A gripping portrait of one Puerto Rican family living in NYC. Roberto, 29, the eldest son gay and living in Greenwich Village. Marta the family matriarch, living in Brooklyn and raising the grandchildren that have, for the most part been abandonded by their parents. Danny, 23, returning from Riker's Island after spending yet more time in jail. Beatriz, vanishing periodically to indulg her crack cocain habit.
A gripping portrait of one Puerto Rican family living in NYC. Roberto, 29, the eldest son gay and living in Greenwich Village. Marta the family matriarch, living in Brooklyn and raising the grandchildren that have, for the most part been abandonded by their parents. Danny, 23, returning from Riker's Island after spending yet more time in jail. Beatriz, vanishing periodically to indulg her crack cocain habit.
2000-01-20
1
A secret culture of foragers hunt the Matsutake, a coveted Japanese mushroom worth up to $1,000 a pound—although its true value lies underground as a brilliant networker and healer of ruined landscapes. The Matsutake might just be our last, best hope for an American forest system run amok.
Underage lifts the lid on the insular world of a group of wayward Coventry teenagers in the early 1980s. In the run up to the summer holidays, struggling to make sense of their lives, the teens take solace in glue sniffing, drinking excessively, getting arrested or head-banging to Motorhead
Through dramatization and interviews with her colleagues, this film captures the life and work of famed Puerto Rican poet Mercedes Negrón Muñoz (also known as Clara Lair).
I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.
Village At The End Of The World is a witty, surprising and ultimately feel good portrait of an isolated village of 59 people and 100 sledge dogs, surviving against the odds.
A year in the life of children in the Province of Anhui in China, who have lost their parents to AIDS. Traditional obligations to family and village collide with terror of the disease.
Margreth Olin has filmed 22 persons i their meeting with the well known voluntary healer Joralf Gjerstad. For 65 years more than 50.000 has gone to him to be healed from illnesses and ill-doings. He has never asked for a penny for this
Interviewees discuss the memories, tastes and experiences that they associate with Africa for a personal vision of the continent.
In the shadow of a De Beers diamond mine, a remote indigenous community lurches from crisis to crisis, as their homeland transforms into a modern frontier. Rosie Koostachin delivers donations to families who live in uninsulated sheds, overgrown with toxic mold. She is determined to raise awareness, believing that if only Canadians knew, her hometown's dire situation would improve. Over five years, filmmaker Victoria Lean follows Attawapiskat's journey from obscurity and into the international spotlight twice - first when the Red Cross intervenes and again during the protest movement, Idle No More. Weaving together great distances, intimate scenes and archive images, the documentary chronicles the First Nation's fight for justice in the face of hardened indifference.
Filmed for over 10 years, this epic documentary presents the story of renowned Taiwanese choreographer Lin Lee-chen and her Legend Lin Dance Theatre. Extracting the essential details of Lin’s daily life, the film explores the origins of her dance, contemplates the poetic and ritualistic movements she creates, and delineates her lifetime pursuit of aesthetic concerns.
An idealistic collective launches a TV channel in the very early days of portable video cameras. This wonderful lesson in journalism makes it clear just how perilous it is to promote your own view of society via autonomous media. From the tumultuous period of Woodstock, the Black Panthers, women’s lib and anti-Vietnam demonstrations.
Fien de la Mar (1898-1965) was a Dutch actress with exceptional allure and extraordinary talent. With this she celebrated many triumphs, but her life ultimately ended in tragedy.
Abandoned Goods is an essay film exploring the journey of one of Britain’s major collections of Asylum Art containing about 5,500 objects (paintings, drawings, ceramics, sculptures and works on stone, flint and bone) created between 1946 and 1981, by about 140 people compelled to live in the Netherne psychiatric hospital in South London. Blending archive, reconstruction, animation, 35mm rostrum, and observational photography, the film explores the transformation of these objects from clinical material to revered art objects examining the lives of the creators and the changing contexts in which the objects were produced and displayed.
While people in Western Europe were used to choose between hundreds of brands, the communist Romanian used to have a different experience: all our life we lived with only one brand for each basic product. Imagine the importance that this 'mono-brands' could acquire for the lives of those who made them and for the lives of those who consumed them. A love story between man and object.
Le Bois de Vincennes is a safe harbour for many Parisians. Migrants and natives, prostitutes and stalkers, rich and poor, old and young, downshifters and loners come to this forest in search of themselves and find there an escape from the metropolis. A delicate and profound portrait of a contemporary man and his desperate search for an 'unknown homeland'.
In communist Romania in the 1980s the population collectively watches "Dallas", their only window into capitalism. Inspired by the US TV show, a young woman decides to emigrate to America. "Hotel Dallas" mixes documentary scenes with staged and experimental sequences.
Documentary about a father, who wants to find a lesbian woman, who is willig to marry his homosexual son...
The House of Suh” tells the story of Andrew and his sister Catherine, and how the values, conflicts, and dysfunctions of their Korean immigrant family led to the murder of Robert O’Dubaine. Eloquently narrated by Andrew, the documentary highlights issues of assimilation and the struggle between freedom and responsibility, raising questions about guilt, innocence, and the illusive gray area in-between.
14-year-old Laura Dekker sets out on a two-year voyage in pursuit of her dream to become the youngest person ever to sail around the world alone.
A hybrid narrative film with doses of mockumentary, musical comedy and dance film, "Improvement Club" traces a rag-tag Seattle performance group’s attempt to expose the American Revolution’s fatal flaws. When the ensemble loses their shot at a New York premiere, their desperate wish for an audience takes them into the backwoods of the Pacific Northwest on what becomes a surreal pursuit of trust, togetherness and the true motivation behind their work. Loosely based on the making of director Dayna Hanson’s real-life performance, "Gloria’s Cause".