Padre
Poliziotto
In a modern re-imagining of Little Red Riding Hood, a social pariah discovers a teenage runaway in the Oregon Wilderness and does his best to help her find a way home - a troubling exploration of trauma and redemption.
Living with her tyrannical stepfather in a new home with her pregnant mother, 10-year-old Ofelia feels alone until she explores a decaying labyrinth guarded by a mysterious faun who claims to know her destiny. If she wishes to return to her real father, Ofelia must complete three terrifying tasks.
An aging doorman, after being fired from his prestigious job at a luxurious hotel is forced to face the scorn of his friends, neighbours and society.
An experimental study of nature through three stories and how we have destroyed it.
Entrapped by a fractured mental state, A heartbroken young woman is greeted by the presence of something sinister in her mirror. Encased desires and the sickly sweetness of apples are enough to unearth her.
Robert spends his nights hunting people for execution with his anarchic gang. But when he falls in love with one of his victims, he sees a new life open up. Can he escape from his life as a trained killer in time to save her?
Rhena's father tells a story about Atlas, a forest entity that whispers stories of the dead to its trees. That same night he disappears into this forest. Rhena does everything she can to get her father back.
Number Two’ is an audio visual work which materializes the definite possibilities of sight and the existence of light in space with the drama in between image and sound as a reaction . It treats the surface of the film itself as a digital artefact that forms an image with a human intervention .It can be seen as an enlargement of a moment in time where form and space breaks inside an indefinite reality .
After using a strange AI device in a decadent course for unemployed people, a 40-year-old amnesic man gets obsessed with recurring absurd dreams, believing they are his life memories. Fourth feature film by the Brazilian director Davi Pretto.
Civil Service follows a single man in charge of "family services" through a typical workday as he denies requests for government assistance while being confronted by his psyche in the form of his dead mother.
An adaptation of Angela Carter's fairy tales. Young Rosaleen dreams of a village in the dark woods, where Granny tells her cautionary tales in which innocent maidens are tempted by wolves who are hairy on the inside. As Rosaleen grows into womanhood, will the wolves come for her too?
"Described as 'Snow White meets Eyes Wide Shut,' Rouge is a horror-tinted gothic fairy tale about a lonely dress shop clerk whose mother’s unexpected death sends her down a treacherous path in pursuit of youth and beauty. Set in California, the story explores the cult-like nature of the beauty industry — as well as 'the danger of internalizing its pitiless gaze.' Set to be published in September this year by Simon & Schuster/Marysue Rucci Books, Rouge is the latest novel from [Mona] Awad, behind All’s Well, 13 Ways of Looking at a Fat Girl and Bunny, which was listed among the best book of 2019 by Time, Vogue and the New York Public Library." (THR)
When young Lili's mother dies in childbirth, her father remarries Lady Claudia, a woman ruled by an evil mirror with the power to make her queen of all living things. After escaping an attempt on her life, Lili finds herself lost in a dark forest, where living happily ever after seems unlikely.
An experimental fairy tale about life, death, and spreading your wings. After Cecilia witnesses a bird smashing into her window, she begins to notice her body transforming. Her skin starts to peel and little feathers start to grow out of her back. Will she fly away or end up like that poor little bird?
Described as 'a fairytale with its roots in the worlds of dadaism and surrealism'.
Alex Whitaker and three other gifted psychics investigate rumors that the secret of life has been discovered by master puppeteer, Andre Toulon, in the form of five killer puppets uniquely qualified for murder and mayhem.
Cinderella finds freedom from her wicked stepmother with the help of her fairy godmother. Only this time, they unleash a plan of bloody vengeance.
Simultaneously sumptuous and gorgeous, garish and grim, this is a re-working of Pinocchio for the neo-liberal era. Rachel Maclean’s dark fairytale, which represented Scotland at the Venice Biennale 2017, depicts a brash and baroque binary world of poverty and riches where the prospect of easy wealth tempts even good boys like Pic into bad ways. But if everyone believes the lie, what’s the problem?