Suggestion is the rock, and the physical evidence is the evanescent spray that breaks against the unseen. Transitive enharmonics of things touching in middair, an air which is Time—not an actual intersection, but with a consequence as powerful as predestination, a momentary fulfillment, a trail beyond mere pattern, like a streak of truth alive and uncontained, like something that runs through infinity slowing to leave condensation, sonority, a temperature. Lines crossing lines. Not there. There. Invisibilities smudging. Gesture and impression, optic suggestions, agents on and in the mind. Each with vibrations, dollops, whispers, throbs, particles and waves. A finger of pigment brushing a lip of language exchanging carriage supports, liquidities, fire. Moire of meanings. Micro settings in the heart. The time it takes. The very least one can say is to say The Extravagant Shadows is a major work. Humanly essential, adventurous and necessary.
The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
The play Wanis talks about the famous family, which is the family of Wanis, but several paradoxes occur, the first is Wanis sitting at home and Misa is the one who works now and exposes them to a mute girl who everyone offers help and is loved by the eldest children of Wanis and a TV show comes to them competitions to ask them questions and they answer them and many paradoxes
Narumi, a man out for revenge with the powers he received and a bit of help from the one who saved his life, he creates the persona of Skull Soldier and attempts to discover who really killed his sister.
A scientist confronts an evil corporation to get the ingredients of a perfect snack
Remu grew up in modest conditions. He dropped out from schoold during his teen age years and is making career as a small time criminal. His family's destiny is about to come true, and it's going to be the usual: jail, alcoholism and violent death. After learning about rock music Remu learns to play drums and pushes himself into different bands. His first time in jails interrupts his music career, but after being released he starts his own band; Hurriganes.
Small, yellow-bellied forest spirits make a discovery that threatens the balance of their world.
Go behind the pre-production, production, and post-production process of making New Line Cinema's Final Destination 3, exploring the history of not only the film itself but of its filmmaking partners, Glen Morgan and James Wong, and gain insight on the production as a whole. Includes early development meetings, on-set action, interviews with cast and crew, visual effects development, test screening process as well as an elaborate ending re-shoot.
Some students in a boarding house have to face the reality of everyday life in pursuit of their goals. The life of one, Carlos, changes drastically when he falls in love with the hotel maid.
Renee Summers has just been released from a mental institution when her fiancee and psychiatrist, Jeffrey Morgan buys her a secluded cabin to rest before she faces her friends and family. Renee soon befriends her only neighbour Michael Richards who is not all that he seems to be. She also uncovers a deadly secret! The former tenants of the cabin, a mayan family, were butchered to death and dumped
Mixes fiction and documentary to tell the story of Marc Helt and his first sexual experience with other men, as a healing ritual after a violent hate crime.
It's the end of the century at a corner of the city in a building riddled with crime - Everyone in the building has turned into zombies. After Jenny's boyfriend is killed in a zombie attack, she faces the challenge of surviving in the face of adversity. In order to stay alive, she struggles with Andy to flee danger.
Jwala Prasad is to marry the girl of his dreams. On the day of the marriage, she is dressed all in red, as is the tradition in India. Just before the wedding she slips off to meet her real lover. When Jwala finds out, be is so enraged at he turns into a monster and kills both the to-be bride and her male friend. The saga does not end here, and this monster continues to terrorize the region, first abducting brides dressed in red just before the wedding procession stops at a Mandir (temple).
Recep Ivedik has been depressed since the death of his grandmother. Everyone who tries to help him fails. A young girl named Zeynep, who can't find an apartment, stays with Recep. Initially, the two can't stand each others but after a while, they grow close. Despite many adventures together, Recep's depression won't go away. That is until he experiences something he had never experienced before.
An old landlord wants to spend his last days with his family but they don't want to come to his place, so he mimics his own death to bring them.
Lulu the dog gets a job at the local convenience store and stays up all night cleaning the back room. Short created for Adult Swim Smalls.
In Wiertz and Verbeek's kinetic, kaleidoscopic opus Keep on Turning (1974, 3 min, 16mm, sound) cubes convey, rotate and shift in tandem.
An exploration of the relationship between sound and picture inspired by the two lights (twi-light) found inside film projectors.
An abstract perspective into two young South African workers in the heart of Johannesburg's industrial sector during Covid-19
At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."
The work is a video-poem, an exploration and reflection on the sense of vision as a tool to understand signifiers - but also and more importantly, as means through which we can interpret something by feeling it on an intuitive level. stripped of their original context, and deprived of words or sounds, mixed-media imaginary is collaged in non-linear format of storytelling. By forming different constellations of images, meaning is left open.
A magician’s creation roams free in a city and explores its consciousness.
An abstract, experimental, personal reappraisal of experiences and crises - the project was the result of an experiment.
A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.
The blinking sun on the surface of the river becomes the ranting mouth of god and utters nova scotia into existence.
A mathematical play on one repeated movement. It imparts a sense of possibilities: that something simple can produce complex and unexpected patterns. As with an atom, the variety of possibilities from a base movement is potentially infinite.
A boy waits in the same street every day with his bags packed. What is he waiting for?
An abstract computer-generated film. The image is of squares revolving in space around and through each other. Colors and forms multiply and divide against a beautiful symphonic score by George Kleinsinger.
A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.