Les bacheliers de la cinquième(1962)

Never Anywhere(fr)

Behind closed doors in a car, three friends from the small town of Sept-Îles discuss their desire to reconnect with the North Shore, the region where they grew up. As the hours lenghten on the road 138, the young women reflect on the quest for identity that accompanies the regional exodus and reveals a social landscape decentralized from the metropolises.

J'aime toute(fr)

At the age of eight, José shows us his village, Nutashkuan, and everything he loves there.

Uapishka(fr)

North of the 51st parallel, where the dense boreal forest opens onto an arctic islet, the snow-capped peaks of the Uapishka Mountains watch over the Nitassinan of Pessamit. In the heart of winter, a group of Innu and non-Innu adventurers attempt to cross this vast mountain range on snowshoes, completely independently. Faced with the vastness of the territory, the rigors of the northern climate and the impetuous breath of the tundra, they discover each other in a different way, form friendships and unite to better chart their course. Over the kilometres, the adventure reveals a space for meeting, sharing and reconciliation.

Pouvoir Oublier(fr)

Pouvoir Oublier is a political documentary first constructed from the words of the speakers whose lives changed on the tragic day of May 10, 1972 in Sept-Îles. Their word will be juxtaposed with archival material from the events, some of which are unpublished, which will reflect the collective euphoria in which Sept-Îles and all of Quebec were then bathed.

L’histoire de la Côte-Nord: une histoire commune(fr)

Le coureur des bois et le Nutshimiu-innu(fr)

Filmmaker Éli Laliberté explores Nitassinan, an Innu territory north of Sept-Îles. His camera follows Clément and Tekuanan. The first is a modern-day coureur des bois, the other returns to Nutshimit, his ancestral family territory.

Betsiamites(fr)

La vieille réserve(fr)

Manicouagan(fr)

Driven by an intimate quest, this choral film reveals the meeting of individuals who inhabit the territory of Manicouagan and who together contribute to defining its geomorphological and socio-cultural imprints through time in a dreamlike manner.

2 pouces en haut d'la carte(fr)

In the 1970s, young people from Baie-Comeau – Hauterive sought to take their place in an industrial society dedicated to work and consumption. Often left to their own devices while waiting to enter the job market, many of them seek their paths in artistic creation. The feast of St. John 74 gives them an opportunity to shout their existence loud and clear and to shake up the existing order. We follow them here in their adventure and their reality.

Madame Fife, l'amour d'un village(fr)

For over thirty summers, Mrs. Fife, an exceptional woman of our time, lived in the village of Baie-Johan-Beetz, where her great gentleness and generosity left their mark on people. This documentary is therefore intended as a tribute: it brings together both numerous testimonies and a collection of archival films and photos, signed by Mary Fife.

The Punk of Natashquan(fr)

In 1981, an unusual person arrives in Natashquan, marking the beginning of an unlikely love story between this small Quebec village and the young man they call “The Punk”. Five years later, he vanishes without a trace, forever impacting the community.

Le temps de la Manic(fr)

Documentary filmed at the end of the Manic-Outardes hydroelectric projects on the North Shore of the St. Lawrence (1978) to pay tribute to the men and women who participated, for 20 years, in the first collective project in modern Quebec. Le Temps de la Manic allows us to follow live the moving end of this era in the company of Jean-Noël Laprise nicknamed “the Switch”, Andrée Laprise (Grenier) his partner, their 4 children Carole, Serge, Yvan and Hélène, by Édouard Hovington and Véronique Hovington, by Camille Brisson, Léo Boisclair, Denis Ouellet, Gérard Debigaré and Fernande Buissière. Everyone has experienced the time of the Manic adventure from the inside. The Prime Minister, Mr. René Lévesque, also appears in the film.

Tout est ori(fr)

No Ordinary Life(en)

In a field dominated by men, five pioneering camerawomen Mary Rogers, Cynde Strand, Jane Evans, Maria Fleet and Margaret Moth went to the frontlines of wars, revolutions and disasters to bring us the truth. As colorful as accomplished, these brave photojournalists made their mark by capturing some of the most iconic images from Tiananmen Square, to conflicts in Sarajevo, Iraq, Somalia and the Arab Spring uprising. But the world doesn’t know it was these women behind the camera. In the midst of unfolding chaos, the pictures they took for CNN both shocked and informed the world. This feature documentary by director Heather O’Neill tells their remarkable story.

Diane Warren: Relentless(en)

An intimate look at the life, career and process of one of the most accomplished songwriters of all time, Diane Warren.

Za tučňáky, lvouny a velrybami(cs)

Summoned: Frances Perkins and the General Welfare(en)

In the depths of the Great Depression, Franklin Roosevelt appointed Frances Perkins as the first woman on a presidential cabinet. Against overwhelming odds, she became the driving force behind Social Security, the 40-hour work week, the eight-hour day, minimum wage and unemployment compensation. Summoned: Frances Perkins and the General Welfare features compelling interviews with David Brooks, Nancy Pelosi, Amy Klobuchar, Lawrence O’Donnell and others while telling Perkin’s heroic story which explores the history of women in politics, Social Security, our attitudes toward immigration, poverty, Socialism, and the role of government. Without this context our current dialogue is ill-informed and diminished.

Visions Cinema: Film as a Way of Life: Hong Kong Cinema - A Report by Tony Rayns(en)

Examines the early 1980s Hong Kong filmmaking community. Tony Rayns interviews some of the new generation of filmmakers and figures from the wider film culture.

This Right, Left World(ru)

Based on the book “The Ambidextrous Universe” by Martin Gardner. An eccentric professor explains whether our idea of ​​the symmetrical structure of the universe is still valid and invites the viewers into the world of elementary particles