Fugitiva
2024-11-23
0
In a dimly lit room, two boys engage in an intense chess match. As tension rises and strategies unfold, the game becomes a battleground of wits and wills, leading to an unexpected climax that goes beyond the boundaries of the board.
A surreal horror film following an obsessive actress who finds herself trapped within a cursed theatrical production where she is forced to choose between her career and her life.
A washed up actor performs night after night in a grimy theater to a nearly empty audience. However, everything changes when a clueless dog jumps on stage.
In this video work Bruce Nauman explores violence, gender and behaviour. Set around a simple middle class dining table, the scene quickly escalates into a slapstick fight between a man and a woman. Their actions become increasingly more erratic and aggressive yet also ridiculous and cartoon-like as the video progresses. Nauman explores the ways in which anger can be provoked by others and questions the way we can react to them. Much like many of his other artworks, he employs the use of humour and exaggeration to explore serious and even dangerous topics - he produced this work as a result of his frustration with futile acts of violence in ordinary life. He explains, “The viewer is presented with a hypnotic repetition of pointlessly cruel and destructive violence which is both seductive and alienating.”
Estranged lovers reconnect through the power of the Magic Conch Shell.
A young man sits at a local restaurant with his friend: but he isn't paying attention to her as she speaks. This film visualizes his chaotic state of mind and how he uses mindfulness practice to tune back into the conversation. Mindfulness is being able to sit with and observe your thoughts. Being mindful improves focus and mental health. FLES is SELF spelt backwards.
Presence narrates the journey of Thati, a woman determined to overcome her anxiety attacks through surfing. She finds refuge in the waves, where the surfboard becomes her ally and personal therapy.
PUTREFIXION: A Video of Nina Temich is the first feature to be entirely filmed on a 360 camera. Director David Torres utilizes the disorienting nature of a 360 lens to transform Mexico City, accentuate the ritual of dance, and open a new chapter of in-world-camera narratives. As Nina, model and dancer Dalia Xiuhcoatl controls the space and movement of the camera, giving this portrait of a young woman's brush with the supernatural a mesmerizing feminine energy.
Otro Sol is a group of real and invented characters trapped in a film. It is also a purgatory of retired thieves that takes place on the coast of the Atacama Desert. The film is circular and seeks to invent and verify the myth of Alberto Cándia, a Chilean international thief who stole the Cathedral of Cadiz in Andalucia in the late 1980s.
Four friends leave Seattle for a weekend in a remote, rain-soaked corner of Washington State's rustic Skagit Valley. The foreboding October landscape begins to warp their minds, plunging each of them into alternate realities where they must grapple with personal demons, sexual tensions, and a sinister natural world as they claw their way back to sanity.
Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
Amidst the realm of her parents' upscale nightclub, a young woman embarks on a surreal odyssey to confront her identity, only to find herself inescapably mirroring her father.
A bartender takes on the physical form of her imagined alter egos.
This expressive and experimental short film by Iain Delavan features two distinct emotionally significant videos, broken up by an ethereal synthetic universe. Quoted by Delavan as "the best thing [they] have ever made", this film has many layers hidden underneath the seemingly simplistic surface.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.
A man attempts to operate a mysterious device, but with each attempt comes a new set of problems.
This exclusive luxury cruise presents itself as the perfect holiday and family utopia. However, all artificial facades of this attractive consumer product dissolve, as a psychedelic dream world unfolds, illusions break and the crude reality beyond superficial comfort is unveiled.
This experimental short documents the clash, sometimes obsessive, sometimes glorifying, between humans and their mechanized environment. Using photographs, the animator creates varying perspectives through optical manipulation and changing colour, achieving bold and provocative effects.
A strange wire-fingered homunculus navigates through his dreams of different faces and faces, traversing a subliminal and endless variety. They are all different faces, but all have huge eyes that are questioned as to what keeps them apart, perhaps left broken by an impossible love.