An introspective journey through the silent language of architecture, "Sensuousness" presents an evocative tapestry of black-and-white imagery. Each frame whispers the essence of space and form, blending the intimate with the expansive. Inspired by philosophical musings on beauty and the tactile experience of the built environment, the film meanders through interior and exterior realms, accompanied by a serene soundtrack. This meditative piece invites viewers to perceive the subtle dance between light, shadow, and texture, uncovering the soul of architecture in a world of monochrome contemplation.
Himself
An introspective journey through the silent language of architecture, "Sensuousness" presents an evocative tapestry of black-and-white imagery. Each frame whispers the essence of space and form, blending the intimate with the expansive. Inspired by philosophical musings on beauty and the tactile experience of the built environment, the film meanders through interior and exterior realms, accompanied by a serene soundtrack. This meditative piece invites viewers to perceive the subtle dance between light, shadow, and texture, uncovering the soul of architecture in a world of monochrome contemplation.
2024-07-04
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Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
"Film shot on the 'bench' from hundreds of photos, buildings, streets, towns unusually colorful for a North Mediterranean eye. The editing was composed on a score because the shots are generally very short, up to two images, and they do not follow each other "cut" or crossed but in "racket". The progression of shots varies from faintly colored recognizable to strongly colored unrecognizable. The soundtrack is composed of Arabic music that gradually turns into free-jazz. » Mannheim Festival, 1973
On July 25th, 2020, Ridley Scott and Academy Award winner Kevin Macdonald invite you to be part of Life in a Day—a historic, global documentary capturing a single day on Earth. Videos from around the world are woven into a feature film.
The "bleared eyes of blue glass" in the title of this experimental short expand on a verbal image from Virginia Woolf's novel The Waves, considered the most experimental among the 20th-century British writer's literary works, from which the young filmmaker took inspiration for his film, borrowing passages and visions to explain his own understanding of what cinema is. A film that plays with water - precisely - and light, and yet in a very dark b&w lit up by rare flashes of colour, making a journey in the night in which the shadow of a man gradually acquires substance.
An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Through interspersed conversation and prose, this experimental documentary follows a poet and a neuroscientist as they explore the definition of love, what it means, and why it matters.
"Birth is not a beginning and death is not an ending. They are merely points on a continuum." - Elisabeth Kübler-Ross
Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.
A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.
An experimental film about narrations of two journal photos from Iran's revolution in 1979.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Niño de Elche leaves the curtain ajar in the moments before the premiere of his show Coplas Mecánicas, with Israel Galván at Sónar Festival 2018.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
During the pandemic, a 14 year old boy remains stuck in his school dormitory while his mother tries to contact him.
To produce speech, a set of mechanisms must be brought together. What is the normal articulation for speech? How to produce the sounds that make it up in the correct way? A physiological analysis of the aspects of speech shows us how: the jaw must move in a certain way; the air must be expelled from the lungs in another. Based on the concepts stated in the film "Normal Speech Articulation" (1965), produced by the University of Iowa (USA), we intend to reflect on the way women have been represented, and consequently educated, over the years, both in film and in the media. Largely composed of archival footage, this film intends to make evident, through a montage inspired by Structuralist movements, the violence of this education.