Lucille Vale is in love with struggling architect Paul Arden, but her mother believes that Allen Granat is a more suitable match. Lucille's mother prevails, and Lucille leaves Paul a note in their secret hiding place saying that she is going to marry Allen. Paul is injured when thrown from a horse and does not receive the note. He is nursed back to health in the home of entomologist Thomas Wiggan, whose son Johnnie is in love with Marion Vale, Lucille's younger sister. Two years later, Lucille and Allen return to the estate, very much in love, and engage Paul's services. The note is found, still waiting in the secret hiding place. After many complications, and with the help of her friend Suzanne Russell, Lucille recovers the possibly incriminating note.
Marion Vale
Capt. Arden
Peggy ( Bessie Love ) and her sister Frances ( Myrtle Reeves ) live with their father, but because of his idleness, they must all move to humbler quarters. Peggy adapts quickly to their new surrounding, while Frances misses the social life she once enjoyed. Their neighbors are well off, and Peggy begins a romance with their son, whom she thinks is the chauffeur. Meanwhile, Frances has become involved with a roguish character and plans to elope with him. Peggy saves her sister from imminent disgrace, but comes close to compromising herself instead. Peggy's sweetheart comes to her rescue and now his true identity is revealed to the very grateful girl.
Young mother Mary Gordoon is too poor to take care of her infant daughter, Ann, and leaves the child at an orphanage. Ann grows up with a crippled leg in the orphanage, and has fallen in love with a fellow orphan, Jimmy.
The Dawn of Understanding is a lost 1918 American silent Western comedy film produced by The Vitagraph Company of America and directed by David Smith. It stars Bessie Love in the first film of her nine-film contract with Vitagraph.
The Hollisters, a bright, spirited, wholesome family, are compelled to move into the country. After many efforts to secure a home, Shirley, eldest of the Hollisters, contrives a way out by renting a magnificent old stone barn at a ridiculously low price, transforming it into a house. The owner of the barn is not an ordinary landlord, as you will see, for he is a young man with fine ideals, and he is not content with establishing Shirley and her family in the quaintly beautiful old place, but makes the world a much happier place to live in for all of them.
Irene, a young girl from a small town, arrives in New York City determined to make it on the Broadway stage. She meets up with Cookie, a worldly chorus girl who takes Irene under her wing. When Irene falls for young Ronald, his rival Crane sets out to break up the pair so he can have Irene for his own--and he doesn't much care how he does it.
In a wealthy society family, the mother is forced to sit by and watch while her husband and son both compete for the affections of a pretty young temptress.
Austin Starfield has his greedy eye on a steel mill belonging to Eve Burnside. He persuades an impoverished count, Leon Molnar to marry Eve so he can then gain control of her fortune.
The Fable of Elvira and Farina and the Meal Ticket is a 1915 silent film directed by Richard Foster Baker. Gloria Swanson made her first credited appearance in this film as Farina.
Two rival mountain clans that have been feuding for years begin a new battle over the moonshine whiskey trade. A young man and a girl from each of the different clans try to end the feud, and wind up falling for each other.
A Harp in Hock, also known as The Samaritan, is a lost 1927 American silent melodrama film directed by Renaud Hoffman, produced by DeMille Pictures, and distributed by Pathé Exchange. The film starred Rudolph Schildkraut, Junior Coghlan, May Robson, and Bessie Love, and was based on the short story by Evelyn Campbell.
The Man Upstairs is a lost 1926 silent film comedy directed by Roy Del Ruth and starring Monte Blue. It was produced and distributed by Warner Brothers. The film is based on a novel, The Agony Column by Earl Derr Biggers.
Wealthy New York girl, Susan Van Dusen, in search of thrills and laughter, leaves home and finds work with a private detective agency. She meets Tod Waterbury, who, under another name, is working as a cab driver (in search of story material for a novel), and the two fall in love.
Aspiring newsreel camera girl Pat Clancy, is hired by her father, a publisher, to work on The Sun and causes Scoop Morgan, the paper's best cameraman, to quit in protest of the hiring of a woman. The Mercury hires Scoop, and there begins a heated rivalry between him and Pat. Pat gets a few lucky breaks and manages to get a beat on Scoop during her brief career. After she exposes the theft of a jewel from the turban of a visiting maharajah, she and Scoop are kidnapped by Clayton, the thief, and taken aboard his yacht. Rescued, she and Scoop find love and happiness.
American shop-girl Julie McFadden, wins a free passage to Paris; en route she meets Robert Van Wye, who has to kiss her when she loses a sack race. In Paris, Julie finds her proposed residence destroyed, and while waiting for Bob her purse is snatched; in the ensuing chase she gets lost and enters a dressmaker shop, where the two owners are in dire need of an English-speaking girl to deliver some gowns. Accidentally she is given free entry to the apartment of Countess Pasada and is shown to her rooms; the count is in his pajamas when she emerges from her bath, and she locks him in the bathroom.
H. Ulysses Watts is a traveling Shakespearean actor whose career is on the decline, as his audiences are more interested in cinema and vaudeville. When the troupe is robbed by Stoner, Watts cares for an injured young trapeze artist.
After her father's death, little Briar Rose is taken in by the men at a lumber camp. The girl shows a definite preference for one of the lumberjacks, "Hell-to-Pay" Austin, so he becomes her new "father." Just as much as Hell-to-Pay takes care of Briar, she watches over him, and it is largely through her influence that he gives up hard drinking and needless fighting. Then, when Briar is old enough, she goes away to school and quickly falls in with the wrong crowd. Hell-to-Pay comes after her and takes her away from Doris Valentine, an adventuress who had been teaching Briar the tricks of the trade. When they are reunited, Hell-to-Pay and Briar realize that they are in love, so they decide to change their relationship from guardian and ward to husband and wife.
Four heirs to a family fortune are summoned to appear at the family estate for the reading of the will, where they meet the estate's staff, which includes a nurse, a crazed doctor, and a sinister handyman.
Margaret Jarnette discovers that her husband Victor has been cheating on her and confronts him. Outraged, Victor has his lawyer rewrite his will so that in the event of his death, his brother Richard will get custody of his daughter Muriel, and his wife won't. When Victor dies shortly afterward, Richard suspects that Margaret had murdered him and takes custody of Muriel. However, he soon begins to suspect that things may not be quite as cut-and-dried as he thought they were.
Compelled to keep house for her father and her younger sister and brother, Martha is deprived of all the pleasures of youth. Ned, who loves her, begs her to elope with him. Martha yields, but while on the way to the minister, decides that her duty lies back home with her father. Heart-broken, Ned leaves for the city.
Happy in her devotion to her unfortunate sister and the promise of honest love that had come into her life, the girl was perhaps blind to true values. She became indifferent to her life and its surroundings. Accordingly she accepted the stranger and his doubtful promises. Honest love and duty were forgotten, until, caught near life's uncertain edge, she was called back by her blind sister's peril. Thus was true love separated from blind infatuation and life's lesson learned.