In a land of promises and spirits, Mangdavalo's vow binds him as a ghost, while Padmavati's world crumbles with arranged marriage. Their love defies even death, weaving a tale of magic and sacrifice in a heartwarming journey
In this highly theatrical TV production, Monteiro again draws on the world of folklore – and, more precisely, on the widespread sexual connotation of the pomegranate – to tell a tale of love, envy, treason and mistaken/double identities.
It is based on Perumthachan of the Parayi Petta Panthirukulam, a legend in the Kerala folklore. The problems caused by the generation gap are explored through the relationship between a skilled carpenter and his tradition-breaking son.
An independent investigative journalist is on a mission to solve a string of strange deaths occurring in the forests of Western Newfoundland. What was once thought to be animal attacks is now being studied a little closer and just may be murders carried out by the mythical creature of provincial folklore, the Webber.
Martirio, the mourner, falls in love with Sagrario, the bullfighter, when she sees her fighting the only bull of their little town. In order to get closer to her beloved, she will burn alive that bull to coincide the two of them at the funeral of the animal this way. There they will meet and will begin an intense relationship, where by night they will search the bull murderer all over the region. Finally it will be Martirio who will offer to accomplish the role of the bull on the motorcycle.
In 17th-century Pohjola, young Antti Puuhaara is looking for himself, because he has grown up with no knowledge of his childhood. Two actors, the tragedian and the comedian, who were banished from Tsarist Russia to Karelia, had predicted to the crooked merchant Markki Bohattov that Antti's fate would become intertwined with his own. When Antti falls in love with Bohattov's daughter Darja, the father has to arrange for her to marry the tar merchant Arho Mustahatu.
The Mother is one of Monteiro’s first essays on the universe of Portuguese oral culture, folktales and obscure colloquialisms. The plot revolves around a traditional tale about theft, greed, an ubiquitous mother, and the links between the worlds of the living and the dead.
Mavka, a water nymph, loves Lukash, a country youth. Their brief happiness ends when Lukash is forced to marry the shrewish Kilina. The Spirit of the Forest turns Lukash into a wolf as punishment for his infidelity. The strength of Mavka's love breaks the spell, but Kilina curses the nymph, transforming her into a weeping willow. This beautiful and tragic story is based on a play written in 1912 by Lesya Ukrainka, a Ukrainian poet, writer and political, civil and female activist, and includes mythological characters taken from Ukrainian folklore.
After making a harrowing escape from war-torn South Sudan, a young refugee couple struggle to adjust to their new life in a small English town that has an unspeakable evil lurking beneath the surface.
An Asian-American high school football player is forced to confront his deepest fears after a strange encounter with a mysterious figure.
In a poor Estonian village, a group of peasants use magic and folk remedies to survive the winter, and a young woman tries to get a young man to love her.
A Serbian émigré in Manhattan believes that, because of an ancient curse, any physical intimacy with the man she loves will turn her into a feline predator.
When a mystery illness infects the pigs of a village farmer and a local boy is also taken ill, the villagers try to convince a veterinarian that it is caused by a curse from a woman they believe to be a witch.
The film will be made up of two stories: "Ishi Okoshi" and "Ayashiki Raihousha." In "Ishi Okoshi," Natsume meets a small youkai called Mitsumi in a forest. Mitsumi is entrusted to wake up the divine youkai "Iwatetsu" from its deep slumber. Mitsumi weighs on Natsume's mind, so he sets out to help Mitsumi with his task. In "Ayashiki Raihousha," a mysterious visitor appears in front of Tanuma. Nearly every day, the visitor visits Tanuma, talks to him a little, and then leaves. Natsume, who knows the visitor is a youkai, worries for Tanuma, but Tanuma enjoys these exchanges with the youkai. The youkai means no harm, but Tanuma's health slowly starts to deteriorate.
About a mysterious and troubled black woman, a former practitioner of the Santería religion, who must comes to terms with her background whilst in a Caracas jail.
After having an abrupt falling out with his childhood friend and bandmate, William, Ben Aiken must contend with the idea of striking out on his own, making amends with his friend, or giving up on his dreams altogether.
Bhama Vijayam is a 1967 Indian Telugu-language swashbuckler film, produced by Somasekhar and Radha Krishna, and directed by C.Pulliah. It stars N. T. Rama Rao and Devika, with music composed by T. V. Raju. The film is based on Gollabhama (1947) which itself is based on the stories of Kaasi Majililu written in Telugu by Madhira Subbanna Deekshitulu.
A famous painter returns to Spain under a false name as he once had to run away, to meet his half gypsy daughter, who has become a flamenco dancer. He offers her his house, making popular rumors take flight.