Mer.(2024)

What Follows Is Silence(it)

A quiet boy, full of thoughts, leaves his house holding a toy airplane. He boards a bus and, while playing with the model, arrives at Parco Perotti in Bari, where the memorial stele for Tuninter Flight 1153 stands — a flight that took off from Bari and ditched off the coast of Sicily near Capo Gallo on August 6, 2005 — air disaster that claimed 16 lives and deeply affected the 23 survivors.

Damage(en)

Ali is not a citizen. He drives a taxi using another man’s license and relies on the GPS to negotiate his way around a city he doesn’t know. His passenger, Esther is an old woman who can’t remember where she is going. She is angry because she has been stripped of everything that is familiar to her and she doesn't recognise the world anymore. They travel through the night in search of a vague destination while surveillance cameras mark their journey, coldly omitting the human element, defining who belongs and who does not, who is safe and who is not. What they have in common is their damage – she can’t remember and he can’t forget.

La montagna magica(it)

Ali's Story(en)

Living as listening: For DJs, life revolves around records. Around sounds. Every life is a story, every DJ is a narrator. Every stack of records is an endless collection of stories, of myths, of memories. Can we know someone’s life through their records? For some, we can even know their impact. These records changed Ali Coleman’s life. This is Ali’s Story.

Stone Street(en)

Stone Street documents the life and experiences of a Trinidadian diaspora family and their enduring connection to the long standing family home in Port of Spain. Through the intersecting journeys of this extended and extensive family, the filmmaker explores themes of home, belonging and identity in a life defined by the fragmentary nature of a migratory Caribbean culture. This experimental documentary combines a lyrical first person voice with a family archive of home made audio visual artifacts, interviews and events. As the documentary explores the fragmentary nature of Caribbean identity, it simultaneously celebrates the fragments of domestic memorializing found in home movies, videos and photographs. Stone Street uses these various forms to evoke the experience of a complex and diverse Caribbean and Caribbean diaspora identity.

La importancia de llamarse Avelino García(es)

Avelino Chillarón was 12 or 13 years old when he realized that his surnames and those of his cousins ​​didn't match, so he decided to ask his uncle. This is how he learned that, although his father and aunt were siblings, they didn't have the same father, so he and his cousins ​​didn't share the same grandfather. In this way, Avelino realized that there was a part of his family he didn't know. The protagonist of this story feels partially mutilated from a part of his family history, a part that was taken away from him by a regime that established, over the years, a long period of widespread social amnesia about a series of corpses and missing persons throughout the spanish geography.

Há Sempre Alguém Que Te Ama(en)

Filmed immediately after the end of the civil war in Angola, Há Sempre Alguém Que Te Ama records the return of Pocas Pascoal to the country where she was born, in an attempt to reconstruct the episode that, in 1975, led to the capture of the director along with her mother and sisters. An intimate documentary about memory and self-(re)construction.

The Life That Will Come(es)

This documentary, made entirely of archival footage shot mainly by amateurs, revisits 50 years of Chilean history. A fascinating lesson in memory, this personal montage adopts a popular, even fringe, perspective to help write a more complete national memory. As the filmmaker asserts in her narration, there’s the history we’re told, the history we live, and the history we tell ourselves. Between the coup d’état of September 11, 1973, and the recent double failure of the new constitution project, this film shows that the people of Chile have long oscillated between excitement and disappointment, accumulating shattered hopes. Rejecting the pessimism that would trap us in collective immobility, Karin Cuyul instead draws on the past to ask how we can continue to dream of the necessary social and political changes.

Corpo d'Água(pt)

Restart(de)

A young man is stuck inside of an endlessly repeating loop

Papers(es)

Trapped in the middle of the world-shaking Panama Papers scandal, Ana Mendez must fight the system, the global media and her own ethical compass to try to restore her reputation and save her family.

Daughter.(id)

Tatang, a systematic and melancholic widower, loses his enthusiasm for his routines when he begins to realize that he needs the presence of Caca, his only daughter in his life.

Three of a Kind(sr)

Contemporary urban melodrama about three young couples who experience emotional crises and turning points in their relationships due to the circumstances in which they find themselves. The earthquake connects three stories in the same city in a cathartic way.

The Golden Boy(en)

A family drama, about a non-verbal autistic six-year-old boy who with the help of his older sister, proves that his high support needs can’t stop his potential.

The Ambulance Man(en)

The Ambulance Man is a story about a paramedic who faces a difficult time at home, as he lives with an abusive partner.