Fraudes, ingérences : le CPAS à la dérive(2024)

Mondialisation, Les nouvelles règles du jeu(de)

Wild Women(fr)

At the beginning of winter, a filmmaker retires for six months to a hermit's cabin in the middle of the forest, cut off from the world and its means of communication. Through the words of four women she has filmed previously, all of whom have dedicated their lives to different forms of spirituality, she embarks on a mysterious inner adventure, on the edge of solitude and nature. A journey that invites us to connect with the world in a different way.

Ennemis publics(fr)

SHEIN : Enquête sur le géant de la fast fashion(fr)

Through the account of her research, encounters and experiences, Claire Latour, an influencer, explores the inner workings of the ultra-fast fashion giant: Shein. A true ecological cost, the quality and toxicity of the garments, sales techniques, greenwashing, and the reasons behind the ultra-low prices, this unprecedented investigation leads her to question her way of consuming… but also of influencing.

Grosse fatigue sur le Net(da)

Les Années 2000, la BO de notre vie(fr)

La folie des Boys Band, 30 ans déjà(fr)

Jazz Ramsey: A K-9 Mystery(en)

When Jazz Ramsey and her crime detection dog Zeus stumble upon an old crime scene, the K-9 trainer, her star pup, and ex-boyfriend and lead detective Nick are thrown into the investigation.

Meurtre au mini-golf(fr)

At the mini-golf in Miniville, a body has been found. The investigation begins, but the clues are scarce...

Echo d'une vie perdue(fr)

Le Roman de Remort, ou les fabliaux inhumains & vilains de l'Ultime Carnaval(fr)

La Capsule(fr)

Journey from Santa Barbara to Moscow, or the Adventures of an American in Russia(ru)

The second film in a series of documentary and journalistic films about Russia. This is an impartial and friendly story about how the capital of Russia lives, works, studies and relaxes, seen through the eyes of a foreigner. The film's host, American actor Jed Allan, familiar to many Russians for his role as CC Capwell in the TV series Santa Barbara, travels around the multimillion-dollar metropolis, accompanied by the Russian actor and athlete Alexander Nevsky. The presenters of the film are equally interested in the opinions of representatives of the modern elite and ordinary citizens. The daily life of the city is the main interest of the film's authors; the faces snatched by the cameraman from the Moscow crowd are his main characters. The idea of the film is to show modern Moscow as one of the brightest, most beautiful and most dynamically developing cities in the world.

We Are Fire!(en)

Maremoto (Mar) is a young illustrator in Mexico City struggling to make sense of a town where 11 women are murdered daily, and 95,000 people have gone missing, with no one held accountable. Her feminist drawings support her community in dealing with the emotional trauma left by the femicides and galvanize them to fight to get the government forces to act. With her work, Mar also creates a safe space for the LGBTQ+ community and teaches self-acceptance."

Tears(en)

Why do we cry? Can men cry too? When are tears acceptable and when are they not?

Laughter(en)

Examines laughter, its representation in film and its day to day function. Well known people from various backgrounds discuss the issue and what it means to them.

Fear(en)

People who have experienced fear - those involved in the peace movement, a child, a politian and a film director - discuss the psychological and physical aspects of this emotion.

Rage(en)

Explores rage, its function and its representation in film. Why does rage occur, how does it differ between people and how do children feel about it? Also questions if rage can ever be a constructive emotion.

Go Go Go Said the Bird(en)

Four young people pinpoint the attitudes that have contributed to the phenomenon of swinging London.

Un Monde 5 Étoiles(fr)

After delivery of a parcel, on leaving a restaurant, hotel or train, or following an exchange with the customer service department of your telephone operator, the same request: to rate. On a scale from 0 to 10, embellished with colors, or by awarding pretty, playful little stars. A simple, mechanical and painless action for the rater. But behind this harmless gesture lies a brutal management system, operated directly by the customer, without their knowledge. Even more worrying: without knowing it, we are all being rated, to feed the algorithms of opaque companies that claim to be able to predict the future. The film questions this invasion of rating systems, and the consequences of this practice for our individual realities and collective freedoms.