"On January 6, 2021, hundreds of people breached the United State Capitol Building in an attempt to stop Congress from certifying the 2020 election. Many participants documented their actions on social media for the world to see. The attack left 5 dead, at least 138 police officers injured and resulted in more than $30 million in damage and security upgrades. On July 27, four of the police officers who helped defend the Capitol that day provided testimony to Congress. In this special episode of Source Material we hear their testimonies and see the violence they were subjected to" (Vice News).
"On January 6, 2021, hundreds of people breached the United State Capitol Building in an attempt to stop Congress from certifying the 2020 election. Many participants documented their actions on social media for the world to see. The attack left 5 dead, at least 138 police officers injured and resulted in more than $30 million in damage and security upgrades. On July 27, four of the police officers who helped defend the Capitol that day provided testimony to Congress. In this special episode of Source Material we hear their testimonies and see the violence they were subjected to" (Vice News).
2022-01-05
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J6: A True Timeline is a documentary film that aims to provide a comprehensive and accurate account of the events that occurred on January 6, 2021, at the United States Capitol. The film is based on a massive archive of footage, including police body cam videos, Capitol CCTV footage, and citizen-generated content, which has been meticulously reviewed and compiled into a timeline using metadata and timecode.
"187 minutes passed from Trump urging the crowd to go to the Capitol and asking them to go home. Using footage from the day and cable news Trump reportedly watched, 187 Minutes is a look at the experience of those involved as the constitutional order came under threat."
"This is what it was like to be inside the Capitol Hill insurrection" (Vice News).
"Luke Mogelson followed Trump supporters as they forced their way into the U.S. Capitol, using his phone’s camera as a reporter’s notebook" (The New Yorker).
"The Times obtained District of Columbia police radio communications and synchronized them with footage from the scene to show in real time how officers tried and failed to stop the attack on the U.S. Capitol" (The New York Times).
"On January 6, the most sacred symbol of American democracy was violently stormed by supporters of Donald Trump, leaving the Republican party to grapple with its political future. "Defeated, disgraced, and now twice-impeached, Trump is out of office. But with the anger he unleashed still bubbling beneath the surface, many are concerned over whether American democracy has proven more fragile than they thought. "In her return to Four Corners, reporter Sarah Ferguson tells the story behind the insurrection at the US Capitol" (Australian Broadcasting Corporation).
“'Public Defender' follows the work of Heather Shaner, a lawyer representing January 6th rioters, who works to confront America’s political divisions with empathy" (The New Yorker).
"At 2:12 p.m. on Jan. 6, supporters of President Trump began climbing through a window they had smashed on the northwest side of the U.S. Capitol... It was the start of the most serious attack on the Capitol since the War of 1812. The mob coursed through the building, enraged that Congress was preparing to make Trump’s electoral defeat official. 'Drag them out! … 'Hang them out!' rioters yelled at one point, as they gathered near the House chamber... "To reconstruct the pandemonium inside the Capitol, The Washington Post examined text messages, photos and hundreds of videos, some of which were exclusively obtained. By synchronizing the footage and locating some of the camera angles within a digital 3-D model of the building, The Post was able to map the rioters’ movements and assess how close they came to lawmakers — in some cases feet apart or separated only by a handful of vastly outnumbered police officers" (The Washington Post).
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
On a misty morning in the fall of 1985, a small group of Haida people blockaded a muddy dirt road on Lyell Island, demanding the government work with Indigenous people to find a way to protect the land and the future. In a riveting new feature documentary drawn from more than a hundred hours of archival footage and audio, award-winning director Christopher Auchter (Now Is the Time) recreates the critical moment when the Haida Nation’s resolute act of vision and conscience changed the world.
Known for her intimate films, director Kim O’Bomsawin (Call Me Human) invites viewers into the lives of Indigenous youth in this absorbing new documentary. Shot over six years, the film brings us the moving stories, dreams, and experiences of three groups of children and teens from different Indigenous nations: Atikamekw, Eeyou Cree, and Innu. In following these young people through the formative years of their childhood and right through their high school years, we witness their daily lives, their ideas, and aspirations for themselves and their communities, as well as some of the challenges they face.
Fruit Flies, frogs and dogs are only a few of the many animals man has sent into space. The short documentary The Conquest of Space tells the story about the chimpanzee Ham that was sent to space some months before Gagarin became the first man in space. Based on archival footage from NASA and National Archives, The Conquest of Space is tragicomic look at the space program and the animals that went into space before humankind.
60 years ago, almost nothing was known of elephants in the wild. But then one young Scottish biologist changed that forever. In 1965 Iain Douglas-Hamilton arrived in Tanzania to live alongside African elephants. Later joined by his wife Oria and daughters Saba and Dudu, elephants became central to their lives with matriarch Boadicea and gentle young mother Virgo cherished like human relatives. But this garden Eden was short-lived as an ivory poaching epidemic swept across Africa forcing Iain to switch from pioneering scientist to maverick conservationist. He became a lone crusader against the international Ivory trade which was finally banned in 1989. Now back in the field and revealing even more about the fascinating world of elephants, Iain’s work continues alongside a new generation of Kenyan conservationists. This inspiring documentary combines stunning wildlife imagery with the story of a remarkable life showing how sometimes you have to stand alone to protect what you love.
This Traveltalk series short visit to the province of Ontario begins in Ottawa, Canada's capital, then proceeds to Algonquin Park, Toronto, and Niagara Falls.
Gaza Fights for Freedom depicts the ongoing Great March of Return protests in the Gaza Strip, occupied Palestine, that began in 2018.