Unearthing. The Books We Didn't Inherit(2024)

Muchachos, la película de la gente(es)

The celebrations for the title of the Argentine National Team in the World Cup in Qatar 2022, through videos of Argentines around the world and unpublished material of the party in the streets.

My Mom Jayne(en)

Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.

Seduced and Abandoned(en)

SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.

Love, Marilyn(en)

Using the book 'Fragments', which collects Marilyn Monroe's poems, notes and letters, and with participation from the Arthur Miller and Truman Capote estates who have contributed more material, each of the actresses will embody the legend at various stages in her life.

Hitchcock/Truffaut(en)

Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.

Fuck(en)

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

To Be Takei(en)

Over seven decades, actor and activist George Takei journeyed from a World War II internment camp to the helm of the Starship Enterprise, and then to the daily news feeds of five million Facebook fans. Join George and his husband, Brad, on a wacky and profound trek for life, liberty, and love.

Money Heist: The Phenomenon(es)

A documentary on why 'Money Heist' sparked a wave of enthusiasm around the world for a lovable group of thieves and their professor.

A Decade Under the Influence(en)

A documentary examining the decade of the 1970s as a turning point in American cinema. Some of today's best filmmakers interview the influential directors of that time.

Downloaded(en)

A documentary that explores the downloading revolution; the kids that created it, the bands and the businesses that were affected by it, and its impact on the world at large.

Bank Robbers: The Last Great Heist(es)

Through candid interviews, the perpetrators of Argentina's most notorious bank heist detail how — and why — they carried out the radical 2006 operation.

In the Realms of the Unreal(en)

In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.

Naqoyqatsi(en)

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

Obi-Wan Kenobi: A Jedi's Return(en)

This special explores the return of Obi-Wan Kenobi and Anakin Skywalker to the screen, as well as Ewan McGregor and Hayden Christensen to their classic roles. Director Deborah Chow leads the cast and crew as they create new heroes and villains that live alongside new incarnations of beloved Star Wars characters, and an epic story that dramatically bridges the saga films.

The Curious Birth of Benjamin Button(en)

A documentary about the making of David Fincher's 2008 film THE CURIOUS CASE OF BENJAMIN BUTTON. Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.

John Candy: I Like Me(en)

Those who knew iconic funnyman John Candy best share his story, in their own words, through never-before-seen archival footage, imagery, and interviews.

The Crash Reel(en)

The Crash Reel tells the story of a sport and the risks that athletes face in reaching the pinnacle of their profession. This is Kevin Pearce’s story, a celebrated snowboarder who sustained a brain injury in a trick gone wrong and who now aims, against all the odds, to get back on the snow.

Public Speaking(en)

Martin Scorsese’s portrait of writer and social commentator Fran Lebowitz, celebrated for her sharp wit and observations on modern life. Filmed at New York’s Waverly Inn and intercut with archival footage and interviews, the documentary captures Lebowitz’s distinctive worldview through her spontaneous monologues and public appearances.

As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty(en)

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

Boys State(en)

This raucous journey into the heart of democracy captures an unusual rite of passage: 1,100 teenage boys from across Texas coming together to build a representative government from the ground up.

Por amor al arte(es)

Bernardo has turned 90 and is working to realize a dream: to make a film about art. He spends countless hours writing the script. He understands it's an arduous and complex task: What is art? When is there art? What is the purpose of art? Antonio, his friend, decides to collaborate, lending his knowledge and experience to the project. Marcelo meets Bernardo through Lucy, his partner of over 60 years, and finds him deep in his work, immersed in the uncertainties, frustrations, and joys inherent in any creative process. Watching him work, something of Bernardo's dream awakens in Marcelo a desire, another dream. He offers his help, while also asking to be able to capture Bernardo's daily work with his own eyes, thus creating his film. A dream that gradually shifts from the work Antonio sculpts on Bernardo's camera to Marcelo's gaze.

Muchachos, la película de la gente(es)

The celebrations for the title of the Argentine National Team in the World Cup in Qatar 2022, through videos of Argentines around the world and unpublished material of the party in the streets.

In the Name of Liberty(es)

Based on a discursive analysis of historical right-wing forces in Argentina and around the world, the objective is to situate the current Argentine government in the context of a resurgence of reactionary thinking, as well as to warn of the country's potential direction.

Remembering So We Don't Forget(es)

Poetic images emerge from everyday life, interweaving with narratives that recall traces of events from the last civic-ecclesiastical-military dictatorship in the city of La Plata.

Fund(es)

The history of how the International Monetary Fund has been operating in Argentina for years.

El camino eterno(es)

The Ant Woman(es)

Renata seeks refuge in the house of Virginia, her sister. Virginia lives a quiet life with her son Lucio in a provincial city and the only thing that seems to worry her are the ants that have invaded her home. Renata has nowhere to go. Virginia wants to help her and receives her; But the days pass and the drama of daily life begins to reveal the link between them, the pain of recognizing and rediscovering each other in a past that returns and takes strange forms.

Those Who Love, Hate(es)

Enrique Hubermann, homeopathic physician, travels in flight from a love. By a joke of fate, in that distant place he meets the woman he wants to forget, a beautiful young woman like a demon who manipulates men and triggers dangerous passions.

FELIPE(es)

The Argentine crisis of 2001 is about to explode. Felipe, 13, sees how his family environment is cracking due to the economic and political pressures. Misunderstood, he falls in love with Lucía, the neighbor next door and for a moment he stops feeling alone. But when external violence becomes a real danger, Felipe escapes with her, fed up with the lies of his parents, leaving behind his innocence.

Explosive Brigade(es)

Emilio, Benito Alberto and Gino are four childhood friends who today belong to the same police group "Z Brigade". Your first mission is to address the assault to a bank, but the lack of vitality that characterizes them they help the assailants flee the scene! The sergeant in charge decides to send them back to the Police Academy. The instructor will Moria Casan, who will train them to face and try to capture "Scar", the most feared and elusive offender.

Papeles en el viento(es)

When El Mono dies, his three longtime friends try to recover from the loss and want to secure his little girl's future. But for Fernando, Mauricio and El Ruso this will not be easy. They decide to recover a big investment El Mono had made when he had bought a soccer player who was supposed to become a star.

Rebellion in Patagonia(es)

In 1920, workers from Patagonia, in Southern Argentina, gather around an anarcho-syndicalist society and go on strike, demanding better working conditions. When the situation turns unsustainable, President Yrigoyen sends Lieutenant Colonel Zavala to impose order.

Incorregibles(es)

Pedro, an inexperienced conman, decides to rob a bank. When he tries to escape, the branch is surrounded by police. His hostage turns out to be Pablo, the husband of the daughter of the bank's owner. After Pedro and Pablo leave the crime scene, Pedro demands ransom. But the money never arrives, since Pablo's father-in-law decides not to pay and, to make matters worse, instead sends an assassin to kill off Pedro.

Alemania(es)

Sixteen-year-old Lola is studying for her resits when the possibility of a semester in Germany comes up. Lola wants to go, but her family, bogged down by her elder sister's psychiatric problems, don't want her to make the trip. The lack of stability and exhaustion in the ties with her family prompt Lola to go ahead with her idea and set out to find new experiences that make her see both herself and the circumstances that surround her with different eyes.

Las acacias(es)

Rubén is a middle-aged Argentinian truck driver transporting timber between Paraguay and Buenos Aires. One day, at a truck stop, he picks up a young Paraguayan woman, Jacinta, whom his employer had told to take to Buenos Aires. To Rubén's surprise, Jacinta brings along her five-month-old daughter, Anahí.

The Lighthouse(es)

Two Argentine sisters, Memé and Aneta, lose their mother in a car crash. Memé, the elder, is also left lame with one badly scarred leg. The orphaned girls go to Uruguay to stay with their aunts. The sisters often bicker, but they are actually very close. Memé flirts but has no luck with boys because of her injury... On their own now, Memé works as a waitress where she gets to know Andy. Returning to Montevideo, they meet Dolores, a friend of their late mother. Memé's affair with a man complicates her relationship with her sister. Then Andy invites the pair to his seaside retreat, a lighthouse.

The Hole in the Wall(es)

In this modern retelling of the Faust legend, a freelance photographer meets the enigmatic Mefi, who leads him, through a hole in the wall, to a room where a disembodied voice predicts stock prices.

La luz mala(es)

Faced with the loss of sponsors on the radio, René and Walter decide to take their program on UFOs to TV. Fate seems to accompany them, and that day one falls in the Esteros del Iberá. A TV presenter from the capital joins them in this reckless search.

Karaí Octubre(es)

El Angel(es)

Buenos Aires, Argentina, 1971. Carlos Robledo Puch is a 19-year-old boy with an angelic face, but a vocational thief as well, who acts ruthlessly, without remorse. When he meets Ramón, they follow together a dark path of crime and death.