


2024-11-02
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7.4In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.
0.0The music they make gives us joy and comfort. Now they will get something back. Christine Dancke brings pop stars on the road trip with surprises and delicious music. This time with the famous Norwegian singer AURORA
7.5Social isolation affects millions of people, even Mars-bound astronauts. A savvy NASA psychologist is tasked with protecting these daring explorers.
5.9An urgent, timely and compelling portrait of Hollywood icon Greta Garbo, whose fame, isolation and loneliness still captures us.
7.7This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.
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0.0Confessions of people who have lost their sight during their lives. What are their feelings and how do they view their apparent handicap?
2.0Lonely. Scared. Insecure. But how's it going with you? Is this the first film to be made completely in quarantine? Possibly. 'The Follow-Up' is Ben Berman's follow up film to 'The Amazing Johnathan Documentary (Hulu 2019).
0.0King for a Day is a poetic archive-led documentary immersing us in the personal story of the people of Padstow in Cornwall, their ancient rituals and the challenges they face in a rapidly changing world. The tension between tradition and progress highlights the importance of cultural identity and the role of folk customs in our globalised society. King for a Day is an intimate portrait of a place and community pushed to the margins. A cinematic journey interweaving audio-visual archive spanning 150 years. Will this be the last generation to tease the ‘Old Oss’ from his stable to welcome the Summer?
0.0An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories.
0.0Forced by the dangerous state of his homeland, Perghuzat moved to Berlin. He is alone, working small jobs day and night to survive. The profound clash of cultures, the linguistic barrier and the lack of spare time lead him into a condition of extreme isolation.
7.5This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastover's refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.
0.0This short film is a series of vignettes of life in Saint-Henri, a Montreal working-class district, on the first day of school. From dawn to midnight, we take in the neighbourhood’s pulse: a mother fussing over children, a father's enforced idleness, teenage boys clowning, young lovers dallying - the unposed quality of daily life.
6.5Since her debut at the age of 18, musician, civil rights campaigner and activist Joan Baez has been on stage for over 60 years. For the now 82-year-old, the personal has always been political, and her friendship with Martin Luther King and her pacifism have shaped her commitment. In this biography that opens with her farewell tour, Baez takes stock in an unsparing fashion and confronts sometimes painful memories.
3.0After threatening his ex-partner for years, Marcos M. murders his 11-year-old son with a shovel. A year later a popular jury condemns him for murder, to kill making full use of his faculties, and determines that the crime against the child did not seek anything other than to punish the mother. In the fact on which we base ourselves, violence, harassment, the murder of a child to harm the mother and the death threat that still hangs over the woman concur.