
When did online life become a non-stop Turing test? And when did humans become the ones who are failing it? It began nearly two decades ago, when advertising models staked out their territory over the data used to structure our online lives.
0.0A struggling young man secretly plays a magical trumpet that transports him from his desolate world into a colorful "bliss." When his younger brother discovers his secret, their relationship is put in jeopardy.
1.2L. Frank Baum would appear in a white suit and present his live actors, slide shows and films as a live travelogue presentation of his popular fantasies. Highlights include Dorothy being swept to Oz in various ways, such as with back-projection tornadoes and storms in a chicken coop. Lack of financial backing forced the show to fold after appearing in only two cities, despite being a critical and commercial success. This film is lost.
4.4In Vigo, Spain, during Christmas, Ángel, a Spanish filmmaker, walks through the crowded streets while thinking about a possible movie made of…
0.0A 2002 live performance of Mikel Rouse's Dennis Cleveland, a multimedia opera set entirely on a television talk show in the late 20th century.
0.0Set in Berlin and New York's Lower East Side, The Great Yiddish Love stars the self-exiled Marlene Dietrich and her Nazi-endorsed replacement, Zarah Leander. It is a melodrama of love, emigration, and betrayal reassembled from Hollywood, German Ufa and Yiddish films from the 1930s and 40s.
0.0Dozens of film enthusiasts come together to intervene and recreate already filmed in s8
7.6George Abitbol, the classiest man in the world, dies tragically during a cruise. The director of an American newspaper, wondering about the meaning of these intriguing final words, asks his three best investigators, Dave, Peter and Steven, to solve the mystery. (Sixteen French actors dub scenes from various Warner Bros. films to create a parody of Citizen Kane, 1941.)
6.1Rejecting the billions of alphabetic diktats to liberate the incessant metamorphoses and metaphors of a necessary and true language by re-turning to the locations of past film shoots, while keeping track of modern times.
0.0A haunting and brutal depiction of animal cruelty. Fast paced cut up art brut collage film.
The Goal Is To Live is an infinitely-looping assemblage constructed out of repurposed content from the popular show How It’s Made, which chronicles the factories that create everyday objects. The film takes Dina Kelberman’s practice of accumulation and recontextualization into a large-scale time-based work for the first time. Reorganizing short clips into a long Rube-Goldberg-like narrative, and featuring a hypnotic minimalist soundtrack by Rod Hamilton and Tiffany Seal, the film portrays a mesmerizing and surreal process in which materials are transformed in myriad ways.
0.0An experimental video collage piece that investigates the concept of self-destruction across genres, eras, and cultures. Features footage from Abbas Kiarostami's Taste of Cherry (1997), Satyajit Ray's Apur Sansar (1959), Charlie Chaplin's City Lights (1921), and Jeff Tremaine's Jackass 4.5 (2022), among others.
6.4In 1958 Angelo, a rich and spoiled boy, enters a religious school, where students are tired of its vice-rector, and the strict rules and old-fashioned teaching methods of priests. Soon, Angelo exerts strong leadership among his peers and incites turmoil among them, helped by intellectual Franco and shy Camma. They expel the prefect from the school, organize a Grand Guignol show, and disappear the corpse of an old professor.
This is an artificial intelligence (AI)-generated film that envisions the Middlesbrough Collection as a sleeping repository of the past and present. Perks and Stewart used the Collection and displays as source material, asking three groups to imagine the dreams of the Collection through creative writing, meditation, observation exercises and karaoke. The resulting material was inputted into ChatGPT to generate a script and then fed into an AI moving image platform, Pictory AI, which translated it into a sequence of moving images from existing databases.
0.0Short piece concerned with art works forbidden by the nazi regime.
3.7A cinematic time capsule with over 1,400 hours of submitted material from all regions of Switzerland gives unknown insights about the life of Swiss people in the politically and socially turbulent summer of 2019.
6.7Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.
0.0Using visual assemblage as a technique to delve into the artist's own formation of personal narrative, self-possession and the aestheticization of compositional materials, Sodipo extends her long term fascination with images that pull, extend, transform and recontextualise notions of femininity, desire, and danger.
6.2The mythic nature of cowboy masculinity is deconstructed in this scathing montage of re-contextualized sounds and images culled from advertising, television, arcade game footage and other pop culture iconography.