Party auf dem Todesstreifen - Soundtrack der Wende(2014)

Strange Days Diary NYC(en)

One neighborhood in New York City, March 2020: the coronavirus is spreading rapidly, the federal government is clueless, and life seems increasingly surreal. A month later, the city has become an epicenter of the pandemic as the death rate spirals upwards. Then the racial justice protests erupt... Strange Days Diary NYC is a visual account of living through a disruptive, frightening, yet inspiring time.

SHOOTER(it)

A short audiovisual portrait of Giulio Nick Piacentini, a young sound engineer with a hobby for nature photography. Realized for the Filmmaking Laboratory at DAMS RomaTre with Antonietta De Lillo.

Le Paris des mannequins(fr)

A photoshoot on the roofs and in the streets of Paris, under the astonished eyes of the inhabitants.

Cannibal Corpse: Live Cannibalism(en)

Live show filmed during the Death Metal Massacre tour on February 16, 2000 at the Rave in Milwaukee, WI. One of the most extreme heavy metal bands ever, Cannibal Corpse acknowledge no boundaries of speed, power, or "good taste" in this full-on concert video. Cannibal Corpse: Live Cannibalism features interviews with the members of the band and their loyal fans in between numbers, in which they tear through a range of classic tunes.

Drain the Titanic(en)

Computer-generated imagery and other visualization techniques reveal how it would look if all the water was removed from RMS Titanic's final resting place.

Debris(en)

Debris is a 25 minute film made in collaboration with the National September 11th Memorial and Museum. This documentary tells the story of September 11th, 2001 using bystander footage, source audio and newly composed music. Some of what you'll see may seem familiar - but certain events in Debris have rarely been viewed by the public.

Heartbeat of a Nation(en)

A short documentary that celebrates Dene cultural reclamation and revitalization, in which a father passes on traditional knowledge to his child through the teachings of a caribou drum.

Avenged Sevenfold Waking the Fallen Resurrected(en)

A documentary about the album Waking the Fallen.

But I Love the Zine(en)

This film reveals the resurgent San Francisco Bay Area culture of zines - artistic publications that are self-made, accessible, intentionally tactile and NOT the Internet. We meet remarkable zine authors in their studios, a major art museum curator, and avid zine festival goers and promoters.

Bala(bn)

A documentary about the aging prima ballerina Balasaraswati (popularly known as "Bala"), the most famous exponent of the Bharatanatyam dance.

Rinaldi - Instrumental Transcommunication to The Other Side(en)

Por Favor, Socorro(pt)

The Pleasure in Pain(en)

A short film that follows key figures of the London kink scene on an exploration into BDSM and the notorious fetish event Klub Verboten. The film touches upon themes of psychology, trauma, LGBTQ+ rights and black representation.

Beyond the Noise.(en)

An exploration into the benefits of music in uk youth culture. Understanding the comfort it can provide.

Eurotrauma: Skinny Puppy Live in Europe 1986(en)

A hand-filmed 32-minute documentary of the Skinny Puppy's 1988 'Head Trauma' tour of Europe by Dwayne Rudolph Goettel. Edited by Nivek Ogre in 2005.

This Temporal World(en)

A haunting story of the FBI's dark hand in American life. In 2015, Khalil Abu-Rayyan was just a young Muslim man in Detroit, Michigan: to get by, he delivered food for his family's pizzeria. Depressed and lonely, Khalil found solace in smoking weed and looking at extremist material online. Then two young women started messaging him, and he fell in love. But one of them suggested he start doing increasingly violent things. Nothing was as it seemed. And Khalil's life would never be the same. A documentary by Garret Harkawik for the Gravel Institute.

NARC. Mini-Doc – Combining The Arts: Spaces For All(en)

Lizzie Lovejoy’s mini-documentary explores the world of non-traditional performance spaces, especially in the Tees Valley and celebrating the fantastic work they do. Lizzie spoke to Bobby Benjamin, artist and curator of Pineapple Black in Middlesbrough, about the exciting range of work the gallery has housed over the past couple of years during festivals, exhibitions and events. And from Redcar Palace Art Gallery, director James Beighton and curator Beth Smith of Tees Valley Arts discuss how the venue is used to create works as well as share them, and why accessibility has become one of their main focuses. People connect to performance in different ways than visual art, but both can be incredibly powerful and influential. Using local creative spaces to pull both together highlights how fantastic our local cultural community really is. This is an Art Mouse film for NARC. TV, written and directed by Lizzie Lovejoy.

The 11th Hour(en)

A look at the state of the global environment including visionary and practical solutions for restoring the planet's ecosystems. Featuring ongoing dialogues of experts from all over the world, including former Soviet Prime Minister Mikhail Gorbachev, renowned scientist Stephen Hawking, former head of the CIA R. James Woolse

Kana Nishino Love Voyage ~a place of my heart~(ja)

Kana Nishino’s second DVD featuring an unplugged live, a documentary and an interviews. This is meant to run as a film with the unplugged live, interviews, and documentary all playing together intertwining.

Play Dead!(fr)

If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.