Viva o Cinema! Uma História da Mostra de São Paulo(2024)

Life in a Day 2020(en)

On July 25th, 2020, Ridley Scott and Academy Award winner Kevin Macdonald invite you to be part of Life in a Day—a historic, global documentary capturing a single day on Earth. Videos from around the world are woven into a feature film.

Raiz e Alma(pt)

De okända utvandrarna(sv)

Documentary about Swedish emigration to Argentina via Brazil.

The 'Frankenstein' Files: How Hollywood Made a Monster(en)

The history of Frankenstein's journey from novel to stage to screen to icon.

Danube(es)

Argentina, 1968. In the midst of the Cold War, the dictatorship of Juan Carlos Onganía (1966-70) organizes the 9th Mar del Plata Film Festival in order to show the world its friendly face, while exercising censorship and repressing dissidence.

Window Visits(en)

Window Visits documents a family’s weekly afternoon visits to a long-term care facility from a child’s perspective.

Christmas In Florida(en)

A canceled Thanksgiving parade and no options professionally or personally, Kimberly DiPersia and Alex R. Wagner decide it would be a perfect opportunity to travel to Florida.

Life on the move(en)

In his first heartfelt documentary, Jack Belhumeur takes the viewer on a ride, navigating the trials and tribulations of life as an essential worker far from home during the COVID-19 pandemic.

Guide to a Midwest Hometown(en)

Coming back during Winter, Alex Powell explores both the places and personal connections found in his hometown and how they've changed. “Guide to a Midwest Hometown” explores what makes the barren places at home feel sentimental and special, and the good and bad feelings that come when being back home. Inspired by "How To With John Wilson".

Papel de Parede(pt)

I Think He’ll Be Alright(en)

There are 200,000 people per year in the US that struggle with Health Anxiety. For many, this became an obstacle when it came to getting the vaccine. Jeff Richards films a video diary of his own struggles with Health Anxiety and getting the vaccine in the hopes of helping others.

Memory: The Origins of Alien(en)

The untold origin story behind Ridley Scott's Alien - rooted in Greek and Egyptian mythologies, underground comics, the art of Francis Bacon, and the dark visions of Dan O'Bannon and H.R. Giger. A contemplation on the symbiotic collaborative process of movie-making, the power of myth, and our collective unconscious.

American Pathogen(en)

Documentary film detailing how America became the epicenter of the COVID-19 outbreak, from the dismantling of our preparedness system starting in 2016 to the “missing months” of inaction in early 2020.

Les Scandales de « La Religieuse »(fr)

Released in 1796 posthumously, The Nun, a novel that Diderot did not dream of publishing during his lifetime, as he knew it to be revolutionary, caused the same explosion in the 19th century France as in that of the 1960s, when Jacques Rivette decided to adapt it, with Anna Karina in the title role. “This film is banned and it will remain so!” said the General de Gaulle. Exploration of an indictment of incredible modernity which, through the tragedy of the young Suzanne, locked up in the convent against her will, denounces the inequity of a society denying women all moral, political and sexual freedom.

2000 mm(fr)

Ready or not, society is in a process of redefinition. What goes through people’s minds in a situation like a toilet paper shortage? The term COVID-19 stands for something invisible, stoking fears strong enough to cause stock markets to melt like snow in springtime. As filmmaker Georges Hannan’s 91-year-old mother puts it, “I’ve never seen anything like this.” It has prompted him to embark on a gradual reflection over time, in a part of the world like any other: Atlantic Canada. Call it a fishing expedition with camera and microphone, into the unknown.

Holding Up The Sky(fr)

"When the shamans stop dancing and life in the rainforest loses its balance, the sky will collapse and come to crush everything." This wisdom is passed down from generation to generation by the Yanomami of Brazil. But gold miners are polluting the rivers, shamans are dying, the rainforest is disappearing and the earth is getting hotter. Davi Kopenawa, a tribal leader and spokesman for the Yanomami, has been fighting relentlessly against the colonization of his land for 40 years. He warns Westerners that when the sky collapses, they too will be crushed. Why don't they listen? Translated with www.DeepL.com/Translator (free version)

Princess Diana: The Mourning After(en)

In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.

Legends in Light: The Photography of George Hurrell(en)

The life and career of legendary Hollywood glamour portrait photographer George Hurrell is profiled by his contemporaries including other photographers and actors he has shot.

Head Wind(fa)

An investigation of government censorship in Iran.

Binka: To Tell a Story About Silence(bg)

A film pioneer, Binka Zhelyazkova was at the forefront of political cinema under Bulgaria's Communist dictatorship. Though she remained faithful to the communist ideals she became an avid critic of the regime and brought upon herself the wrath of its censorship. As a result four of her nine films were shelved and released to the public only after the fall of the regime in 1989, and Binka Zhelyazkova became known as the bad girl of Bulgarian cinema. A provocative portrait that reveals the pressures and complexities that arise when art is made under totalitarianism.