A man named Walt who has recently completed building a fallout shelter in his home, a project initiated due to the threat of nuclear war during the Cold War era. Walt demonstrates to his friends the multi-functionality of the shelter, which can also serve as a darkroom, an extra bedroom, or a safe space during tornadoes. He explains the construction process in detail, emphasizing the need for precise measurements, proper leveling, and the use of concrete blocks for radiation protection. The shelter includes a stock of essentials like a radio, batteries, and a fire extinguisher. Walt’s narrative is interspersed with advice on obtaining official bulletins for guidance and the importance of building shelters correctly. The film concludes with a message from the Director of the Office of Civil and Defense Mobilization, advocating for the construction of family fallout shelters across America as a means of personal safety and national security in the nuclear age.
The Cold War and Civil Rights collide in this remarkable story of music, diplomacy and race. Beginning in 1955, when America asked its greatest jazz artists to travel the world as cultural ambassadors, Louis Armstrong, Dizzy Gillespie, Duke Ellington and their mixed-race band members, faced a painful dilemma: how could they represent a country that still practiced Jim Crow segregation?
In 1986, Ross McElwee (Sherman's March) and Marilyn Levine were making a film about the 25th anniversary of the Berlin Wall, when the imposing structure was still very much intact as the world’s most visible symbol of hardline Communism and Cold War lore. They thought they were making a documentary on the community of tourists, soldiers, and West Berliners who lived in the seemingly eternal presence of the graffiti emblazoned eyesore. But in 1989, as the original film neared completion, the Wall came down, and McElwee and Levine returned to Berlin, this time to capture the radically different atmosphere of the reunified city.
A dangerous game is played in the 80s as the Cold War brings two superpowers to the brink.
In-depth look at the twilight years, spent training apprentices, of temple builder Nishioka Tsunekazu, who was called the "devil" as he devoted his life to temple architecture. His insistence on the gargantuan timescale of linking life to the next millennium emerges from people who knew him. Remarkable as well for showing the unknown backstage of temple architecture. Nishioka, known as "the last temple carpenter," handled the major Showa-era repairs of Horyuji temple, and in 1990 was at the scene of the reconstruction work for Yakushi temple.
Deals with the establishment of the Italian republic and Italy’s foreign affairs, particularly how Italy regained national sovereignty and appreciation from the USA and Western Europe after the Second World War. It explains in what way Italy benefits from integration into a Western alliance system (NATO, Council of Europe, European Coal and Steel Community) during the Cold War.
"McCarthy" chronicles the rise and fall of Joseph McCarthy, the Wisconsin senator who came to power after a stunning victory in an election no one thought he could win. Once in office, he declared that there was a vast conspiracy threatening America — emanating not from a rival superpower, but from within. Free of restraint or oversight, he conducted a crusade against those he accused of being enemies of the state, a chilling campaign marked by groundless accusations, bullying intimidation, grandiose showmanship and cruel victimization. With lawyer Roy Cohn at his side, he belittled critics, spinning a web of lies and distortions while spreading fear and confusion. After years in the headlines, he was brought down by his own excesses and overreach. But his name lives on linked to the modern-day witch hunt we call “McCarthyism.”
Chronicles the industrial action leading up to the deregistration of the Builders Labourers Federation.
On March 9, 1953, Joseph Stalin was buried in Moscow in front of a million people. His funeral is that of a demi-God. Ultimate paradox for one of the greatest criminals in History who brought misfortune to his people while arousing collective admiration.
A year in the life of one of America's most innovative classrooms where students design & build to transform their hometown community. The film follows Emily Pilloton and Matt Miller as they teach the fundamentals of design, architecture and construction to a class of high school juniors in rural North Carolina.
What lies hidden beneath Moscow? Subway palaces full of Soviet propaganda, Stalin's magnificent bunkers, centuries-old river systems. For decades, there have been repeated clues, cryptic statements and hints about Moscow's underground. The cinematic search for clues shows Stalin's command bunker and the government object GO-42, a headquarters of the Soviet military during the Cuban Missile Crisis in 1962. A residential house with potted plants and curtains was built over GO-42 as camouflage. Until the end of the Cold War, specially trained soldiers took care of the bourgeois residential charm and turned on the lights in the evening while 2,000 people threatened the world around the clock with intercontinental missiles. The documentary also shows encounters with the illegal explorers of these complex transportation and housing systems, the Diggers.
Like the best USIA films, The Wall distills political events into an emotionally clear and compelling ideological "story". In 1962 Walter de Hoog gathered footage from U.S. and German newsreel sources and crafted this taut short film about the first year of the Berlin Wall. Straightforward, keenly balanced narration portrays Berliners as "accepting the wall but never resigned to it". The extraordinary footage of the first escapes was propaganda enough-- His challenge was to make the politics human.
This film shows how far we have come since the cold-war days of the 50s and 60s. Back then the Russians were our "enemies". And to them the Americans were their "enemies" who couldn't be trusted. Somewhere in all this a young girl in Oklahoma named Shannon set her sights on becoming one of those space explorers, even though she was told "girls can't do that." But she did.
Documents the evolution of the Jefferson National Expansion Memorial Arch from concept drawings, to fabrication of its stainless steel sections, to assembly and completion. Innovative structural techniques and brilliant design show why this avant-garde monument is among the greatest civil engineering achievements of the twentieth century. Oscar Nominee: Best Documentary Short
A dizzying view of Manhattan in the 1960s, the tallest town in the world, and the men who work cloud-high to keep it growing. They are the Mohawk Indians from Kahnawake, near Montréal, famed for their skill in erecting the steel frames of skyscrapers. The film shows their nimble work, high above the pavement, but there are also glimpses of the quieter community life of the old Kahnawake Reserve.
Nominated for an Academy Award, this live-action short film playfully chronicles the construction of the Tishman Building at 666 Fifth Avenue in New York City.
In his Mangwon-dong basement art studio, a media artist Song Hojun dreams of making a satellite and shooting it out to space. He wants to make his dream real through OSSI(Open Source Satellite Initiative) movement. He tries to build a BIY satellite, and to sell 10,000 T-shirts for the 100 million won budget. His seemingly reckless and utterly ambitious project begins. Would his dream become real?
A landmark four disc Box Set - Unearthed from Moscow's legendary Soyuzmultfilm Studios, the 41 films in ANIMATED SOVIET PROPAGANDA span sixty years of Soviet history (1924 - 1984), and have never been available before in the U.S.