The Silence of the River(1991)

I Am Not Your Negro(en)

Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.

No Mercy(en)

An unconventional undercover Chicago cop and his partner are recruited to commit the murder of a New Orleans criminal kingpin.

Soundtrack to a Coup d'Etat(fr)

Jazz and decolonization are intertwined in a powerful narrative that recounts one of the tensest episodes of the Cold War.

1992(en)

In 1992, Mercer is desperately trying to rebuild his life and his relationship with his son amidst the turbulent Los Angeles uprising following the Rodney King verdict. Across town, another father and son put their own strained relationship to the test as they plot a dangerous heist to steal catalytic converters, which contain valuable platinum from the factory where Mercer works. As tensions rise and chaos erupts, both families reach their boiling points when their worlds collide.

Peppermint(en)

A grieving mother transforms herself into a vigilante following the murders of her husband and daughter, eluding the authorities to deliver her own personal brand of justice.

LA 92(en)

Twenty-five years after the verdict in the Rodney King trial sparked several days of protests, violence and looting in Los Angeles, LA 92 immerses viewers in that tumultuous period through stunning and rarely seen archival footage.

O.J.: Made in America(en)

A chronicle of the rise and fall of O.J. Simpson, whose high-profile murder trial exposed the extent of American racial tensions, revealing a fractured and divided nation.

The Green Book: Guide to Freedom(en)

In 1936, Victor H. Green (1892-1960) published The Negro Motorist Green Book, a book that was both a travel guide and a survival manual, to help African-Americans navigate safe those regions of the United States where segregation and Jim Crow laws were disgracefully applied.

Panic in the Streets(en)

A medical examiner discovers that an innocent shooting victim in a robbery died of bubonic plague. With only 48 hours to find the killer, who is now a ticking time bomb threatening the entire city, a grisly manhunt through the seamy underworld of the New Orleans Waterfront is underway.

Night Will Fall(en)

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

13th(en)

An in-depth look at the prison system in the United States and how it reveals the nation's history of racial inequality.

The Class of ‘92(en)

A detailing of the rise to prominence and global sporting superstardom of six supremely talented young Manchester United football players (David Beckham, Nicky Butt, Ryan Giggs, Paul Scholes, Phil and Gary Neville). The film covers the period 1992-1999, culminating in Manchester United's European Cup triumph.

The Perfect Neighbor(en)

Police bodycam footage reveals how a long-running neighborhood dispute turned fatal in this documentary about fear, prejudice and Stand Your Ground laws.

Murder!(en)

When actress Diana Baring is found in a daze beside her colleague’s murdered body, all evidence points to her guilt. During the trial, juror Sir John Menier doubts the verdict, but yields to pressure. Haunted by remorse, he launches his own investigation.

The Stronghold(fr)

Tired of the small-time grind, three Marseille cops get a chance to bust a major drug network. But lines blur when a key informant makes a big ask.

The Alabama Solution(en)

Incarcerated men defy the odds to expose a cover-up in one of America’s deadliest prison systems.

Love, Antosha(en)

From a prolific career in film and television, Anton Yelchin left an indelible legacy as an actor. Through his journals and other writings, his photography, the original music he wrote, and interviews with his family, friends, and colleagues, this film looks not just at Anton's impressive career, but at a broader portrait of the man.

The Killing of America(en)

A documentary of the decline of America, composed of archival material and exclusive footage, carnage, madness, and mayhem with an unapologetic sincerity on the factual depiction of violence in the industrialized nation of the United States. Featuring a juxtaposition of detailed accounts of terrible acts, brutal behavior, and interviews from experts and convicted killers alike.

Human Flow(en)

More than 65 million people around the world have been forced from their homes to escape famine, climate change and war, the greatest displacement since World War II. Filmmaker Ai Weiwei examines the staggering scale of the refugee crisis and its profoundly personal human impact. Over the course of one year in 23 countries, Weiwei follows a chain of urgent human stories that stretch across the globe, including Afghanistan, France, Greece, Germany and Iraq.

DMT: The Spirit Molecule(en)

THE SPIRIT MOLECULE weaves an account of Dr. Rick Strassman's groundbreaking DMT research through a multifaceted approach to this intriguing hallucinogen found in the human brain and hundreds of plants, including the sacred Amazonian brew, ayahuasca. Utilizing interviews with a variety of experts to explain their thoughts and experiences with DMT, and ayahuasca, within their respective fields, and discussions with Strassman’s research volunteers, brings to life the awesome effects of this compound, and introduces us to far-reaching theories regarding its role in human consciousness.

Frantz Fanon: His Life, His Struggle, His Work(fr)

It is the evocation of a life as brief as it is dense. An encounter with a dazzling thought, that of Frantz Fanon, a psychiatrist of West Indian origin, who will reflect on the alienation of black people. It is the evocation of a man of reflection who refuses to close his eyes, of the man of action who devoted himself body and soul to the liberation struggle of the Algerian people and who will become, through his political commitment, his fight, and his writings, one of the figures of the anti-colonialist struggle. Before being killed at the age of 36 by leukemia, on December 6, 1961. His body was buried by Chadli Bendjedid, who later became Algerian president, in Algeria, at the Chouhadas cemetery (cemetery of war martyrs ). With him, three of his works are buried: “Black Skin, White Masks”, “L’An V De La Révolution Algérien” and “The Wretched of the Earth”.

Bouzareah(fr)

Arriving aboard the liner “Ville d’Alger”, young French citizens go to Bouzareah to follow a one-year professional training course at the École Normale. After acquiring the basics of the Arabic language and culture, the future teachers are trained to teach the population the basics of modern agriculture, manual work and hygiene. A study trip concludes the training. The teachers are then sent to the regions of their choice, where they will put their knowledge at the service of the inhabitants.

The Body of Emmett Till(en)

Emmett Till was brutally killed in the summer of 1955. At his funeral, his mother forced the world to reckon with the brutality of American racism. This short documentary was commissioned by "Time" magazine for their series "100 Photos" about the most influential photographs of all time.

David Harewood on Blackface(en)

At its peak, The Black and White Minstrel Show was watched by a Saturday night audience of more than 20 million people. David Harewood goes on a mission to understand the roots of this strange, intensely problematic cultural form: where did the show come from, and what made it popular for so long? With the help of historians, actors and musicians, David uncovers how, at its core, blackface minstrelsy was simply an attempt to make racism into an art form - and can be traced back to a name and a date.

I Am One of the People(en)

Harmful chemicals are disproportionately affecting Black communities in Southern Louisiana along the Mississippi River. I am One of the People is an experimental short film exposing the environmental racism of “Cancer Alley.”

Glimpses of Morocco and Algiers(en)

This FitzPatrick Traveltalk short visits the cities of Casablanca, Rabat, and Marrakesh in Morocco, as well as the city of Algiers in Algeria.

De Charles de Gaulle à Emmanuel Macron, les gardiens de l'empire(fr)

Algeria in Flames(ar)

These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.

Et les arbres poussent en Kabylie(fr)

A warm, attentive chronicle of everyday life in a small Algerian town, with the backdrop of the inhabitants' development and beautification of one of the neighborhoods. We meet an amateur mechanic, a retired man from France, a doctor, old women and young men. Everyone plays... in front of the camera of one of the youngsters. Even when the riots in Kabylia disrupt the course of daily life in the Cité des Martyrs.

White Power: Inside Europe's Far-Right Movement(fr)

An analysis of the rise of the European far-right, increasingly present in both politics and everyday life: an inquisitive journey through France, Germany and Belgium.

The Aryans(de)

THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.

143 Sahara Street(fr)

Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari's novel, which Ferhani admits to having first perceived as a "literary fantasy", suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat.

Rage Against the Machine - Killing in Thy Name(en)

A teacher gives a brief history lesson on the concept of whitness to students. This is intercut with Rage Against the Machines Killing in The Name of as well as quotes relating to the discussion. It goes onto critique racism and the overall structure of wealth and power in America and the history that generated it.

Ellis Island, une histoire du rêve américain(fr)

In 1892, Ellis Island, in New York Bay, became the main gateway to the United States for immigrants arriving increasingly from Europe. The story of immigration to the United States from 1892 to 1954, an enthralling polyphonic narrative that embraces both small and great history.

Visions of Europe(en)

Twenty-five films from twenty-five European countries by twenty-five European directors.

Stop The Tour(en)

Stop The Tour discovers the extraordinary story of how sport helped bring an end to Apartheid which paved the way towards the multi racial 2019 Springbok champions.

Rise Again: Tulsa and the Red Summer(en)

Comes one hundred years from the two-day Tulsa Massacre in 1921 that led to the murder of as many as 300 Black people and left as many as 10,000 homeless and displaced.

Barbed Wire and Mandolins(en)

Upon Canada's entry into World War II, the RCMP rounded up thousands of people it considered fascist sympathizers. Among them, 700 Italian-Canadians were held for up to three years in internment camps. None were ever charged with a criminal offence.

My Life Inside(es)

Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.

The Zerda or the Songs of Forgetting(fr)

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.