A girl answers a job interview and little by little her past is revealed and called into question.
A girl answers a job interview and little by little her past is revealed and called into question.
2000-02-04
8
Confusion caused by Jerónimo, an old man abandoned in a hospital unit, staging his own death.
Four twenty-something women, crammed into a small Manhattan apartment, have dead end jobs (or no job) and overdue rent. They discover cash and self esteem when they set up an illegal bookie joint in their kitchen. Suddenly they can pay their bills; they imagine joining the middle class; they even make corporate donations to charity. The film also explores their relationships with men, most of whom are unfit for anything lasting, and with their mothers, who appear in surreal, imagined conversations with their daughters.
An ordinary man takes revenge only to find it's made him the target of a major crime lord and his army of psychopaths and professional killers.
A man and a woman wake up in a hospital room. She's a nurse, he's a patient. Problem: a large metal object on his back. While the woman tries desperately to escape, the man experiences an inner struggle on the borderline of dream and reality. What has happened before?
Childhood friends Sota, and Rakuto are on a journey to find the Phoenix, which shouldn't exist. As adults, there remains a dark shadow over each of them as their lives have progressed, thus they seek a bit of escapism in their travels. Parallel to their own story, is the mysterious bride. Not to mention a deserted youkai snack bar in the underworld, a gang from an SM Castle, an agricultural rapper, a young man on a bike trip, a monk peaching about enlightenment, the owner and operator of an empty movie theater, and more that the duo meet on their aimless journey. The hints of the true colors of life are within the journey, so what kind of Phoenix are they looking for?
Overnight on 24th June 2020, graffiti reading ‘RIP SENI’ appeared on a public artwork outside Bethlem Royal Hospital, a psychiatric hospital in South London. The red spray-painted letters called attention to Seni Lewis, a 23-year-old black man who died at the hands of 11 police officers while in the care of the hospital in 2010. The artwork had been created by Turner-prize nominee Mark Titchner. It was made up of eight placards asking questions about mental capacity and assessment, creating a powerful resonance between the artwork and the new graffiti. This film reflects multiple perspectives, from mental health professionals to families who have lost loved ones in police custody, prisons and psychiatric hospitals. It explores Seni’s story, the crisis of mental health and racism in the UK, the long fight for justice and what happens when members of the public take art into their own hands.
It’s 1942, and Portugal languishes under dictatorship and WWII rages just beyond its borders. Secrets, half-truths, and mistrust prevail in the state security office of chief inspector Varga, who makes professional privilege a cover for his unprofessional interest in a boldly carnal refugee and her alleged brother. Director/writer Saboga (screenwriter for Raúl Ruiz’s MYSTERIES OF LISBON) saturates the dark world of this predatory tale with steamy eroticism and paranoia, starting with the incestuous desires of his bi-curious adolescent daughter and including the family maid.
A parked car in a housing estate. Inside the car: Ariane and her thirteen-year-old son Thomas. They seem to be on the lookout for someone. When a woman appears in the street, Ariane freezes: will she manage to talk to her?
Year 2006: Bebek, Alen, and Tifa come together to pay tribute to their old band, one and only - Bijelo Dugme (White Button). They performed in Toronto, Atlanta, Chicago, and New York City, in front of thousands.
LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.
Stranded on an island after his ship was wrecked by a hurricane, Porky meets a friendly African Native. They build a house, and Porky begins to explore the island. On his way we see various sight gags.
Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.