Three phases of the life of guerrilla priest Camilo Torres (the initial caption explains well how Camilo's mother distanced herself from the film, which falsifies in her opinion her son's life and ideology), told in such a way that it is difficult to read the same person in them; also because the protagonist of the first segment, a young bourgeois university student who is seduced by revolutionary ideals dying during a student revolt, is blessed on the lawn at the moment of his death by the very protagonist of the second episode, this one more obviously inspired by the Camilo Torres who felt his vocation and gave himself to the priesthood.
Three phases of the life of guerrilla priest Camilo Torres (the initial caption explains well how Camilo's mother distanced herself from the film, which falsifies in her opinion her son's life and ideology), told in such a way that it is difficult to read the same person in them; also because the protagonist of the first segment, a young bourgeois university student who is seduced by revolutionary ideals dying during a student revolt, is blessed on the lawn at the moment of his death by the very protagonist of the second episode, this one more obviously inspired by the Camilo Torres who felt his vocation and gave himself to the priesthood.
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One of the topics that film affects is dominance the victory over fascist Germany cult in the minds of people and the obscurantist attitude of society towards the Great Patriotic War.
Three friends form a bond over the year, Johnathan is gay, Clare is straight and Bobby is neither, instead he loves the people he loves. As their lives go on there is tension and tears which culminate in a strong yet fragile friendship between the three.
A person receives old entries from their diary, unsure of who is sending them. They eventually arrive at a moment of transcendence.
A vacationing entomologist suffers extreme physical and psychological trauma after being taken captive by the residents of a poor seaside village and made to live with a woman whose life task is shoveling sand for them.
A guitarist wrestles with his inner turmoil, seeking elusive fulfillment in the ethereal echoes of his music.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
An ordinary funeral procession moves along its path from church to cemetery. Observing, you slip from reality into a place where time has lost its linearity, looping through the odd images thrown off by a distorted reality. Images of non-existence, of varying reflections of death issuing from both past and future, concrete yet abstract, horrible yet desirable. A family asks a young psychiatrist to be their guest for a while to untangle the circumstances of their father's illness. He's developed a suicidal fixation for ropes and knots among other things. While deeply involved in analyzing the patient's delirium, the doctor begins to lose track of what is taking place. The task of "how to help" is twisted into "who am I? Doctor or patient? Chance guest, member of this suffering family, or a catholic priest who has dreamed this all up?" In order to get a handle on it all, it's best to start from the beginning, but why do things keep shifting, changing?
When a beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.
Mockumentary experimental film, which shows one day in the life of a young man. The action takes place on the Day of Soviet Cosmonautics, April 12, one of the last years of the USSR. Outside the window, it is gradually getting warmer, the onset of spring is felt, promising hope for the possibility of changes in the country. The hero of the film is fond of space. The young man, who idolizes Gagarin, is engaged in reconstruction, making the uniform in which the cosmonaut walked in the prime of his glory. Our hero is also a film enthusiast. He makes films with stories of space flights and shows them to his friends. The film is stylized as amateur films of the 1980s and was shot on a 16-mm color film made by the company" Svema", made in the Soviet Union. The quality of this film allows the viewer to fully immerse themselves in the atmosphere of the time of the film, which is dedicated to Soviet cosmonautics and Edward D. Wood Jr.
A painter lives with his wife and four children in a studio. Due to creative frustrations and the irritation of admirers and hangers-on he becomes increasingly reclusive, finally sealing himself away in the attic. Based on an Albert Camus story.
Ann follows Warhol's instructions throughout the entire screen test, as she stares directly at the camera without blinking, until tears begin to fall first from her left eye, and then from her right eye.
Inhabitants of a small village in Hungary deal with the effects of the fall of Communism. The town's source of revenue, a factory, has closed, and the locals, who include a doctor and three couples, await a cash payment offered in the wake of the shuttering. Irimias, a villager thought to be dead, returns and, unbeknownst to the locals, is a police informant. In a scheme, he persuades the villagers to form a commune with him.
Four friends spend a final summer together tangled in a web of sexual obsession, alienation and magic.
Adnan, who cannot express his feelings, is tested by Jess, his girlfriend, to determine if Adnan cares for her.
A Swedish TV presenter's well-ordered life unravels when she finally confronts her domineering husband about an accusation against him. Her subsequent flight precipitates a chain of lies and paranoia in this taut psychological suspense drama.
In Edo-era Japan, a ukiyo-e artist languishes in his master’s shadow. Creatively stifled, he finds consolation in the company of a prostitute, and becomes entangled in a love triangle. A mystery emerges involving two portraits and the sudden disappearance of the artist Sharaku. Helmed by Cannes-selected director Tatsuji Yamazaki, the film employs kabuki-inspired sequences and stylised sets.
A kaleidoscopic perspective into one woman's experience with self-dissolution and urban alienation.
A charismatic New York City jeweler always on the lookout for the next big score makes a series of high-stakes bets that could lead to the windfall of a lifetime. Howard must perform a precarious high-wire act, balancing business, family, and encroaching adversaries on all sides in his relentless pursuit of the ultimate win.