Las cuatro plumas(1928)

Light Drops(pt)

Rui was raised in Mozambique in a small village at the frontier of a mysterious river. Son of Portuguese colonists, his best friend is Ana, a black girl godchild of his mother. At fourteen he is confronted with the tragic destruction of his childhood and has to learn to recognize two distinct realities - the European and the African.

Rabbit-Proof Fence(en)

In 1931, three Aboriginal girls escape after being plucked from their homes to be trained as domestic staff, and set off on a trek across the Outback.

The Ghost and the Darkness(en)

Sir Robert Beaumont is behind schedule on a railroad in Africa. Enlisting noted engineer John Henry Patterson to right the ship, Beaumont expects results. Everything seems great until the crew discovers the mutilated corpse of the project's foreman, seemingly killed by a lion. After several more attacks, Patterson calls in famed hunter Charles Remington, who has finally met his match in the bloodthirsty lions.

The Four Feathers(en)

A young British officer resigns his post when he learns of his regiment's plan to ship out to the Sudan for the conflict with the Mahdi. His friends and fiancée send him four white feathers as symbols of what they view as his cowardice. To redeem his honor, he disguises himself as an Arab and secretly saves their lives.

Justice de fauve(fr)

A wealthy painter's attempts to romance Lord Nelson's Daughter is complicated when she falls for his Hindu servant instead.

The Wind That Shakes the Barley(en)

In 1920s Ireland young doctor Damien O'Donovan prepares to depart for a new job in a London hospital. As he says his goodbyes at a friend's farm, British Black and Tans arrive, and a young man is killed. Damien joins his brother Teddy in the Irish Republican Army, but political events are soon set in motion that tear the brothers apart.

Tabataba(mg)

Tabataba tells the story of a small Malagasy village during the independence uprising which took place in 1947 in the south of the country. For several months, part of the Malagasy population revolted against the French colonial army in a bloody struggle. The repression in villages that followed was terrible, leading to fires, arrests and torture. Women, children and the elderly were the indirect victims of the conflict and suffered particularly from famine and illness. One leader of the MDRM Malagasy Party, which campaigns for the independence of the country, arrives in a village. Solo (François Botozandry), the main character, is still too young to fight but he sees his brother and most of the men in his clan join up. His grandmother, Bakanga (Soavelo), knows what will happen, but Solo still hopes his elder brother will return a hero. After months of rumours, he sees instead the French army arrive to crush the rebellion.

The New World(en)

A drama about explorer John Smith and the clash between Native Americans and English settlers in the 17th century.

Katshinau(fr)

In New France before the British Conquest, Marie, an indigenous slave, serves the local surgeon. Her daily life of household chores is bleak and alienating. The encounter with a young girl she presumes to be her child will give her motivation to undertake radical actions.

Neckan(es)

Out of Africa(en)

Tells the life story of Danish author Karen Blixen, who at the beginning of the 20th century moved to Africa to build a new life for herself. The film is based on her 1937 autobiographical novel.

The Wind and the Lion(en)

At the beginning of the 20th century an American woman is abducted in Morocco by Berbers, and the attempts to free her range from diplomatic pressure to military intervention.

Sugar Island(es)

An unwanted pregnancy triggers the journey into adulthood for Makenya, a Dominican-Haitian teenager who lives in the Batey, a community surrounded by sugarcane fields.

El Vibora(tl)

A re-telling of Artemio Ricarte, a Filipino patriot who fought against the Spanish and later Americans. He was later supported by the Japanese during WWII. Nickname was "El Vibora" (the Viper).

Palm Trees in the Snow(es)

Spain, 2003. An accidental discovery leads Clarence to travel from the snowy mountains of Huesca to Equatorial Guinea, to visit the land where her father Jacobo and her uncle Kilian spent most of their youth, the island of Fernando Poo.

Noua(ar)

Directed by Abdelaziz Tolbi.

Tai-Pan(en)

The film begins following the British victory of the first Opium War and the seizure of Hong Kong. Although the island is largely uninhabited and the terrain unfriendly, it has a large port that both the British government and various trading companies believe will be useful for the import of merchandise to be traded on mainland China, a highly lucrative market.

Traps(en)

The year is 1950 and an English couple, Louise and Michael, have arrived in French-occupied Indochina to cover a story on a French-owned rubber plantation. They are to be the guests of the enigmatic plantation overseer, Daniel, and his beautiful yet difficult daughter Viola, at their elegant, decaying villa amid a tropical jungle. Michael and Louise hope that some time spent working in an exotic location will help reignite the passion in their floundering marriage. Instead they become unwittingly involved in the personal, sexual and political tensions of their hosts. Daniel is desperate to hold onto a way of life no longer possible in a country struggling for independence, bringing him into conflict with not only his daughter but also with his adopted country.

My Sister is a Butterfly(en)

17-year-old Giddy spends a week in England seeking reconnection with her queer and estranged sister, Julie. On the night of Julie’s 24th birthday, Giddy faces a tumultuous transition into adulthood. The sisters clash as old patterns and memories remerge.

Dawn of the Damned(fr)

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.