Esconde-Esconde(2024)

Lullaby for the Lost(en)

A sleeping man’s fading memory of his late Mother unravels through a recurring, hypermnesic dream that reverberates and transforms throughout his life, tracing from his final dream back to his first.

What Makes the Ride Worthwhile(en)

A short film shot on 16mm about memory, grieving, and siblinghood.

Himmeltelefonen(da)

Plenty of Space in the Fridge(en)

Jack's life (and kitchen) is turned upside down when his fridge begins to talk to him.

FOREIGN AFFAIRS(en)

Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.

Squatter(en)

A squatter spends his days with his dog in a decrepit, abandoned house until a discovery entices him out.

The Red Gate: Magellan at the Gates of Death, Part I(en)

"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins

Knucklebones: Self-Sustaining Members of the Human Species(en)

Knucklebones follows the course of hysterical outburst to instances of alienation and isolation. From a 1903 newspaper, "While fifteen hundred persons looked on in breathless excitement, an electric bolt sent the man-killing elephant staggering to the ground. With her own life, she paid for the lives of the three men she had killed." The film combines archival with Super8 and 16mm original footage and intertext in an experiential exploration of gender, sexuality and identity. Featuring Katherine Crockett, prior to becoming a Martha Graham Dance Company soloist. "A haunting evocation of the body under stress."-Kathy Geritz, Pacific Film Archive

Small Mountains(en)

A slug climbs small mountains at the peak of Mount Greylock (3,489 ft).

Summer Meadow(en)

A close look at flowers and pollinators on a sunny summer morning.

New Clouds(en)

Clouds forming and moving through the summer sky.

Two Trees(en)

In the early 1900s commercial loggers cut down an old growth spruce tree growing on a small island surrounded by tide pools on the coast of Maine. Out of the trunk of this ancient tree grew two new trees, side by side.

A World of Dew(en)

Morning dew in summer fields and meadows.

Mountain Wildflowers(en)

Mountain wildflowers in a dense fog.

Winter Light(en)

Sunlight in a winter forest.

Snowfall(en)

As a winter storm approaches the shallow water crystallizes, ice builds up along the edges of a stream, and the first snowflakes of the storm layer over the newly formed ice. The following morning a soft light approaches through the snow covered forest.

The Forest and The Sea(en)

A short film featuring a coastal forest and the rocky coastline of downeast Maine.

Starlight(en)

A golden sunrise brings light to the foggy hills and meadows of late summer.

The Seashore(en)

A study of the seashore in mid-coast Maine.

Autumn Evening(en)

As the day comes to an end deer graze on a hillside, wild turkeys pass through a grassy field, and the full moon rises.