Time-lapse photography of books, paintings, reflections, and light falling on textures, shot entirely through a glass ashtray. "'All that is is light.' – Dun Scotus Erigena. 'To see the world in a grain of sand.' – William Blake. These are the primary impulses while working on this film. It is dedicated to Jim Davis who showed me the first spark of refracted film light." - S.B.
Time-lapse photography of books, paintings, reflections, and light falling on textures, shot entirely through a glass ashtray. "'All that is is light.' – Dun Scotus Erigena. 'To see the world in a grain of sand.' – William Blake. These are the primary impulses while working on this film. It is dedicated to Jim Davis who showed me the first spark of refracted film light." - S.B.
1974-10-26
5.9
The climbing of an immense staircase made up of the most varied stairs- Symbolic scenes occur on different levels where characters seem to be prisoners of their deeds and of their own folly. The steep staircase leads little by little towards the zones of great light where human beings and nonhuman beings meet.
At the turn of the century on Prince Edward Island, Matthew Cuthbert and his sister Marilla decide to take on an orphan boy as help for their farm. But they get an unexpected jolt when they're mistakenly sent a girl instead: Anne Shirley.
Wilbur the pig is scared of the end of the season, because he knows that come that time, he will end up on the dinner table. He hatches a plan with Charlotte, a spider that lives in his pen, to ensure that this will never happen.
Man-eating crocodiles return to the lake as two males and one aggressive female crocodile, which is protecting her nest, wreak havoc on the locals.
After the Civil War, a former Union colonel searches for the two traitors whose perfidy led to the loss of a close friend.
Robot Chicken: Star Wars Episode III, directed by Chris McKay, combines the satirical sensibilities of Green and Matthew Senreich's Robot Chicken with characters of the Star Wars universe.
Pop sensations Alvin, Simon and Theodore end up in the care of Dave Seville's twenty-something nephew Toby. The boys must put aside music super stardom to return to school, and are tasked with saving the school's music program by winning the $25,000 prize in a battle of the bands. But the Chipmunks unexpectedly meet their match in three singing chipmunks known as The Chipettes - Brittany, Eleanor and Jeanette. Romantic and musical sparks are ignited when the Chipmunks and Chipettes square off.
Pooh gets confused when Christopher Robin leaves him a note to say that he has gone back to school after the holidays. So Pooh, Piglet, Tigger, Eeyore and Rabbit go in search of Christopher Robin which leads to a big adventure.
Sylvia's work increasingly takes her away from the three men who help bring up Mary, her daughter. When she decides to move to England and take Mary with her, the three men are heartbroken at losing the two most important females in their lives.
Anatoly Novoseltsev is a mousy single father and office stumblebum working at a statistics bureau in Moscow. In the hopes of being promoted, he is coaxed into charming his disagreeable and seemingly unfeeling boss, Ludmila Kalugina, or "Meany" as she's otherwise known by her subordinates. Helped by his colleagues Olya and Yura, Anatoly attempts to ease the yoke of Ms. Kalugina, and what follows in the wake of his graceless manoeuvres is completely unforeseen, as he awakens a side to her not yet known, even to herself..
Anne Shirley, now a schoolteacher, has begun writing stories and collecting rejection slips. She acts as Diana's maid of honor, develops a relationship with Gilbert Blythe, and finds herself at Kingsport Ladies' College. But while Anne enjoys the battles and the friends she makes, she finds herself returning to Avonlea.
One Monday morning Katya, Vika and Zhanna learn that there will be a school disco, their first disco, on the coming Saturday night. The girls feverishly start preparing for the event, which rapidly becomes the most important moment ever in their universe, and looks like the ideal way to escape their daily lives...
Unable, due to the seal of the confessional, to be forthcoming with information that would serve to clear himself during a murder investigation, a priest becomes the prime suspect.
Bumbling lieutenant Frank Drebin is out to foil the big boys in the energy industry, who intend to suppress technology that will put them out of business.
A great French restaurant's owner, Monsieur Septime, is thrust into intrigue and crime, when one of his famous guests disappears.
To celebrate their graduation from university Kaori and her two friends visit Okinawa in southern Japan for a short vacation. At the vacation house, provided by Tadashi's uncle, a numbing stench awaits the girls, and can be traced to a horrendously deformed, legged fish that Kaori kills. More and more of these creatures appear and portend a horrific change for the animal life in the area. A phone call from Kaori's fiancé Tadashi in Tokyo quickly shows the scope of this epidemic, when he is also attacked by these mechanized fish. Kaori immediately sets out on an perilous voyage to find out what happened to Tadashi, helped by Shirakawa — a videographer in search of the truth behind all this...
Several little boys run along a pier, then jump into the ocean.
After taking a bullet to the head, Salander is under close supervision in a hospital and is set to face trial for attempted murder on her eventual release. With the help of journalist Mikael Blomkvist and his researchers at Millennium magazine, Salander must prove her innocence. In doing this she plays against powerful enemies and her own past.
The second part of the Seventh Company adventures.
Benjamina Miyar Díaz (1888-1961) led an unusual life in her house on calle del Agua in Corao, Asturias, at the foot of the Picos de Europa mountain range in northern Spain: she was a photographer and watchmaker for more than forty years, but she also fought in her own humble and heroic way against General Franco's dictatorship.
22 people who live on the margins of our society read, one after the other, the 22 chapters of John's Revelation. Homeless, prisoners, AIDS patients and immigrants alternate in this surprising journey into the bleeding heart of the West, in which the sound and spirit of this writing resounds like a river flowing just below the glistening surface of the world, dominated by media conditioning and consumerism.
Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
Study of the relationship between observer and landscape in the contemplative experience. The view building the landscape from the necessary distance. The delimitation of its borders against the total continuum of nature. The observer immersed in the path of his gaze across the landscape. Resting the gaze in the details that make the globallity. The view selecting the space included as a landscape.
We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.
Works with sound recordings of Dion McGregor, who became famous for talking in his sleep.
“Aguas Negras” is an experimental documentary about the Cuautitlán River. The film examines the passage of time and the pollution of the river by focusing on conversations with multiple generations of women in the filmmaker's family that have grown up by the river in a municipality identified as having the highest perception of insecurity in the State of Mexico.
The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.
On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.
Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.
A silent succession of black-and-white photographs of the city of Montreal.
An anthology of one-minute films created by 60 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Industrialization brings progress, but also harmful influences on the environment. Warning of the dangers of waste materials dumped into the air and the waters.
A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atlantis in 360 BC and its re-resurrection via a 1970s science fiction pulp novel.
As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.
An experimental film about that one hypnotic moment on a regular, unassuming Tuesday when one realizes that time has stopped and the universe has been sucked into a single smile.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.