Maria Bethânia: Dentro do Mar Tem Rio(2009)

Rita Lee - Biograffiti: Ovelha Negra(pt)

Brazilian singer Rita Lee narrates moments about her life, from her childhood to the meeting with Roberto de Carvalho. The documentary is permeated with excerpts from the singer's concerts, with songs sung entirely.

Rita Lee - Biograffiti: Baila Comigo(pt)

Filhos de João, O Admirável Mundo Novo Baiano(pt)

A panorama of Brazilian popular music from the 60s and 70s through the musical group Novos Baianos. A retrospective of the community lifestyle adopted by its members and the influence inherited from singer João Gilberto.

Where Are You, João Gilberto?(de)

Where are you, João Gilberto? sets out in the footsteps of German writer Marc Fischer who obsessively searched for the legendary founding father of Bossa Nova and last great musical legend of our time, Brazilian musician João Gilberto, who has not been seen in public for decades. Fischer described his journey in a book, Hobalala, but committed suicide one week before it was published. By taking up Marc Fischer's quest, following his steps one by one, thanks to all the clues he left us, we pursue João Gilberto to understand the history, the very soul and essence of Bossa Nova. But who can tell whether we will meet him or not?

Meu Nome é Gal(pt)

Film about the Bahian singer dives into the moment when shy Gracinha becomes Gal Costa, during the violent, innovative and mind-blowing years that helped shape Brazil's greatest singer.

Madonna: The Celebration Tour in Rio(en)

Madonna celebrates her four-decade career in a special concert for over 1.6 million people at the Copacabana Beach in Rio de Janeiro.

72 Horas(pt)

Despropósito(pt)

To the sound of Politicar (Tom Zé) we follow human beings altered by their environment, becoming something new. Through this aesthetic, the short seeks to explore man's stance in relation to his environment and the idiosyncrasies, hypocrisies and positions that come with this interaction.

Favela on Blast(en)

For 20 years, a subculture has emerged in Brazil under society's radar. It is the culture surrounding 'funk carioca', a musical rhythm which mixes the American electronic funk of the 1980s with the most diverse influences of Brazilian music. 'Baile funk' is one of the most interesting musical movements in the world, but it comes from what is at times one of the most violent and poorest places in the world: the slums of Rio de Janeiro (favelas). This music is the personalization of the raw element. Bombastic rhythms coming from the American Miami Bass and samples are fused with powerful rap vocals using Brazilian slang. This documentary tells stories of sex, love, poverty, and pride among Rio's marginalized people. They have their own language, style, and heroes. It's a film that's fast, heavy, and violent like the city itself.

My Big Big Friend: The Movie(pt)

Yuri, Lili and Matt get ready for a very special day. But their dreams go down the drain when they discover that the parents have changed their plans and are now going to the same summer camp together, with several children they have seen.

Nothing Like Before – The Music of Clube da Esquina(pt)

Nothing Like Before delves into the creation of the Clube da Esquina Album (Brazil, 1972). Considered by many music critics one of the best albums of all time, it presented to the world musicians like Milton Nascimento, Lô Borges, Toninho Horta, Beto Guedes and Wagner Tiso.

The History of Eternity(pt)

In a small village in the hinterland, three stories of love and desire are changing the emotional landscape of its residents. Characters of a romanesque world in which their conceptions of life are limited on one side by human instincts, on the other by a blind and fatalist fate.

Two Sons of Francisco(pt)

The story of Francisco, a very simple and poor man whose dream was to see his children become country music stars, and who made all the efforts to make it happen.

Festive Land: Carnival in Bahia(en)

Festive Land examines one of the largest and most extraordinary popular celebrations in the world, the week-long Carnival that brings more than two million people to the streets of Salvador, the capital of Bahia, in northeastern Brazil. Carnival is the most expressive showcase of the unique cultural richness of Bahia, where African culture has survived, prospered, and evolved, mixing with other Brazilian influences to create forms found nowhere else in the world. The film captures this unique cultural energy through extraordinary footage of musical performances, dances, religious manifestations, and street celebrations. At the same time, Carnival reflects the racial and social tensions of Brazil's heterogeneous society. At first glance there appear to be two million people chaotically mixed on the streets, but a more detailed look reveals how patterns of segregation driven by racial, social and economic differences continue in Carnival.

Sexo é Bom(pt)

Looking for Black Orpheus(fr)

Documentary about Marcel Camus' 1959 film Black Orpheus, its cultural and musical roots, and its resonance in Brazil today.

Mamonas Forever(pt)

In less than ten months, the music band Mamonas Assassinas went from being completely unknown to becoming one of the biggest phenomena in Brazilian music. Irreverent, intelligent, sarcastic and creative, the band took over Brazil and sold two million albums in just six months. Never-before-seen footage and interviews from family, friends, producers, and musicians tell the band’s story, their challenges, their rise to fame, and the tragic aeroplane accident that killed all its members in 1996.

Gal Costa: Recanto – Ao Vivo(pt)

Maria: Ninguém Sabe Quem Sou Eu(pt)

The film is an unprecedented and exclusive testimonial of Maria Bethânia from director and screenwriter Carlos Jardim, interspersed with rare footage of rehearsals and concerts by the singer throughout her 57-year career. Actress Fernanda Montenegro narrates five texts by authors such as Ferreira Gullar and Caio Fernando Abreu about Bethânia's importance on the Brazilian cultural scene.

Saravah(pt)

Documentary about Brazilian music circa 1969, with extremely rare scenes, such as the only color footage of Pixinguinha, images of João da Baiana, one of the fathers of Samba, Maria Bethânia rehearsing at Barroco nightclub, Baden Powell playing his acoustic guitar, Paulinho da Viola showing his masterpiece "Coisas do Mundo, Minha Nega", that he had just finished, and Márcia, a singer from São Paulo.