Var Bunlar(2022)

John(en)

John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.

歌行千里(zh)

Dictator calls Thanasis(el)

The adventures of a photographer, who undertook to take a photographs of exiled dictator from South America and eventually found chased without knowing why.

First Visitor(ru)

It's All Because of a Katoey(th)

A beautiful woman picks up her fiancé at a gentleman's club where the members play pool. She is so attractive that other men begin to compete for her attention. One, a lieutenant who she won't give the time of day, finds out a little more about her than he bargained for.

Doctor M.H. - Who is Marie Johansson(en)

Our main character is a pathologist called Doktor M.H.. No one knows his real name. He is a loner, lives by himself and listens classical music. He works at the our local university, at the department of pathology. In our film M.H. is faced with a difficult thing. He finds out that his former girl friend of two years ago is dead. Her body has just been transported to the pathology lab. M.H.s boss orders him to a two week leave. Doktor M.H. has to know how her former girlfriend died. We had a goal to make a synthetic nordic city. By combining Tallinn and Helsinki we tried to make a generic city. We ended up using Paris too, but that made it more interesting.

Ταχύτητα και αγάπη(el)

Cezanne's Eye(en)

Cezanne's Eye is an experiential journey through the body of a unique landscape - that of Cezanne's Provence. Using intuitive and expressionist visual language and a striking specially composed soundtrack (by Stuart Jones) the film is a movement through land, sky, colour, sound and music that is both sensual and visually challenging. In Stan Brakhage’s words, Cezanne's Eye is “the most significant camera as paintbrush film in the history of cinema”.

The Dune(fr)

Through the course of several accidents and chance encounters, Hanoch and Ruben will meet and each of them will have to face a page of his personal history, a page that they both need to turn for good.

Hold That Hypnotist(en)

When one of the Boys agrees to be hypnotized, he discovers he led a past life in the 1600s as a British tax collector.

New(ru)

Outskirts of Moscow. A girl comes to an unfamiliar apartment to look after a dog. After a while, she realizes that the owner of the apartment has disappeared. She finds herself into a series of people that have been taking care of the dog for years in that same apartment, creating a weird community around this strange absence of the owner.

Black Honeymoon(ko)

Newlyweds Jun-ho and Eun-jin join six other couples as they all embark on a honeymoon excursion to Cheju Island. But the trip takes a tragic turn when Jun-ho's eyeless corpse is discovered the next morning and detective Pyun-shik must find the killer.

Léon Trotsky - Un homme à abattre(fr)

On August 21, 1940, Trotsky was assassinated in Mexico City, after eleven years of exile. The killer, Ramon Mercader, a young Spanish communist, was a character straight out of a spy movie. He was recruited in 1937 by Stalin's secret service when the latter decided to eliminate Trotsky, that tireless opponent. Through the epic story of Trotsky's last years in exile in Mexico, enriched with flashbacks to his political past, this film, a true historical thriller, offers a cross-narrative between Trotsky's life in exile and the setting up, at the same time, of "Operation Duck", the code name for his assassination.

Scenes I Imagine(tr)

Hayalimdeki Sahneler aims to explain and analyze scenes from 3 heavily queer coded Turkish films from 80s.

Stone Sour: Rock In Rio 2011(en)

Stone Sour at Cidade do Rock, Rio de Janeiro, Brazil on September 24, 2011. Setlist: 01. Mission Statement / 02. Made of Scars / 03. Digital (Did You Tell) / 04. Orchids / 05. Say You'll Haunt Me / 06. Come What(ever) May / 07. 30/30-150