an epic, animal-enacted version of Faust.
“Faust Part 2” reveals the modern Faust in a romantic interlude, an idyll (from the Greek idein, "to see"); also, a journey of the id. A sense of story is inferred through the complex interweaving of human gesture, expression, and bodily movement within vibrantly shifting colours and rhythmic development, creating multiple levels of metaphorical meaning. A collaborative work with paintings by Emily Ripley and soundtrack by Joel Haertling.
When a dedicated college professor is denied tenure, he turns to black magic in a moment of desperation but finds himself trapped in a private hell of his own making.
A troubled mortician embarks on an odyssey for truth about life and death.
A lost film. Georges Méliès also directed a film entitled Faust aux enfers in 1903 that is frequently confused with this one, but it has little to do with the story of Faust.
Faust, an aged philosopher and magician who has grown weary of life and has sought in vain for the secret of eternal youth, decides, after a night's long vigil, to call forth from the realms of darkness the evil one to aid him. Mephistopheles appears and offers him his services in return for Faust's soul. The aged philosopher refuses to accept until the devil shows him a vision of Marguerite in all her maiden simplicity and beauty. Faust agrees to accept the compact providing Mephistopheles will give him youth, wealth and love.
Vincent Salinger, an edgy uninspired poet, fumes at being spurned by his publisher. Suspecting his work and life mean nothing, Vincent seeks new inspiration. An unexpected visit from quasi-demonic friend of poetry introduces Vincent to a clever East-European escort girl who thinks up a literary hoax for success but at the risk of Vincent losing his integrity and identity. Things become more complicated when a rival muse falls in love with Vincent and Vincent's hoax suddenly materializes to haunt him.
A film story based on the old Prague legends. It tells about a poor student lured by wealth, which he prefers to knowledge. In the end, he sells his soul to the evil powers. The Devil takes him to hell and since then there is a blackened hole on the ceiling of a Prague house.
An oppressive droning score makes this rendering of the Faust legend quite disturbing to watch. The film itself consists of a number of impressive ‘appearing out of thin air’ effects, some lavish costumes, sets and backdrops. A climactic sword fight between a man and the Devil is a standout scene.
‘La course à l’abîme’ is a depiction of the final ride into hell from ‘La Damnation de Faust’ (1846) by Hector Berlioz.